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1ST HOUR/前半 Chee Shimizu / 2ND HOUR/後半 CHLOE

aired 2021.4.27 on lyl.live

An authority on little-known gems, Chee (@OrganicChee) has been quietly but ceaselessly working on bringing forgotten music to the light, as shown in his essential book Obscure Sound (reissued in 2020). He is mostly found behind the counter at his record store Organic Music, in a quiet suburb of Tokyo. His mix (first hour) is a quiet journey across genres and worlds, representative of what is one of Chee's most well-known fields of expertise, a beautiful and mysterious zone sometimes called "listening music". 

知る人ぞ知る名曲の権威、Chee Shimizuは、忘れられた音楽を世に送り出すべく、静かにしかし絶え間なく活動を続けてきました。その成果は、2020年に再版された彼の重要な著書『Obscure Sound』にも表れています。
彼の姿は主に、東京の閑静な郊外にある自身のレコード店Organic Musicのカウンター越しに見ることができます。
前半のCheeさんのミックスは、ジャンルと世界を超えた静かな旅です。これは、彼の最もよく知られた専門分野の一つを代表するもので、時に「リスニング・ミュージック」と呼ばれる美しく神秘的な領域を体現しています。

Artwork by Jeremy Nealis (https://aerti.me).

Chee Shimizu
AGRIDULCE - aún no sabe
GAIA - o orinocco
DJALMA CORREA - fogo/xangô
MARTIN MULLER, HAKIM LUDIN, MICHAEL HOFLER - canto ossanha
MUSICA URBANA, BLAY TRITONO, LA RONDALLA DE LA COSTA - teresa marsé
MELAO - verte otra vez
SUNDANCE - yea yea
CARLOS DAFE - despertar da solidão
GERALDO AZEVEDO - um outro um
CAETANO VELOSO - haiti
FAIROUZ - version I
DOUDOU GOUIRAND - procession
MAKI ASAKAWA - gogo
TIM MAIA - these are the songs

Chloé Juliette
AYUO TAKAHASHI - from j.s.p.
CARLOS NIÑO & MIGUEL ATWOOD-FERGUSON - part II
MEREDITH MONK - travel song, for voice & piano
DIGA RHYTHM BAND - razooli
THE DEAD GOLDFISH ENSEMBLE - chewing shoes
DUNKELZIFFER - network
DWART - mate
RALPH TOWNER - piscean dance
ASHER GAMEDZE - interregnum
THE MCCRARY - emerge
MARIA TERIAEVA - spritz
PEDRO AZNAR - la gente es la misma
KEIYAA - rectifiya
L'EMPIRE DES SONS - moitié panthère
TOMMY MANDEL - soul tango

The Greater Good #10 with Chee Shimizu / LYL Radio

dataplex

data.simplex

From Oakland with love comes the 50th submission in the mix series comes by the hand of prolific producer and deejay Space Ghost (@space-ghost-1). Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hey Sudi. How's life in California, what's been keeping you busy?

SG: Hey, not much! Just trying to enjoy the summer with friends and get in the studio when I can.

MFM: Looking at your discography it seems that you favor the LP over the EP format, having released well over a dozen albums. How come?

SG: I can’t say that I favor one over the other, just seems that as a musician you strive to write full length LPs. I enjoy LPs for home listening and it feels good to create a nice body of work that flows through a journey. Writing dance singles and eps are trickier for me. It feels harder to write 1-4 really good stand alone songs.

MFM: With such a prolific output, does writing music come easily to you? Can you tell us a bit about how you go about writing and recording, is there a certain flow or method?

SG: Hmm I wouldn’t necessarily say it comes comes easy but I’ve definitely gotten a lot better at getting ideas in my head out into my recordings. It’s still a process of getting into the studio and spending time on it. Sometimes I can spend a whole day or two just spinning my wheels and not being able to get my ideas out. But once I get that perfect dose of creativity and I’m in the right mood, then things can definitely start flowing out. When writing music I often need to start with a very specific idea based on a song I’m listening to at the time. It’s helpful for me to start out with that initial inspiration, whether some chords, style of drums, bassline or a tempo or something. Once I get a few elements working around that idea the song can start to morph and move in any direction, but I really need that specific direction to start. I find that I can often make a rudimentary idea fairly quickly this way and then if it’s inspiring me, I’ll start to try a little bit harder and flush out more of the idea.

