Disquiet Junto Project 0541: 10BPM Techno
The Assignment: Make some snail-paced beats.

There are two ways to do this project.

Option 1: Record some 10BPM techno.

Option 2: Record what you imagine it would sound like to attend a club event of 10BPM techno, including crowd noise.

. . .

Deadline: This project’s deadline is the end of the day Monday, May 16, 2022, at 11:59pm (that is, just before midnight) wherever you are. 

. . .

Details: disquiet.com/0541

Disquiet Junto Project 0541: 10BPM Techno

10BPM Techno - Anders lays down a heavy, 10 BPM drum track, and BatU layers a warm Arp Pad synth arpeggio track, accompanied by delicious Galactic Layers on  a journey to their Black Hole Vacation

Disquiet0541 - Black Hole Vacation

For the Disquiet Junto this week, I chose the option to "Record what you imagine it would sound like to attend a club event of 10BPM techno, including crowd noise."

I wrote a sequence at a normal-ish techno tempo, then slowed down the master tempo in my DAW to 10bpm. Techno typically evolves slowly, in blocks of 16 or so bars, and while I didn't quite stick to that, I thought it wouldn't feel really like it was 10bpm if I messed with the structure. So I decided to focus my efforts on making it sound at least a bit like being in a club.

I used convolution to feed the whole mix through a night club's PA,  using these free impulse responses. http://www.balancemastering.com/blog/free-funktion-one-impulse-responses-ir-irs-convolution/

I mixed the music with a couple of crowd / bar noise recordings from freesound.
https://freesound.org/people/Pfannkuchn/sounds/457606/
https://freesound.org/people/Tomlija/sounds/100904/

I faded the thing in and out, to give a bit more of a feeling of just a captured recording of a club night. I don't think the result is convincing, but it was fun to do.

More on this 541st weekly Disquiet Junto project — 10BPM Techno (The Assignment: Make some snail-paced beats) — at: https://disquiet.com/0541/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0541-10bpm-techno/

Image used thanks to this license: Creative Commons Attribution-Share Alike 3.0 Unported: https://en.wikipedia.org/wiki/File:Grapevinesnail_01.jpg.

Jet Jaguar - Slow Night [disquiet0541]

A common trope among social media posts are videos with enticing clickbait titles, such as: “Homeless Person Sits Down At Piano, Then THIS Happened.” The reveal is that the figure at the public piano is actually a professional musician. These scenes typically take place at a shopping mall, where an impromptu audience is delighted by the player’s unexpected dexterity.

Franco Bifo Berardi reminds us that “The goal of the [analyst] is to give him/her the possibility to see other landscapes, and to change the focus, to open some new ways of imagination.” One might imagine the reaction at Carnegie Hall if a virtuoso flubbed a performance so badly that it bordered on an Andy Kaufman skit.

This is why Suss Müsik cannot fathom a dance club scenario in which techno music plays at 10BPM. It’s not impossible, however, for such an event to occur in a setting such as a shopping mall. And rather than a DJ playing electronic techno music, it might be a very strange string quartet attempting to fit their odd time signatures within that 10BPM timestamp. 

This is the approach Suss Müsik took with this week’s project. A series of four cyclical phrases were played on fake violin, fake cello, fake harp and fake dulcimer. A single strike of a mallet keeps time in 10BPM; meanwhile, the instruments are bowed and plucked in 1/64 and 1/128 to give a sense of movement. The constant repetition is perhaps a nod to techno’s reliance on looped beats. 

All of this happens in front of a bewildered audience of mall shoppers (courtesy of public domain audio), who would just as soon be left alone in the food court without this distraction. Then again, as Violet Trefusis once wrote, perhaps it’s true that “love thrives on indifference” and some appreciation would be detected. Maybe we’ll try it one day.

The piece is titled Trefusis. The image may or may not be a shopping center somewhere in the US. 

More on this 541st weekly Disquiet Junto project — 10BPM Techno (The Assignment: Make some snail-paced beats) — at: https://disquiet.com/0541/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0541-10bpm-techno/

Trefusis [Disquiet0541]

Made for the Diquiet Junto Project no. 541

Recorded two bars of “acoustic techno” at 130 bpm (faintly heard at the end of the piece) and stretched it to 10 bpm using Logic’s smart tempo. Mashed up the audio a bit and added guitar part.

More at:
https://llllllll.co/t/disquiet-junto-project-0541-10bpm-techno/55213/16

The Heart(beat) of Darkness [disquiet0541]

Made on Christmas Day, 2020 as a demo for Portage Garage Sounds. Slowed to 10bpm on May 13, 2022 for Disquiet Junto.

PGS Trial 122520 "Ten BPM Techno" (disquiet0541)

Disquiet Junto Project 0541: 10BPM Techno
The Assignment: Make some snail-paced beats.

