when your fear subsides
when curiosity brings you back to life
when i hear you sing once again
i will sing there too

i will sing there too
once again me and you
alive
i will dance there with you
to our new
life

alive

Alive

This part is a remix of Wire Fence - Rabbit Heugh, a contact microphone recording of a fence. Sounds were generated from midi conversions from the sound spectrum of the  field recording, part of the open :zoviet*france: soundwork "Hidden-by-the-Wall", commissioned by Green Croft Arts as part of its Collision and Conflict project: 

soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

:zoviet*france:  Wire Fence - Rabbit Heugh - Second Harmonic Generation Remix

Commissioned by Brandon Labelle for the Listening Biennial, Berlin
https://listeningbiennial.net/about

“Le chien qui pleure” (the crying dog) is the first collaboration between Mélia Roger and Antoine Chessex. The piece proposes an ominous montage of different human and nonhuman voices creating a detailed sonic situation where the biosphere merged with the technosphere resulting in an uncanny, and possibly fatal encounter.
Piano by Tamriko Kordzaia. 
Mixed by Mélia Roger

LE CHIEN QUI PLEURE - Mélia Roger & Antoine Chessex

Long overdue, we've finally got back to the task of editing up more tracks pulled from our four improvisations using sounds kindly provided by @anmoku, recorded early this year. This one was taken from the fourth jam in the series, recorded 28/01/21 and unusually for us, is relatively calm and peaceful.

Castle In the Air

You From The Yew (electronica)

"venus" was performed at the Phoenix Cultural Centre in Sydney on 30 September 2023, by ELISION: Peter Neville, Marshall McGuire and Ben Ward, conducted by Tristram Williams. Recorded by Richard Hundy and mixed/mastered by RB.

"venus" is a component of the ensemble composition "elsewhen", which itself forms part of the conglomerate composition "PSYCHE". The title refers to the prehistoric figurines with stylised female forms (like the well-known “Venus of Willendorf” in the illustration). It isn’t known whether they were sculpted by men or women or both and for what purpose, although they do seem to embody the origin of what subsequently evolved in human culture as a sense of aesthetic beauty. This composition is so to speak “sculpted” from a musical material which remains mostly consistent in terms of pitch-range, placing the contrabass in its extreme high register almost throughout.

venus (2018-19) for percussion, harp and contrabass

Création mondiale le 18 Juin 2019, Festival MANIFESTE (Ircam Centre Pompidou), Le Centquatre, PARIS

Nicolas Arsenijevic, Saxophone

Florent Caron Darras & Simone Conforti, Réalisation informatique IRCAM

Arnaud de la Celle, Ingénieur du Son

Remerciements

Thierry de Mey, Simone Conforti, Mikhail Malt, Jean Lochard, Marco Liuni, Grégoire Lorieux

Technotope - for baritone saxophone & 16 channels electronics - IRCAM (2019)

SEGEL for orchestra (2016-17)

Composition made for the split release "Angry Ambient Artists Vol.2" published on Forwind label in 2017. It's a part of a diptych with the piece called Habitat. 

https://boomkat.com/products/angry-ambient-artists-vol-2

Buy cassette

AFTERMATH

Gris souris - Sophie Delafontaine - 2017

Ardoise noire de brune
Ardoise gris souris
Ardoise bleue de lune
Satin du matin
Velours de la nuit
Ardoise éblouie

extrait de « Ardoises » de Jacques Prévert

LE CHIEN QUI PLEURE - Mélia Roger & Antoine Chessex

antoine chessex

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