from 1st solo album "Ease".

1.L.S.
2.山の朝は
3.water
4.s.billy
5.light
6.to serve
7.bicycle, Part One
8.bicycle, Part Two
9.town
10.basement
11.deathcity funk

guest vocal, may e(M10), Atsushi Kodama(M1,M5), Tetsuya Haneishi(M3)
mixed by nakayaan & Akiyoshi Tanaka 
mastering: Akiyoshi Tanaka 
Artwork: Takuroh Toyama

Please expect future information.

bsmt_dcf

-bars 1-

20110108
何から書けば？思い出せば良い？
この瞬間も昔より劣ってない
ただ、ひたすらにあの日あの時 
思いとは裏腹に進んでた秒針
嘘をつく度に痛んでた良心 
無理をする度に笑顔だったり
この一年半を無駄にしない 
結ばれぬ恋方じゃ今でも他人
君と俺の住む世界では時間すらも共有は難しそうだ
君はチャイティーで俺はカプチーノ 
帽子のツバで照れを隠しーの
アムステルダムとピースの美人 
表すならば情熱と気品
今度一年半は何を思い
どんな顔でまた会えたなら良い？

-hook-

伏せた顔を見せないよう町を出るとこんな俺も 
samsonite man , i really love you
こんなにも切なさを感じたのに歩こうと思う
samsonite man , i really love you

I Really Love You (20110108)

Cat Black (Marc Bolan cover)

doqu

http://nightschoolrecords.bigcartel.com/product/lssn033-paco-sala-der-gast-cassette

A luminescent glow from a solitary tear in the night, the blood’s pulse under the full moon at the river’s edge, Paco Sala soundtrack the melancholy Other on Der Gast, their debut release for Night School. The partnership of London-based producer Antony Harrison and Berlin-bound, enigmatic vocalist Leyli, Paco Sala have been constantly evolving since their debut releases on Digitalis in 2011: Der Gast points to a future troubled by mystery, sadness and is all the more thrilling for it.
Beginning with one of Paco Sala’s most straightforward pop songs to date, Der Gast blooms with Silverheel, a reimagining of neon-glow synth pop soundtracking a drive around the giant metropolis of the heart in a stolen Trans Am. Though miles apart, it’s clear that the synergy between producer and vocalist is close: The Guest invites a breathy vocal to curl around an abstract synth form to gorgeous effect. Through out Der Gast, however, Harrison has stretched out and experimented, as fits the cassette format. There are abstracted R&B and Trap forms a- plenty on tracks like Slotter That Rep, based around a looped, delayed percussion pattern that builds to dissolution. The duo also delve into a lo-fi House music that slips in and our of focus as in 28.667. However, it’s tracks like closer T&L that ramp up the emotion, with Leyli’s Liz Fraser- esque vocal soothing and towering in alternative breaths. It’s an effect that isn’t straightforward: there’s no straight-ahead melancholia, sadness or euphoria, it’s an odd mix of all three and it works.
The sublime mixes with the teasingly intangible on Der Gast, as with much of Paco Sala’s work, with song titles hinting at an otherwordly personal language that with which Leyli communicates, but to whom? A Lover, an alter ego? Perhaps Der Gast is the creature we all run from but secretly are: the other, the outsider.

PACO SALA: Silverheel (from Der Gast LSSN033)

This is a blend I created as a hip hop tribute to the Queen Of Soul, Aretha Franklin.

R.I.P Aretha

SOCIAL MEDIA:
https://www.facebook.com/DJ-Filthy-Rich-572216909601122/
https://twitter.com/djfilthyrich416
https://www.instagram.com/djfilthyrich/
https://soundcloud.com/djfilthyrich
https://www.youtube.com/channel/UCNi9Sgij08aYumGprs4WGdQ

Cat Black (Marc Bolan cover)

Sakura F

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