A collaboration between myself and Berlin-based artist Xanah, on vocals. Characterized by stilted beats heavy 808s, and dark droning synths, along with icy vocal samples, this beat is surely a very different direction for me. I hope you enjoy it.

Production: Atlas Glaas
Mixing: Atlas Glaas
Mastering: Atlas Glaas.
Vocals: Xanah

Cover Art: Wren Krisztin (www.wrenkrisztin.net)

Ambrosia Ft. Xanah [Dub Techno / Trip Hop] (REMASTERED)

https://anvilmesa.bandcamp.com/album/doubleword-21

Follow on social media:
https://anvilmesa.bandcamp.com/
https://www.facebook.com/xANVILMESAx/
https://twitter.com/AnvilMesa

electronic, ambient, experimental, industrial, noise, techno

comb.vox7 (FD8) - from the album Doubleword 21 — out now!

Ladle Face [scrubd]

Vela Pulsar, from the album El Silicio by Anvil Mesa

https://anvilmesa.bandcamp.com/album/el-silicio

Follow on social media:
https://anvilmesa.bandcamp.com/
https://www.facebook.com/xANVILMESAx/
https://twitter.com/AnvilMesa

electronic, ambient, experimental, industrial, noise, techno

Vela Pulsar - from El Silicio — out now!

composition by Zinc & Copper + Leonor Antunes

Robin Hayward - microtonal tuba
Hilary Jeffery - trombone
Elena Kakaliagou - french horn

recorded live on 18 December 2018 at Pirelli Hangar Bicocca, Milan 
recorded by Attila Faravelli and Matteo Nobile
mixed and mastered by Giuseppe Ielasi
curated by Pedro Rocha
photo by Lorenzo Palmieri

discrepancies with F.H. (#1 #2 #3 #4 #5 #6)

Leonor Antunes + Z&C - discrepancies with FH

Field recordings, cassettes, granular synthesis, one take, trying to give form to a childhood memory: Manitoba marshlands in late winter/early spring.

.:Oak Hammock 4:. (demo edit)

Distances

Time Exposed (Senglar Remix)

Mastered By exm
Artwork & Design by Grid Pattern (www.gridpattern.co.uk)
Photo by Matthew Hampshire (www.matthewhampshire.com)
Music By Keiss

TR606 
released August 14, 2020
(c) Touched Revolutions

Buy Vinyl, CD, Digital

Any Thing

Dragon’s Eye Recordings welcomes Alejandro Morse, one of several monikers of the León, México-based musician/producer Edgar Medina. In ‘Aftermath,’ his first release with Dragon’s Eye, Morse navigates the burnt-out terrain of an emotional ruin through use of processed field recordings, pulsing minimalistic noise, and ragged-edged, gauzy, stretched-out drone.

Morse has spent more than a decade shaping quiet ambient landscapes into expressive renderings of personal landmarks. With ‘Aftermath,’ Morse continues on this solitary path, exploring an inner world inhabited by fleeting and eroding memories. An album with a slow burning and intense emotional effect, Aftermath drifts away from Morse’s previous, more romantically-tinged records, leaving behind the hypnotic and minutely crafted artifacts from Liminal and the thickly-layered, neon-drenched vignettes of ‘Hotel Hastings’.

The album offers somber gulps of introspection, quietly sinking down into a warm darkness where clouds of lo-fi hiss and electricity descend upon the loose geography of a broken dream.

Aftermath

Alejandro Morse - (Splendid View to) an Artificial Lake

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-170/

FFFoxy Podcast #170

Modern Classics

electronic, noise, ambient, experimental, industrial, techno ☥

⚠️ Everything on my bandcamp is now free! ⚠️
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Vela Pulsar - from El Silicio — out now!

Anvil Mesa

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