The ties are perfect and the conclusion brings meaning to the exercise. A success that leads to a beautiful piece in itself.

More on this 542nd weekly Disquiet Junto project — 2600 Club (The Assignment: Make some phreaking music) — at: https://disquiet.com/0542/

Thanks to Alan Bland for proposing this concept for a project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0542-2600-club/

Image by arbyreed. And it is used (cropped, with text added) thanks to a Creative Commons Attribution-license: https://creativecommons.org/licenses/by-nc/2.0/. Original at https://flic.kr/p/56Efud.

Freeq (disquiet0542)

Created Thurs 19/05/2022, mixed Fri 20/05/2022 for this junto challenge: https://llllllll.co/t/disquiet-junto-project-0542-2600-club
I learned about the 2600 Hz thing and , on my usual further reading I learned a new word: Phreaking.
Nice.

This one's for Βαγγέλης Παπαθανασίου.
RIP


DD: synths
Photo by Wendy Scofield

A 2600Hz Phreaking Abstraction (disquiet0542)

On his third solo recording for Cantaloupe Music, Florent Ghys radically retools his approach with Ritournelles & Mosaïques — a wide-ranging two-part opus that pulls back the curtain on an intrepid composer, double bassist and electronics bricoleur in full sonic exploration mode. The project’s first single, “Printemps Permanent,” sets the tone for the lively ride to follow. 

Ghys began work on the project in late 2019, but like the rest of the world, he soon found himself in the midst of a prolonged isolation period, which inspired him to expand his creative palette. On his previous album Télévision, Ghys had begun with an audio-visual idea; this time, he started at the root: with the sound.

“I just wanted to make something that sounded great,” he says, “so I spent a lot of time studying the sound of my bass — analyzing it, making sample libraries, recording it — and then studying the different microphones, different rooms, different basses too. So it really started from the sound, and then adapting my audio-visual ideas to that.”

Ritournelles (available on CD) is essentially the electro-acoustic, ambient instrumental portion of the program, while Mosaïques (available digitally) is more sample-based and electronic, seething with textural complexity. “Despite the differences though,” Ghys explains, “they really come from the same initial artistic impulse.”

Ritournelles & Mosaïques

Printemps Permanent

Buy on Bandcamp

amari

Made with Synthstrom Deluge.

More on this 555th weekly Disquiet Junto project – A Simple Timer (The Assignment: Simplify by a factor of 5) – at: https://disquiet.com/0555/

Thanks to Anatol Locker for having proposed this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0555-a-simple-timer/

Cheap Chip (disquiet0555)

Created for the Disquiet Junto Project no 555: A Simpler Time

Used basic waveforms in Alchemy, Logic. Made som simple melodic motifs and in various time signature. LCR panning (with automation moves) in keeping with the spirit of the project.

Simpleton jig

extra bibble

First released in 2011 by Luxus-Artica Records and then reissued in 2016 by Hidden Shoal, Erik Nilsson’s brilliant debut album Recollage is being re-released in a somewhat altered format. Earlier in the year, Nilsson revisited Recollage’s eclectic mix of electronics, live instruments and field recordings to create a new iteration. Recollage Reworked recontextualizes the original album’s often dizzying compositional style, reminiscent of The Books’ cut-up approach to songcraft, and casts it in a freshly addictive new light.

More on Erik Nilsson here: https://www.hiddenshoal.com/project/erik-nilsson/

The music of Erik Nilsson is available to license for film, tv, web etc. Head here for more info -www.hiddenshoal.com/licensing/

Recollage (Reworked)

Erik Nilsson - Recollage (Reworked)

Ceiling fan motor, electronics, marimba, banjo, percussion, guitar

i just want to see

Put together for Disquiet Junto Project 0470: Calendar View
The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

January: Backwards piano from Further
February: Clarinet and effects from Density
March: Vocal treatments from I Saw the Skein
April: Whispers from Don’t Think of an Elephant
May: Segment from Social Distancing
June: Bass and background from Counting Days
July: Guitar from The Collective Field
August: Rehearsal phone recording
September: Synth from Vox Machina
October: Field recording of construction work
November: Rhythm from Music for Tooth Brushing (alternate version)
December: Segment from Committee of Four

Tied together with some effects and treatments

Some of the sources available here:
https://theslantedcity.bandcamp.com/
https://committeeoffour.bandcamp.com/
https://eriknilsson.bandcamp.com/

Calendar View 2020 [disquiet0470]

apan music

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