Jhones

Avião Brutal do Scat (cover)

An excerpt of this recording is on track 3 of "Cidade Arquipélago".
Dowload the full album at:

https://bandcamp.com/download?id=2402285515&ts=1442845636.1161612400&tsig=e498d5472bf65c25a12279106af957af&type=album

Binaural recording. Listen with headphones.


EastWestPassage

Track 1 of 20160810_19:50:??_-22.920972,-43.238181 

Download the full album here:
bandcamp.com/download?id=280733…e9e4955&type=album

Binaural recording, listen with headphones

20150810_02:36:10_SP->RJ

permutations.1

viagem no parque ao entardecer

Antonio Brito: synthesizers, amplified objects
Renan Salaberga: computer, keyboard

Ponte

krautdog

good trip de rivotril no meio da noia

Icon, for orchestra 



score:

- Saturate a given sound space.


comments to the score

1. We understand by sound space any interval delimited by a frequency x and another frequency higher or lower than x. 

The sound space in question must first be selected taking into consideration the extensions of the instruments that comprise the orchestra.

2. The order "saturate" should be understood as an attempt to occupy all frequencies closed between preset limits (high and low).

To facilitate the implementation of this order, the instruments used in the orchestra should be able to play microtones.

2.1. The musicians should listen to the texture that is sounding, seeking to fill empty spaces, that is, spaces which are not already occupied by a sound.

The frequencies proposed by the instruments must be sustained for longer or shorter periods of time, after which one can exchange one’s sound, always obeying the logic stated above.

3. The order proposed in the score is impossible.

The musical space comprised within a frequential interval can always be further divided, resulting in the existence of new empty spaces:
The space cannot be saturated.

From the point of view of the performing musician, the work must be an experience of this impossibility. From the point of view of the listener, it is a long cluster with internal timbral exchanges.


The work should last long enough.


J.-P. Caron
2006/2009


.........................................

2012 version:
Claudio Cabral- guitar
Magno Caliman- guitar
Marcos Campello- guitar
J.-P. Caron- amplified viola and voice
Paulo Dantas- tenor saxofone
Rafael Fortes- tenor saxofone
Henrique Iwao- electronics
Rafael Sarpa- voice
Carlos Eduardo Soares- guitar
Felipe Pacheco Ventura- amplified violin
Felipe Zenicola- bass guitar


Mixed by Felipe Zenicola and J.-P. Caron

permutations.1

antonio brito

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