d'incise - Hocchiku+Organ _ draft _ jan21

N O F U T U R E x SONIDERA MX POWERCUMBIERO

De la rencontre entre l’écrivaine Isabelle Sbrissa et l’artiste Olga Kokcharova naît ce poème sonore qui témoigne de leur soif commune d’eau des langues humaines et des langages non humains, et de la jouissance de dire et d’écouter. Pièce réalisée à partir d'une sélection de poèmes d’Isabelle Sbrissa issus de son recueil tout tient tout.

Enregistré et monté à Undervelier (JU), mars 2021

Folpotar, d'Olga Kokcharova, avec Isabelle Sbrissa

« J’ai cru voir les mille lampes de Mexico, les mille lampes de Los Angeles, les mille lampes muettes de la Havane. Pourtant, rien n’est supposé surgir, aveuglés que nous sommes, mangés et avalés et ravalés encore par l’obscurité. » 
Création sonore réalisée à partir d’une sélection de poèmes de Julie Gilbert, issus de son recueil Tirer des flèches.
Remerciements à Rudy, Myriam, Romain et Luc.

Sans faire de bruit, de Clara Alloing, avec Julie Gilbert

Carte blanche à l’artiste Thomas Schunke. Sa pièce originale est issue de l’appel à projet de création radiophonique lancé par le festival Les yeux grand fermés, les éditions Héros-Limite, Le LABO - RTS Culture, avec le soutien de la SSA et qui a inspiré plus de 70 artistes.

Jakob, ma corneille de compagnie, de Thomas Schunke

Ce portrait est l’histoire d’un homme 
Qui grimpe dans les arbres
Et un arbre, c’est aussi un corps.

Un documentaire de Clara Alloing et Adrien Chevrier 
Production : Ciné-Doc

Le vent souffle où il veut

Ode to Pizarnik

Since 2003, the black hole at the center of the Perseus galaxy cluster has been associated with sound. This is because astronomers discovered that pressure waves sent out by the black hole caused ripples in the cluster’s hot gas that could be translated into a note — one that humans cannot hear some 57 octaves below middle C. Now a new sonification brings more notes to this black hole sound machine. A new sonification — that is, the translation of astronomical data into sound — is being released in time for NASA’s Black Hole Week this year.

In some ways, this sonification is unlike any other done before because it revisits the actual sound waves discovered in data from NASA’s Chandra X-ray Observatory. The popular misconception that there is no sound in space originates with the fact that most of space is essentially a vacuum, providing no medium for sound waves to propagate through. A galaxy cluster, on the other hand, has copious amounts of gas that envelops the hundreds or even thousands of galaxies within it, providing an avenue for the sound waves to travel.

In this new sonification of Perseus, the sound waves that were previously identified were extracted and made audible for the first time. The sound waves were extracted in radial directions, that is, outwards from the center. The signals were then resynthesized into the range of human hearing by scaling them upward by 57 and 58 octaves above their true pitch. Another way to put this is that they are being heard 144 and 288 quadrillion (1,000,000,000,000,000) times higher than their original frequency. The radar-like scan around the image allows you to hear waves emitted in different directions. In the visual image of these data, blue and purple both show X-ray data captured by Chandra.

Learn more: https://chandra.si.edu/photo/2022/sonify5/ 

Sonification Credit: NASA/CXC/SAO/K.Arcand, SYSTEM Sounds (M. Russo, A. Santaguida)

Black Hole Sonification: Perseus

Vielle à Roue / hurdy-gurdy : LB
Photo : Yvon

Radio Chien

“earth diver” (2021), for solo organ.

Performed by Huw Morgan at Mainly Slow Organ Music, St Thomas The Matyr, Bristol, UK. September 10th 2022

earth diver

Antoine Läng / jaw harp solo

This work focuses on the jaw harp with simple preparations and gestures to help the instrument modulate itself in different ways, in order to explore its polyphonic potential and electroacoustic characteristics outside of traditional playing techniques, with a minimalist approach.

This track was recorded as a single take without overdubs or additional effects to share the feeling of a live performance, and the way time blurs and sound changes from repetition, effort and exhaustion.

Lâcher les chiens tant qu'on y est // album:
https://insub.bandcamp.com/album/la-cher-les-chiens-tant-qu-on-y-est

lâcher les chiens tant qu'on y est_long_take

Antoine Läng
voice + electronics from Geneva//Switzerland

lâcher les chiens tant qu'on y est_long_take

antoinelang

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