In this episode, Gordon interviews Evan Schechtman, Oscar Tillman, and Adele Major about Hotel 626.  If you haven’t seen Hotel 626 then WATCH THIS VIDEO: http://vimeo.com/61851332 !!!

Hotel 626 - NYC Panel Pt. 1

Daniel George McDonald sits down with Gordon to discuss editing the finale of Cheer season 2.

The Cutting Room

Daniel George McDonald on Editing Cheer

Edit Button 2.0 - Grog Movies Team Interview

Benji Bakshi (Bone Tomahawk, Brawl In Cell Block 99, The Rookie) joins the show to chat about their work on Star Trek: Strange New Worlds and their experiences shooting on a Volume.

Benji Bakshi On The Cinematography of Strange New Worlds

Timothy A Good (The Umbrella Academy, Fringe, Under The Dome) and Emily Mendez (The Resident, Light as A Feather, Dryland) discuss their work and collaboration on HBO’s hit show The Last of Us!

The Editing Team Behind The Last of Us

Peter Albrechtsen (Rule of Two Walls, Riders on the Storm) joins Gordon to talk about the fun and challenge of doing the sound design for Evil Dead Rise!

Peter Albrechtsen On The Sound Design of Evil Dead Rise

Leo Birenberg (Cobra Kai, Bottoms, Florida Man) and Zach Robinson (Cobra Kai, Twisted Metal, Ant-Man) discuss their process creating the score for Weird: The Al Yankovic Story

The Composers Behind The Score of Weird: The Al Yankovic Story

Editor Marc Wiltshire (Bel-Air, Our Kind of People, STAR) discusses their work on Wu-tang: An American Saga.

Marc Wiltshire On Editing Wu-tang An American Saga

On this week’s show, Oscar winning editor William Goldenberg (Argo, Miami Vice, Zero Dark Thirty) joins Gordon to talk about their collaborations with Ben Affleck and their recent work on Air.

William Goldenberg On Editing Air

Composer Joy Ngiaw (Blush, Short Circuit, The Search for WondLa) shares their process and love of animation while talking about their work on Blush and Glamorous!

Joy Ngiaw On Composing The Score For Glamorous

The dynamic duo of Varun Viswanath (What We Do In The Shadows, Blindspotting) and Patrick Tuck (Mo, Dave) join Gordon to discuss the process of editing Reservation Dogs Season 3 episode 3!

The Editing Team of Reservation Dogs

The cinematographer behind Mobland, Red Light and Cuck, Nick Matthews, joins Gordon to talk about their work on Saw X!

Nick Matthews On The Cinematography of Saw X

Alex Gascoigne (King Arthur, You Were Never Really Here, The Lost City of Z) joins Gordon to discuss their process working as colourist for Black Mirror.

Alex Gascoigne On Acting As Colorist For Black Mirror

Gordon sits down with DI Colorist John Dowdell to discuss his work for the film Carol at Goldcrest Post NYC. Carol has been nominated for Best Cinematography at the upcoming Oscars.  John has over 200 Features and documentaries listed in his IMDB Filmography.

DI Colorist John Dowdell on his work for the film Carol

Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands.  He cuts in LA for Lost Planet where he cuts for the top brands.

Federico Brusilovsky on Editing Commercials

Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.

Sidney Wolinsky ACE, Discusses editing The Shape of Water

Gordon sits down with Joe Walker to discuss editing Blade Runner 2049.  Gordon and Joe have talked twice previously, first about the editing of Sicario and the second time about editing Arrival.

Joe Walker (Blade Runner 2049)

Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.

Desktop

Molly's Game Editors Discuss Their Work

Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for which they were nominated for the Oscar in Best Sound Design.

Bonus Eps. 5 - The Sound Design behind Shape Of Water Sound

Gordon Burkell sits down with Bo Welch to discuss the look and feel of A Series of Unfortunate Events on Netflix.  We also get into his work as director for two of this seasons episodes.

Bo Welch Production Design and A Series of Unfortunate Events

Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix.  This is the first in a three-part series, the next episode will interview GLOW editor Tanya Swerling, followed by an interview with costume designer Beth Morgan about her work on GLOW.

Bill Turro (Glow)

Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.

Beth Morgan (Costume Designer GLOW)

Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadahl worked with Foley One in Toronto to create the unique sound design for A Quiet Place, including creating a soundless feel.  Learn how they did it!

Bonus Eps 12 A Quiet Place

Gordon and Azin Samari sit down to discuss the four-part documentary Lorena that recounts the Lorena and John Bobbit saga.

Lorena

Azin Samari on Editing Lorena

Gordon sits down with Evan Ahlgren and Gary Roach to discuss the editing of Paramount's Yellowstone.

Editing Yellowstone

From being an up and coming film editor on films such as Annapolis, Fast and the Furious Tokyo Drift and Fast Five to Quentin Tarantino’s man in the cutting room on Django Unchained.  Fred Raskin has earned his strips by assisting and as additional editor on films such as Punch Drunk Love and Kill Bill Vol. 1 and 2.  Now he has earned his spot in one of the most exciting cutting rooms in the world.

In this Episode Raskin and Gordon talk about getting into the business, being a part of the Fast and the Furious series and of course teaming up with Quentin Tarantino.

Fred Raskin, Editor of Django Unchained - Full Interview

Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.

Editing Celia Haining (The Crown)on working with Story

This audio is a segment from episode 150 of The Cutting Room Podcast.  The segment explores how unlikely circumstances led to the publication of the hugely popular book by Walter Murch, In the Blink of an Eye.

Walter Murch, The Butterfly Effect, and In the Blink of an Eye

Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix documentary "Circus of Books."

Editing Circus of Books with Kathryn Robson

Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people in the background, lighting an entire episode with candles, and more!

The Cinematography of The Haunting of Bly Manor

Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. How does Werner craft the structure, how do they decide what the V/O should be, and more importantly, the prickly topic of the implications of the Voice of God style documentaries?

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