DOCKING REQUEST GRANTED: Music for Supercruisin' ELITE: Dangerous

In My Head

Singles 1965-1967

2000 Light Years From Home ((Original Single Mono Version))

Another Green World

In Dark Trees (2004 Remaster)

Pink Flag

Mannequin (2006 Remastered Version)

Exploding Head

Keep Slipping Away

The mysterious collective known as Man or Astro-Man? hail from the lowdown depths of Alabama, though their sound is hardly Southern, or American, or even terrestrial. Having released music throughout the ’90s and ’00s on garage punk stronghold Estrus Records as well as the legendary Touch and Go Records, they have wasted no time earning their places as mainstays in the American rock underground. Although they’ve released 10 full-lengths to date, chronicling quasar-hoppingquests and intergalactic misadventure in every direction, the centerpiece of their tenure will always be the band as they are on stage, frenetic, focused and swaddled in literal lightning from a homemade Tesla tower. Naturally, when the fine folks at Third Man Records began planning festivities for Record Store Day 2016, they could not help but indulge in the surf madness of Man or Astro Man? No doubt a signal of things to come—namely the first vinyl record played in space. The result is a retro-futurist surf riff bombast. The career-spanning set (which did include a Tesla tower and, ultimately, a charred drum set— yikes!) was a thermonuclear drag race and a welcome addition to a world-class live series.

Although there’s never a perfect substitute for being in the room when an artist owns the stage, Third Man Records continues to bottle the iridescent magic of the Blue Room with Man…Or Astro-Man? Live.

Man or Astroman Live at Third Man Records

Man... or Astro-Man? - Antimatter Man

While on a recent tour of the Western United States, London-based The KVB moved heaven and earth to make this wonderfully meditative 3-part episode possible. Working with award-winning documentary filmmaker Alix Lambert (The Mark of Cain), cinematographer Conor Simpson, engineer Griffin Rodriguez and editor Forrest Borie, the episode employs a simple set of colored gels, soft shadows, playful synth melodies, one cranky drum machine, one enormously loud Jazzmaster, and two unflinching performers. Welcome to the bracingly Zen-like inner-world of The KVB.  

BIO
The KVB is the prolific A/V outlet of artists Nicholas Wood and Kat Day. Combining goth-tinged, abstract imagery with a love of shoegaze guitars, minimal synths, reverb-drenched vocals and rigid beats, Nicholas initially started The KVB as a solo project. After frequent collaborations throughout 2011, Kat Day joined permanently on synths and visuals. Fast on the heels of several EPs and limited-edition cassettes, 2012 saw the release of the band's acclaimed first LP, Always Then, soon followed by tours of the UK, EU, and Western US. In early 2013, The KVB released Immaterial Visions via NYC's Cititrax imprint. If your musical tastes veer toward hypnotic minimal wave and snarling post-punk, The KVB will definitely satisfy your darkest Psychocandy-esque cravings.  


COMPONENTS

Video 
• YouTube: http://youtube.com/playlist?list=PLC4EEUwd7e4lP9GLCz-Zo-EQGmsPberDm
• Vimeo: http://vimeo.com/album/2365481

Photos
• Flickr: http://flic.kr/s/aHsjEPXt9k

Music
• SoundCloud: http://soundcloud.com/goincase/sets/the-kvb-at-room-205


CREDITS

Executive Producer
• Incase: http://goincase.com

Producer
• Arlie Carstens: http://disastercasual.typepad.com

Director
• Alix Lambert: http://pinkghettoproductions.com

Cinematography
• Conor Simpson: http://vimeo.com/likeamaniac

Set Designer
• Tamarra Younis: http://union-of-art.net

Set Assistant
• Katie Risinger: http://facebook.com/katieferne

Editor
• Forrest Borie: http://vimeo.com/forrestborie  

Audio Engineer
• Griffin Rodriguez: http://linkedin.com/pub/griffin-rodriguez/1b/599/2a

Camera
• Alix Lambert: http://pinkghettoproductions.com
• Conor Simpson: http://vimeo.com/likeamaniac

Photos
• Arlie Carstens: http://disastercasual.typepad.com

Performing Artist
• The KVB: http://facebook.com/thekvb1

Label
• Cititrax Records: http://cititrax.com

Room 205 Theme Song
• Cora Foxx: http://corafoxx.com

The KVB - Shadows (at Room 205)

In 2003, Brooklyn’s A Place To Bury Strangers emerged on the scene out of Oliver Ackermann’s psychotropic vision.  Often cited as ‘ the loudest band in New York’,  APTBS is known for their vicious live performances overloaded with all-consuming visuals, experimental sonic warfare, and treacherous stage antics.  

2021 welcomes a lineup change for A Place To Bury Strangers. New members John Fedowitz (bass) and Sandra Fedowitz (drums) of Ceremony East Coast cement the most sensational version of the band to date.  John and Oliver were childhood friends who had played in the legendary underground shoegaze band Skywave, crafting futuristic punk music together. This next phase is a sonic return to APTBS’s most raw and unhinged endeavors, pushed even further into a new chaotically apocalyptic incarnation.

During the on-going global pandemic, Ackermann spent his time building this new band, raising money and awareness for those in need, establishing the record label Dedstrange, designing futuristic space synthesizers for his company Death By Audio, and producing a brand new A Place To Bury Strangers EP.  The new EP, Hologram will be released July 16, 2021, on Dedstrange.  Watch out.

Keep Slipping Away

aplacetoburystrangers

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