When I saw the mail for Disquiet Junto Project 0541, I also saw a mail from Samplescience, announcing free 303 Loops. As I am no techno musician, I thought of being lazy and just used some of these 303 loops to play around. Strechted from 120 to 10 bpm within reaper they became very melodious and ambientic. I added some percussion and a kickdrum to fullfill what I think are minimum genre conventions (there was a "riser" sound which I left out). This may not be techno at all, but I like the bleeping 303s and the resulting track very much. A nice project!

--
Credits

303 Samples
https://www.samplescience.info/2022/05/abstract-303.html

Track image based on
https://unsplash.com/photos/m41k1lTzjVM

Party crowd ambience mostly
https://freesound.org/people/deleted_user_2104797/sounds/346683/

--

More on this 541st weekly Disquiet Junto project — 10BPM Techno (The Assignment: Make some snail-paced beats) — at: https://disquiet.com/0541/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0541-10bpm-techno/

disquiet sampler album

10bpm Techno [disquiet0541]

More on this 542nd weekly Disquiet Junto project — 2600 Club (The Assignment: Make some phreaking music) — at: https://disquiet.com/0542/

Thanks to Alan Bland for proposing this concept for a project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0542-2600-club/

Image by arbyreed. And it is used (cropped, with text added) thanks to a Creative Commons Attribution-license: https://creativecommons.org/licenses/by-nc/2.0/. Original at https://flic.kr/p/56Efud.

Freeq (disquiet0542)

Created Thurs 19/05/2022, mixed Fri 20/05/2022 for this junto challenge: https://llllllll.co/t/disquiet-junto-project-0542-2600-club
I learned about the 2600 Hz thing and , on my usual further reading I learned a new word: Phreaking.
Nice.

This one's for Βαγγέλης Παπαθανασίου.
RIP


DD: synths
Photo by Wendy Scofield

A 2600Hz Phreaking Abstraction (disquiet0542)

On his third solo recording for Cantaloupe Music, Florent Ghys radically retools his approach with Ritournelles & Mosaïques — a wide-ranging two-part opus that pulls back the curtain on an intrepid composer, double bassist and electronics bricoleur in full sonic exploration mode. The project’s first single, “Printemps Permanent,” sets the tone for the lively ride to follow. 

Ghys began work on the project in late 2019, but like the rest of the world, he soon found himself in the midst of a prolonged isolation period, which inspired him to expand his creative palette. On his previous album Télévision, Ghys had begun with an audio-visual idea; this time, he started at the root: with the sound.

“I just wanted to make something that sounded great,” he says, “so I spent a lot of time studying the sound of my bass — analyzing it, making sample libraries, recording it — and then studying the different microphones, different rooms, different basses too. So it really started from the sound, and then adapting my audio-visual ideas to that.”

Ritournelles (available on CD) is essentially the electro-acoustic, ambient instrumental portion of the program, while Mosaïques (available digitally) is more sample-based and electronic, seething with textural complexity. “Despite the differences though,” Ghys explains, “they really come from the same initial artistic impulse.”

Ritournelles & Mosaïques

Printemps Permanent

Buy on Bandcamp

amari

Made with Synthstrom Deluge.

More on this 555th weekly Disquiet Junto project – A Simple Timer (The Assignment: Simplify by a factor of 5) – at: https://disquiet.com/0555/

Thanks to Anatol Locker for having proposed this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0555-a-simple-timer/

Cheap Chip (disquiet0555)

Created for the Disquiet Junto Project no 555: A Simpler Time

Used basic waveforms in Alchemy, Logic. Made som simple melodic motifs and in various time signature. LCR panning (with automation moves) in keeping with the spirit of the project.

Simpleton jig

extra bibble

First released in 2011 by Luxus-Artica Records and then reissued in 2016 by Hidden Shoal, Erik Nilsson’s brilliant debut album Recollage is being re-released in a somewhat altered format. Earlier in the year, Nilsson revisited Recollage’s eclectic mix of electronics, live instruments and field recordings to create a new iteration. Recollage Reworked recontextualizes the original album’s often dizzying compositional style, reminiscent of The Books’ cut-up approach to songcraft, and casts it in a freshly addictive new light.

More on Erik Nilsson here: https://www.hiddenshoal.com/project/erik-nilsson/

The music of Erik Nilsson is available to license for film, tv, web etc. Head here for more info -www.hiddenshoal.com/licensing/

Recollage (Reworked)

Erik Nilsson - Recollage (Reworked)

Ceiling fan motor, electronics, marimba, banjo, percussion, guitar

i just want to see

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

The Heart(beat) of Darkness [disquiet0541]

apan music

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