merci les gars! partagé là: https://www.facebook.com/ptitbazargratuitetlegal

Merci beaucoup. Fantastique concerte aussi a la Helsinki Week 2017

Mysterious top selector and producer Gazonade is back with a dazzling soulful vinyl selection, exclusive for the Asymetrics !

Don't miss the video version of the mix on our channel: https://www.youtube.com/watch?v=qtkQcUcNkgA

& tracklist here: https://theasymetrics.com/blog/gazonade-chained-and-bound-to-your-love/

https://soundcloud.com/gazonade

https://theasymetrics.com

Tracklist / Video

Asymetrics Present: Gazonade - Chained & Bound To Your Love

Order Midnight Rocker now on Vinyl & CD → https://on-u-sound.ffm.to/midnightrocker.pbt

Horace Andy - Safe From Harm

Sono Rhizmo' - I can't sleep

Rework of Black Cat Jive, which is apparently 10 years old. (Agogo, 2011)

Pic is from: https://hu.pinterest.com/weedfeed0208/vintage-weed/

Savages Y Suefo - Dope Cat Jive

. Meva
. Wrong Road
. Pas Contente featuring Roger Damawuzan

recorded live at France Inter on december 3rd 2014 at France Inter's studio 105

'Partons en live' France Inter live session

Led by drummer / multi-instrumentalist Max Weissenfeldt (The Whitefield Brothers, The Poets of Rhythm, The Polyversal Souls) and Peruvian guitarist Alex Mendoza, this new studio ensemble takes it’s cues from Max’s experience under several different band variations that have explored Late-60’s Funk & Soul, West African Rhythms, Ethiopian Grooves and now, for the first time on record, Afro-Peruvian Cumbia. Alex Mendoza’s quintessentially Peruvian style psychedelic guitar licks lay a sabor never heard before onto Max's typically raw and funky percussion style. It’s another notch in an increasingly diversified portfolio for Max.


Alex Mendoza y sus Poetas Del Ritmo - ¡Cumbéalo!

Vinyl

Luiza (d'n'b remix)

BEHOLD THE UNCLE GITKIN 4 TRACK RECORDING! 
Here's the full story...

Gitkin sold guitars. To be precise, he re-branded, sold and traded knock-off Gibsons. A lone, travelling salesman, he toted his counterfeit wares to guitar stores and music emporiums. His trade took him to most corners of the USA, passing through big, smoggy cities and small towns. His nights were spent at not-so-salubrious motels. It was at those nocturnal stop-offs that he’d often cross paths with newcomers to the States. His fellow travellers were mostly immigrants, newly-arrived, from places like Ethiopia, Mexico, Indonesia.

His illicit musical wares were his way of making a connection. He’d strike up tentative, half-understood exchanges; part old stories and legends, part musical dialogue, rough-and-ready riffs, enthusiastically plucked out. Other times, late night jam sessions would quickly escalate, repurposing nightstands for drums and mini bar contents – packets of nuts, or bottles of beer – for makeshift percussion. A self-taught, sometimes-musician, those memorable evenings informed amateur recordings to cassette tape: a patchwork of worldly sounds, a document of new friendships and fresh perspectives.

Or at least, that’s the story as Brian J Gitkin has been able to piece it together. This album, ‘5 Star Motel’, is by a different Gitkin, an ode to the one described above. Or to put it another way, this is the younger Gitkin’s homage to his elder relative: the elusive, guitar salesman uncle he never met. A steady drip of anecdotes have construed an image of his relation’s itinerant, huckster lifestyle. Finding a cassette of his recordings, it spoke of the effect of those encounters: lo-fi and scratchy, the music leaped seamlessly, in difficult to discern ways, between different far-flung styles. 

https://wonderwheelrecordings.bandcamp.com/album/5-star-motel

On ‘5 Star Motel’, that younger Gitkin has sought to expand the philosophy reaped from his uncle. The guitar is common thread, the raft to navigate a sun-dappled stream of ideas. It’s an embrace of cultures where folkloric stringed instruments still rule, or where they’ve led to a more recent embrace of the electric guitar. Gitkin traces the loose, meandering paths which join them together.

It’s about America, the world outside its borders, and the inscrutable, inevitable dialogue that exists between them. Take ‘Cancion Del Rey’, where the sound of Peruvian chicha – steady-moving, alluring, and lyrical – winds its way through Gitkin’s fuzz-filtered licks, and the rhythm underpinning it. Or ‘Yama’, where Middle Eastern influences echo out of grooving, cyclical riffs. Touching on the distinctive tones of Tuareg music and the Sahara, too, ‘Grand Street Feast’ charts a sand-dusted, melodic misadventure.

Full album

Gitkin 1978 Original Rare Recording

Here's an alternate Dub of the theme song from Flowering Inferno's 'Dog with a Rope'. Dubbing recorded live on the board during mixdown. 

Dog With a Rope (Dub)

This is a selection of a handful of Angolan 45s that have proven their spirit & longevity in my record collection. Here's to the slap-echo guitars, scratchy dikanza, hope, aspiration and musical beauty that flowered from Luanda. This sound has long informed the systems of Barranquilla and parallels cumbia, samba & compas in sonic ancestral synchronicity.

'Partons en live' France Inter live session

Vaudou Game

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