MFM: How do you cope with not being inspired or motivated when in the studio?

SG: Honestly it can be a bummer to be in the studio and the ideas aren’t flowing. I’ll just have to step away and do something totally unrelated for a few days.

MFM: Your sound overall has a very soft and melodic touch. The mellow part may be from living close to the Pacific and nature, but where does the melodic part come from? Did you ever learn how to read and play notes?

SG: You know I’m really not sure if I can pinpoint my melodies and where they came from but ya I grew up taking music lessons of all sorts. Piano, drums, guitar, band class, all that stuff. I wasn’t the best at reading music, I learned basic stuff but eventually didn’t progress much farther. Now everything I do is by feel.

MFM: Is there some kind of masterplan for Space Ghost? Like, do you have certain goals to achieve or dreams to chase?

SG: I think my master plan would involve me getting to focus on writing music full time. Honestly I’m not really sure how to get there specifically, seems like everyone gets there on their own path so hopefully mine will end up there as well.

MFM: Tell us about the mix. How did you go about selecting and recording it? Does it have a certain theme or idea to it?

SG: I’ve been wanting to put out a nice lil ambient sort of electronic mix for awhile. Really soft deep introspective vibes. I’ve been holding on to a lot of these tunes for awhile and just listening to my playlist of ambient tunes while traveling or relaxing with friends. After coming back from my NZ/Australian tour, I was ready to play some non dance music for a sec and listen to some other stuff. This mix is just a nice break from DJing a party. I also really want to make an ambient album soon if I have the time, so there are a lot inspirations in this mix.

MFM Mix 050: Space Ghost

Moment 出演者たちの現場でのサウンドを解放する新 シリーズ、 Archives。

第2弾は、最終日の夜明けの時間帯を魅了したYAMAの音源を公開。
ハウスミュージックを基調としたブギーかつ多幸感あふれるマジカルな選曲に艶やかなmixセンス、彼女にしか表現できないこの素晴らしいセットを是非堪能して頂きたい。

Archives, a new podcast series dedicated to the sounds of Moment.

For our second installment, we present YAMA, who captivated the audience as the sun was rising on the final day of the festival.
In this expertly crafted mix, Yama patiently and smoothly brings together a selection of euphoric boogie and house-leaning tracks, creating a unique space that bridges night and day. It was a very special moment at the festival and we’re delighted to present it here for you to enjoy as well!

Moment Archives 002 | YAMA

Ten years ago, Material Object played his moving tribute to Pete Namlook at The Labyrinth 2013. Material Object and Pete were close. The sudden loss of Namlook was a devastating one for him and the music community. The 3-hour dj/live hybrid tribute set Material Object performed brought catharsis and closure to such a tragic event, and he kas kindly has agreed to let us repost this set on the Mindgames SoundCloud account so new listeners might discover anew the greatest ambient visionary of the 90's, Pete Namlook.

Live @ Labyrinth 2013 'Pete Namlook Tribute'

The Labyrinth 2013 - Material Object: "Pete Namlook Tribute"

Live recording of an evening spent sandwiched between Sandpit Alias and hosts, Bex & Terry. Sub Club, Melbourne [12.6.22] - [1am - 4am].

Heaney @ Spincycle [12.6.22]

This is the live DJ recording at Acperience3 held in bonobo on Mar 1, 2024.
About the first 10 minutes were removed, but it's a 3 hour musical journey. (23:00-2:00)

Acperience3 - 010324

Ambient Set on SLOWMOTION at Compufunk Records 2025.01.13

The world COSMO creates is reminiscent of the nostalgic deep house of the 90's, yet somehow futuristic, and you lose yourself in the groove, you feel as if you have boarded a time machine from the future to the past. Enjoy this light minimalist set, which straddles the line between melancholy and exhilaration, delivered by one of Korea's leading DJs of the new generation.

