Daily Listenings

The rhythmic aspect of this composition is based on Euclidean rhythms (a salutation to the Greek mathematician Euclid!).
In 2005 Goldfried Toussaint published the article "The Euclidean algorithm generates traditional musical rhythms" (http://cgm.cs.mcgill.ca/~godfried/publications/banff.pdf). In this article he defines and explains the concept of Euclidean rhythm . These rhythms are so called because they can be obtained using the famous Euclid algorithm that allows us to obtain the greatest common divisor of two numbers. Using this algorithm, rhythms are achieved in which the accented beats of the measure are evenly distributed among the non-accented beats and the uniformity that is achieved is the maximum possible. The interest is that many of the prominent rhythms of world traditional music have this Euclidean rhythm arrangement.
Specifically, in this piece I have used four Euclidean rhythms, corresponding to the following popular music: "Cumbia Colombiana", "Tresillo Cubano", "Cinquillo Cubano", a bell rhythm from West Africa.
With a pair of numbers, the first indicating the number of downbeats and the second the total number of beats in the measure and using the sign   x   to represent the accented beats and the sign   .   for the weak, the cited rhythms can be represented like this:
 
"Cumbia Colombiana" :   E(3,4) = [x. x x]
"Tresillo Cubano ":    E(3,8) =  [x. . x. . x.]
"Cinquillo Cubano ":    E(5,8) = [x. x x. x x.]
West African bell rhythm:   E(7,12) =  [x. x x. x. x x. x.]

The intention has been to obtain a festive music for a certain celebration.

To contrast with such joy and to give a little more variety, in the harmony I have used more ambiguous and somber elements such as the fourth chords and also the four musical modes that I have used: Dorian, Aeolian, Phrygian and Locrian.

In the symphonic instrumentation, it is worth highlighting the inclusion of four saxophones, two sopranos and two tenors and also the absence of percussion instruments with the intention of achieving strong rhythmic sensations implicitly only with melodic instruments.

Euclidean rhythms for a celebration

10 years ago, I recorded some piano improvisations with weather on my mind. This one is for all us cloud-gazers. And you know what they say about weather ... it always changes ... 

Stream: https://tinyurl.com/TAOClouds

Written and performed by Michael Price
http://www.michaelpricemusic.com

Recorded by at Snap Studios, London
http://www.snapstudios.co.uk/

Mastered by Katie Tavani
https://www.katietavini.co.uk/

Illustration & Animation by Deepesh Patel
https://www.artstation.com/deepeshpatel

The Anatomy of Clouds

The Anatomy Of Clouds

Remix of famous Erik Satie piano homeworks

Satie Speaking

Part of the album "Die Umrandung des Nichts".

"How can the nothing be described without describing something that is around this nothing?" Georges Perec

First Track from Album "Die Umrandung des Nichts"

How can one create space for the absent by the presence of sound? Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers.
#meditation #calm #emiliatorrini #loops #relaxed

Die Umrandung des Nichts

In the Inside

haarmannhommelsheim - In the inside

Description: "Unravel the enigma of existence with 'Origins,' a dark ambient masterpiece that delves into the very fabric of creation. Obsidian's haunting drones and otherworldly echoes take listeners on a timeless journey through the inception of the universe. Ethereal chants and ancient incantations reverberate like echoes from the dawn of time, while the haunting melody seems to evoke primordial memories buried deep within the human psyche. As the music unfolds, it conjures visions of ancient civilizations, forgotten rituals, and the birth of celestial bodies. 'Origins' is a profound exploration of the universal tapestry, where the lines between the ancient past and the distant future blur in an enigmatic embrace."

#ambient #ambientmusic #dark #darkambientmusic #darkambient #musicscore #sounddesign #freelance #filmscore #filmscorecomposer #videogames #videogame #videogamemusic #filmmusic #moviemusic #musiccomposer #musicproducer #mixingengineer #sounddesigner #scifi #horror #sciencefiction

Origins

Cinematic Composition for Sync

Composer: Andrea Pierantoni (100%), SIAE, IPI:1088848698
One Stop Clearance; singlehanded@neverenoughcowbellstudios.com; 100% master and 100% publishing control.

Dawn On The Dunes (Instrumental)

Nothing But Sand (Instrumental)

This is a debut song with HAZPAIN & Sanjay the newest member to the GuitarBanditz. This is a story of heartbreak and getting through the pain. Note this song was made with the legendary 12 string guitar.

“The Phone Recordings”

“On top 40 Charts on Re-Ex under Best Of The Rest at #6”

“This has placed on the ☁️ Rising Stars Mix ☁️ playlist by Future Sounds”

“AVAILABLE TO DOWNLOAD FOR FREE”

“Acoustic guitar live phone recording”

“This is a phone recorded album”

“Cover art by HAZPAIN”

WayToSoon - “HAZPAIN & Sanjay” Phone Recorded Live (Outro) Freestyle

Shadows Plays - Fleursonseaux
All rights reserved - © Copyright

Shadows Plays

Through Faded Doors

Naked version of the official demo for sample library by Herman Samples, Frozen Piano.
Patches used:
Felt Piano - Softer, Dreamer, Icelander, Icelander 2, Frozen Piano, Pad 1, Pad 2, Echoer, Little Glockenspiel, Windspiel
Teaser: https://youtu.be/SgvOeaqeN98
Try it yourself! https://hermansamples.com

Frozen Piano - "Ascension" by Patrik Herman

Remix of my latest song, in the style of my 2005 EP "Marrukka".  All music and lyrics written and performed by C. Riggalls.  Original song Casting Shadows (C) & (P) 2019

Lost to the Sands (Maxi Single)

Casting Shadows (Marrukka Mix)

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All keyboards and vocals performed by C. Riggalls
Lost to the Sands (C) and (P) 2020 C. Riggalls

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Lost To The Sands

Composed for Universal Prodcution Music's 'Earth Day' album.

Published as "Time To Change"

Available to license at https://www.universalproductionmusic.com/en-gb/search?vtag=1&vwave=1&vdesc=1&fq=composerIds:%2821870%29

Heartbeat

What the Future holds

Herbie van Tetering is a Dutch composer and musician. When he was young, he studied Jazz composition at Berklee College of Music and continued studies with renowned musicians from The Netherlands. Herbie is also producer-, composer-, and musician for his recording- and publication organisation. As a composer and musician, Herbie is affiliated with the BMI organisation. Herbie plays Resonance trumpets and exclusively grand pianos like Steinway.

Herbie delivers written and recorded music with professional music score and as a complete instrumental soundtrack; with real acoustic instruments, jazz trumpet, grand piano, jazz- and electric guitar, upright double bass and with the most professional and realistic sounding virtual orchestra's. Composed, conducted, orchestrated and arranged using modern conductor technology. Mastered, engineered and delivered as a complete product at 48KHz 24/32bit audio standard.

What the Future holds

Antoine Glatard

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