Track from the new Flunk album, "History Of Everything Ever", released May 28 2021.

I Get You (Recorded Live at Røaknekken Musikkbyrå May 2021)

Midsummer (Recorded Live at Røaknekken Musikkbyrå May 2021)

Slowly Rolling Camera are:

DIONNE BENNETT vocals
DAVE STAPLETON fender rhodes, piano & composer
ELLIOT BENNETT drums
DERI ROBERTS electronics

Slowly Rolling Camera, teams up pianist-composer Dave Stapleton, producer Deri Roberts, vocalist-lyricist Dionne Bennett and drummer Elliot Bennett and is positive proof that some of the most interesting work often arises from a meeting of many minds. The result is music that has distinct echoes of the ‘invisible soundtracks’ of UK progressives Cinematic Orchestra and 4Hero combining double bass led grooves, with shifting rhythms & polychrome textures and arresting harmonies all skilfully performance by some of the best jazz musicians in the business. Slowly Rolling Camera are purveyors of mysterious audio vignettes that are moulded by a structural sophistication that is plugged straight into the vibrant emotional current of pop culture.

Fragile Ground

From Jenny Lysander's debut album "Northern Folk" out on April 27h 2015 on Beating Drum

iTunes: http://smarturl.it/northernfolk
CD/LP/MP3: http://shop.beatingdrumrecords.com/

Jenny Lysander : Voice, classical guitar, recorders, backing vocals
Piers Faccini: Bass, dulcimer, harmonium, 12 string guitar, slide guitar, lead and backing vocals
Simone Prattico: Drums, percussion
Johan Persson: Shawm and backing vocals

Jenny Lysander, 21 year old Swedish folk prodigy releases her first album “Northern Folk” on the 27th April. The album was produced and arranged by Piers Faccini and recorded over two sessions in the summer months of 2014. Hidden away in the Mediterranean landscape, deep in the woods, far from the noise and interference of any city, Faccini’s rural studio became the perfect setting for recording Jenny Lysander’s delicate songs. Timeless and unique as Lysander’s music is, of today’s songwriters, Jenny Lysander’s profound and poetic voice bears some comparison to Laura Marling, whose own recording career also began at an early age and with a style that defied simple categorization.
“Lysander echoes the same understated beauty as folk music greats like Nick Drake and Fairport Convention, with a modern tint that draws comparison to Agnes Obel and Ane Brun." (Drunken Werewolf)

http://jennylysander.com/
https://www.facebook.com/jennylysander

Jenny Lysander - Northern Folk

A remix of 'Haystacks' from Terminal Nostalgia by Dmitry Avgrafov.

Haystacks (Dmitry Evgrafov Remix)

Plants and Animals - Newfoundland

Aïrés is: 
Airelle Besson : Trompette
Edouard Ferlet : Piano
Stéphane Kérécki: Contrebasse
Album sorti le 27 octobre 2017 chez alpha classics/Outhere Music

Aïrés 'Infinité' (Airelle Besson)

"Trilogi, Fredrik's second full-length outing, is so named because its contents were originally issued as a series of the three limited-edition EPs, self-released by the band on 3" CDs with handmade origami packaging. Despite some flowery language in the accompanying press release about "contemporized viewpoints of the Lovecraftian dream passage," the knowledge that this music was at one point presented in three discrete installments in no way alters the effect of hearing it as a single 50-minute whole -- there are no appreciable musical distinctions to be made between the three segments, which were all recorded in the same six-month span. However, the image of those few delicate, distinctive objects that were initially created to hold these songs does resonate nicely with the particular character of Fredrik's music: intimate, tactile, small in scope, and lovingly crafted with careful attention to detail. These qualities, which made their debut album, Na Na Ni, such a charming and unassuming surprise, are very much still present on Trilogi, which treads similarly evocative sonic territory, blending a cornucopia of organic musical (and non-musical) sounds with sparse electronic touches to create a creaky, ancient-sounding, surreal sort of folk music. This time, though, the tone is notably darker -- right from the eerie, mildly menacing opening notes of "Vinterbarn" -- and the songs, while typically gorgeous and affecting sonically, aren't quite as memorable. It's hard to put a finger on what exactly has shifted, but the deft balance between melody and atmosphere that Fredrik  achieved so exquisitely their first time out is not quite as compelling here, with only the uplifting, quietly anthemic "Flax" standing out as a clear highlight."

allmusic.com 

Vanmyren

'We Watch The Stars', out now on R’COUP’D: https://fink.lnk.to/starsSo

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New Day (Covid-19)

Once I was asked what is music for me and I said: Music is like ocean. And ocean is my first love.  

Anton Baibakov
Film Music Composer

New Day (Covid-19)

Anton Baibakov

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