COSMOが創り出す世界は90年代のノスタルジックなディープハウスを彷彿とさせながらもどこか未来的で、そのグルーヴに身を委ねていると、まるで未来から過去へ向かうタイムマシーンに搭乗しているような気分になる。韓国の新世代を代表するDJによって届けられた憂鬱と爽快感の狭間を往く、軽快なミニマルセットをお楽しみください。

rural Podcast 015 Cosmo

The BSRMIX presses on with a new session by our dear friend, Tokyo-based DJ and producer @Mayurashka.

Hot off the announcement of a new release on Rhythm Section, we're buzzing to share this mix of dubbed-out house and bubbly tones with you.

BSRMIX #159 - Mayurashka

Rhythm Variation 06

Rhythm Variation 05

Rhythm Variation 07

Rhythm Variation 08

For the August edition we've invited Donna Leake from London who handed over a high spirited 2 hour mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Donna, welcome to the series. How's your day so far? Does your day normally involve music from the moment you wake up?

DL: Hi. Thanks so much for having me. My day so far has been real sweet. I woke up at 6:30am and all I’ve done is make coffee, listen to and dig for music, draw and paint. It’s now 13:30. Not every day is like this though! 

MFM: Before lockdown, was DJing the only thing that brought food on the table? How is that now, did you revise your approach or strategy after the whole live events scene collapsed?

DL: Yes it was the only thing bringing money in and turned out it was one of the main things keeping my soul full and my spirit high. So I’ve had to re strategise a few areas of my life recently. I haven’t come up with anything solid yet, I’ve always just gone with the wind. But I think now there is a sense of urgency to save myself getting into more debt because of this! But I did gain something massive and far more valuable than money since losing it, a new perspective as to what it was we were doing and what I was a part of. I now appreciate the beauty of people making the effort to gather and listen and share music together and the industry and all it's efforts more than ever. I always had thanks, but I guess you can really check in on something more closely when you stop and look at it from the outside.

MFM: Do you then also feel positive about the future of nightlife and culture?

DL: Yes I feel positive about it. The force of music is so strong and what it does to people is unstoppable. It may take some time and maybe it will change, but that might even be a good thing. We all got an opportunity to check in with ourselves and stop and even though this was a disaster for the economy and the effects of that will last a while, the essence of art and music have nothing to do with money and that’s where it should restart. If anything it might have a wonderful impact. Art can sometimes be richer if we’ve been through some heavy experiences. 

MFM: What in your opinion actually makes a DJ stand out?

DL: Most importantly, and this probably applies to everything, I think is to be yourself which will naturally be unique if you are able to harness your true essence. I know that sounds obvious but it’s often a journey to feel as though you know or to find yourself, but I think being true and present in every moment of that journey is how you’ll be able to tap into what’s unique about what you do. Being fully present and playing with the times whether that’s trying to express what's going on inside you or a response to what’s happening in the world. Also not to think but feel your way through. This will often be more accurate since our heads are pretty full and busy! Authenticity and truth can be applied to any taste and style. For me I like to go on a ride with twists, turns and surprises and hear a story with a variety of feelings from the lowest to the highest, but keeping it coherent and without being too much of a mess. Although a bit of mess is all right too!

MFM: Thanks a lot for your contribution. Can you take us through your process of recording mixes?

DL: I would say all of the above is the general process for any mix, or at least as much of this as possible is considered. But since recording mixes is the only way I’ve been sharing music recently and I’ve made so many, I have started to try to give each mix more of a focus. For example one I did recently was called music for chess. And this mix has a particular focus on psych. This is because I can feel summer ending is just around the corner and it’s been the most hazy, mind bending, deep, confusing but colourful and dream like summer I’ve ever had and I’ve never felt so inside and removed from my head and the world at the same time as I have this summer!

Rhythm Variation 07

AOKI takamasa

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