Aloha amigos👋 

Today for our third episode of The Psytech Observer, I have a very special treat for you!

My super-talented guest and dear friend, @cajaranamusic(@zenon-records) from Portugal created a mind-blowing mix that's sure to get you grooving. You might recognize Cajarana as the latest musical moniker of André Sousa, who previously collaborated with Fernando Rodrigues (Psyjar) in the dark prog project @grub-3 🔥

Hard Times Require Furious Dancing!!!

Hope you'll enjoy the music, we are preparing the mixes for the next month, catch us up live at @dark-sonik every month😎

The Psytech Observer 003 /// Guest mix by Cajarana

(Thanks a lot for the support, you rock so hard  ❤️)

Anyer Quantum from Puebla, México; a Devotee of underground sounds, intelligent sequences, and one of the most committed DJ/Producer in his country.

Addicted to the cultural values of the vanguard shapes in Electronic Dance Music, Anyer is a completely integrated DJ; capable of mixing an incredible -WIDE- range of sounds; blending them together perfectly inside his unique sonic palette.
Always exploring new ideas, he is an extreme and passionate follower of hard-to-swallow artistic expressions.

In 2011, his first leap onto the scene was made by winning the Digital Diamonds DJ mix Contest which gave him the opportunity to become A&R for Horns And Hoofs Entertainment. Through Horns and Hoofs he Released his 1st VA as "The Best of Horns and Hoofs" in 2012.

2013 was a very busy year, first, we saw the release of The 1st Great Atlas of the Underground Cartography, Later in 2013, Psychedelic Techno Vol. 1 was released in Ektoplazm and also released the 2nd part of the Great Atlas Of The Underground Cartography appeared in this world. Anyer was Promoted to Manager of the Channel of Trance by Fnoob Radio Family, AND also became a label DJ in Sourcecode Transmissions, the mighty Label of Zen Mechanics.

In 2014 he joins forces with Cosmic Conspiracy Records.

2015 was a slower year for Anyer, as he began to create music under his pseudonym “Shaolin Shuffle.” But he did find time to release the final chapter of the Great Atlas of the Underground Cartography and his first EP was also unleashed at Ektoplazm with the support of Blind Arc, the label of Flembaz.

2016 was a fantastic year;  The 3rd Chapter of the Psychedelic Techno VA was Released on Ektoplazm and he had the unique (and unexpected) opportunity to perform at the legendary and life-changing Boom Festival in Portugal. Probably the most important dancefloor in his entire career, allowing him to finally make reality his wildest dream of presenting his music to the best crowd on the planet.

in 2017 Anyer Releases Various of his Tracks on Different Labels like Electric Power Pole, Oddsine, Blind Arc, and Horns and Hoofs, where he also releases a new Serie of Compilations named Posthumanist Rebel Tools, he also got promoted as a DJ of Boshke Beats. He remained fairly active on the Mexican dancefloors.

2019 was the busiest of years. Visiting Panama for the second time (Tribal Gathering) and traveling to the old continent for his 1st European Tour playing in Romania (Waha Festival) Hungary (Ozora Festival) and Portugal (Freedom Festival & ZNA Gathering)

By the end of the summer, Anyer Stoped working with Horns and Hoofs and Boshke Beats, moving to greener pastures.

By 2020 the Pandemic arrived and while the world sited still, Anyer Released his 1st Album on DMT Records, receiving a great response from the psychedelic techno scene. 

2021 remained closed for everybody,  but Anyer released new music in Digital Diamonds, Music4Aliens, Padang Records, and Jaira Records.

2022 was the year when the pandemic finally was lifted, and the busiest yet in terms of releases, with a brand new EP on Flow Records + Featuring his music for the first time on Frisson Records, while also consistently releasing fresh new material in his first home: Digital Diamonds.

2023 continued to be a very busy year with new releases, and, in 2024, Anyer joined forces and became an official DJ of Techgnosis Records in Mexico.

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