🎾Lorna's Playlist!!🎾

Thus Always to Tyrants

cavetown - sweet tooth (sped up)

Michael Cera - Clay Pigeons

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Groundfold - All We Had Is Gone

Lyrics:
I have to go—you want to stay;
Would you live out our life alone that way?
I’m only a man—no towering schemes;
I walk what comes and trust the seams.
Decades together—life to death;
Be held a moment—I'll steady my breath.
A lie of hope and time is shown;
I brace my back and stand alone.

Three sons—blurred shadows—maybe not mine;
Thirty years beside me, no blood in the line.
Lawyers, cousins—family trees crossed—
Am I just “father,” or only a man lost?

I won’t choose anger; I won’t choose guilt.
I’ll stand in the ash of the home we built.
Time like a rock; love fades to gray—
I have to go; you want to stay.
Don’t take the serpent’s apple today.

I wake to words that weigh like lead;
A signal in my chest: “Leave instead.”
Last year a crack—now the fracture repeats;
“No room,” they murmur down cold streets.
So watch me go—I set my gauge,
Take back my name, step off the stage.
I draw the line—no more delay;
Through the gate—what’s left can’t stray.

Heart at half, yet clear and bright;
I choose what’s honest—I choose the light.

I won’t choose anger; I won’t choose guilt.
I’ll carry the good from the life we built.
Time like a rock; love fades to gray—
I have to go; you want to stay.
Don’t take the serpent’s apple today.

Head low in green, I learn to cope;
Morning returns—one horizon of hope.
East calls softly—my sister’s door;
I count small mercies, wanting no more.
I choose my shoreline, empty hand—
I’ll be myself on quieter land.

Slow breath—count to ten with every stride (2x)
I’ll miss you, miss our song—but I choose my side (2x)

I won’t choose anger; I won’t choose guilt.
I’ll bless what remains of the home we built.
Time like a rock; love fades to gray—
I have to go; you want to stay.

Quieter Land

Introduction

The Day the Clocks Went Silent is a progressive concept album that explores humanity’s fragile relationship with time — and what remains when that relationship collapses.
Across twelve interconnected songs, the album follows an emotional, philosophical, and sonic journey through silence, chaos, awakening, and acceptance.

It begins with a single moment: the instant the world’s clocks stop ticking.
From that frozen second, the story unfolds through dreamlike reflections, surreal landscapes, and the inner echoes of a civilization learning to live without measurement — discovering the pulse of life beneath the tyranny of time.

Each track represents a stage of this collective awakening, blending field recordings, ambient soundscapes, orchestral textures, and expressive guitar work reminiscent of Pink Floyd, King Crimson, and Steven Wilson.
The album moves from tension to release, from disorientation to catharsis — ending in peaceful infinity, where time and sound merge into one.

The Concept & Narrative Arc

The album is divided into three conceptual movements — Collapse, Awakening, and Transcendence:

I. Collapse (Tracks 1–4)

Time stops.
The opening tracks (“Prelude,” “Fractured Hours,” “The Weight of Seconds,” “Ghosts of Routine”) depict a world unraveling.
Mechanical ticking fades into silence as people struggle to live without rhythm — haunted by routines that no longer have meaning.
The music is tense, surreal, filled with field recordings and experimental time signatures, symbolizing a fractured world.

II. Awakening (Tracks 5–8)

The silence deepens into introspection.
Songs like “A Silent Parade,” “The Sun Forgot to Rise,” “Chronos Sleeps,” and “Voices Through the Static” explore the psychological and metaphysical collapse of human order.
Time’s god, Chronos, dreams — and in his sleep, reality bends.
These pieces blend psychedelia and ambient textures with philosophical lyrics and cinematic spoken-word passages, evoking a trance-like descent into the subconscious.

III. Transcendence (Tracks 9–12)

From silence, understanding emerges.
“Beyond the Ticking Sky,” “The Return of Sound,” “The Clockless Dream,” and their motifs reveal a rebirth — humanity realizes that time is not a prison, but a pulse of existence.
The ticking returns, but now as the heartbeat of life, not as a chain.
The final track dissolves into complete stillness, suggesting enlightenment — or perhaps the final moment before the dream ends.

Philosophical Core

At its heart, The Day the Clocks Went Silent asks:

“If time stopped — would we finally begin to live?”

It questions our dependence on structure, measurement, and routine — suggesting that true consciousness may emerge only when the illusion of time collapses.
The silence between seconds becomes a metaphor for awareness, presence, and the rediscovery of meaning beyond linear existence.

Sound & Aesthetic

Musically, the album fuses:

Progressive Rock’s narrative ambition and shifting time signatures.

Psychedelic textures — reversed sounds, ambient drones, field recordings.

Art Rock’s cinematic scope, with orchestral and electronic arrangements.

Classic Rock emotion, featuring expressive guitar solos in the tradition of David Gilmour and Steve Hackett.

Experimental and cinematic production, blending organic and synthetic soundscapes into one continuous experience.

The album is designed to be listened to in full — a single arc that transforms sound into silence and back again.

Closing Statement

The Day the Clocks Went Silent is not just an album — it’s an existential reflection disguised as sound.
It captures the collapse of order, the beauty of uncertainty, and the rebirth that follows.
By its end, the listener stands where the journey began — but changed, hearing the world anew.

“In the silence, we finally heard ourselves.”

Prelude

Dear

Flesh And Bone

Download my 'A Place We Knew' album RIGHT NOW from the link below!!!!! 🧡 https://deanlewis.lnk.to/apwk-out-nowSC

Waves

Waves (Acoustic)

Eat You Alive (Cover) - The Oh Hellos

Pale White Horse (The Oh Hellos)

Songs from the Sunroom

Sunlight - Hozier (Pitched)

song: it's alright by mother mother

art by vinneart: twitter.com/vinneart

disclaimer: i do not own any of this song; i simply slowed it down

it's alright [slowed] - mother mother

Constellations // the oh hellos

leave me alone (live at graywhale)- i don’t know how but they found me

ramblings of a lunatic - bears in trees (slowed)

Constellations // the oh hellos

Toni

Recent comments

moist nico

.

𝕃ᴇⓜ🅾︎𝒏 𝙲ℌᗩ尺𝓂𝘀

Duskly

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