Apobothra - In Search for an Explanation [Spaceal Orbeats, December 2013]

The main theory of theoretical physics over a few past decades is the Superstring theory. It is the main candidate for unification of Einstein's General Relativity and Quantum Mechanics.
The Superstring theory predicts that our Universe has more than four space-time dimensions.
But other dimensions are too compactly convolved, so human eyes or any other instruments (no matter how precise they are) are extremely improbable to be sufficient to detect these hidden dimensions.
The earliest forms of the Superstring theory depicted our Universe as a 10-dimensional structure, where we have four standard space-time dimensions and six additory dimensions convolved in a structure called 'Calabi-Yau Manifold'.
The idea of such manifolds was first proposed by mathematician Eugenio Calabi and then was proved by Shing-Tung Yau. As a result, such manifolds are named after them.
Moreover, the Superstring theory claims existence of these hidden dimensions. If they don't exist, the theory seems to fail.

Beatport

Calabi-Yau Manifold [Spaceal Orbeats - In Search for an Explanation LP]

Seems like everyone have seen science fiction movies or read some articles where the center of a black hole called ‘singularity’ is considered as an entrance to another Universe. Almost all the people take such information as a joke or valid only as a part of science fiction I guess. However, contemporary science makes such conjecture quite probable.
In 1972 Jacob Bekenstein was the first theoretical physicist to suggest that black holes do have entropy for correspondence with the Second Law of Thermodynamics. It is important that the amount of entropy as well as the amount of information within a black hole is defined by the area of black hole’s event horizon, not by its volume. That makes us capable to define the amount of information of a 3-dimensional object by its 2-dimensional area. 
This leads to the most exciting idea in theoretical physics, as for me:  the concept of our Universe functioning as a hologram, first proposed by Juan Maldacena. It means that all the processes within our 3-spacedimensional Universe such as our everyday life, thoughts, activities as well as everything we see, think and perceive are predicted by the processes occurring on the 2-dimensional boundary of our Universe.
If this is true, what an observer, who exists within such object, sees as an entire Universe, should be seen as a black hole for an external observer. And that finally means that if this idea depicts reality, we all live inside the black hole.


We All Live Inside The Black Hole [Spaceal Orbeats - In Search for an Explanation LP]

‘The Sculptor Wall’ is a real astronomical term. It is a wall-shaped superstructure of galaxies relatively near to the Milky Way, about 400 million light-years from Earth. The structure sweeps through the southern skies across nearly a billion light years of space. It is filled with recently discovered intergalactic gas. This discovery is the strongest evidence yet that the “missing matter” (which is different from “dark matter”) in the nearby Universe is located in an enormous web of hot, diffuse gas.

The Sculptor Wall [Spaceal Orbeats - In Search for an Explanation LP]

Magnetar is a title of a neutron star with a super-strong magnetic field. Such stars are actually the most magnetic stars in a whole Universe. You can imagine a star with mass slightly more than sun’s, the density of a neutron and a magnetic field about a thousand trillion (a one followed by 15 zeroes) times stronger than Earth’s. The field strength is so intense that it heats the surface to 18 million degrees Fahrenheit. Magnetars aren’t powered by a conventional mechanism such as nuclear fusion or rotation and they are not totally understood yet. However, scientists are quite sure in the existence of these magnetic monsters and some of them have already been observed. 
One example is the magnetar called 1E 2259 which is located some 18,000 light-years from Earth in the constellation of Cassiopeia. It suddenly began bursting in June 2002 with over 80 bursts recorded within a 4-hour window. Since then, it hasn’t disturbed the depths of space.

Magnetar [Spaceal Orbeats - In Search for an Explanation LP]

The main objects of the Superstring theory are so-called strings. A string in this case is a 1-dimensional object which looks as a particle to us because we are not able to see its real structure as it is too small for our eyes as well as for all the instruments which are used to make observations.
I have already described the term Calabi-Yau Manifold (hope the description was clear enough). And there are some processes which might occur within such Calabi-Yau Space structure. One of them was first proposed by Brian Greene, David Morrison and Paul Aspinwall simultaneously with Edward Witten.
The process is called Flop-transition. This term was initially developed by mathematicians, but as it often happens, physicists find some things from abstract mathematics very useful in application to physical objects, either abstract or real. Imagine a shrinking sphere which is located within such manifold. Although these manifolds are too compact to be detected, their size is enough to include an even smaller object. So, such sphere might be shrunken within a manifold and eventually it ends up literally vanishing from existence. As a result, the space-time structure in that place is torn apart. That is far deeper than we can imagine. For instance, we can imagine empty space with no particles or fields included. But there are not even space and time themselves remain in that process. After such terrible thing occurred, the whole process ends up with rejuvenation of Calabi-Yau Manifold which contained the shrinking sphere. However, a new manifold tends to be different from the initial state. It remains 6-dimensional and also retains some other traits but the structure of it has to be completely different after the rejuvenation.
This is a brief description of the process and I want to spotlight how the track is evolving. There is a moment in the middle of the track which ends up with a synth followed by delay which is the only thing remaining in the mixdown in that moment. That’s how I tried to depict the process of the space-time structure is being torn. And as you can see, dubchords in the second part of the track are processed in a far different way than they had been processed before. That depicts that the states of an initial Calabi-Yau space and its rejuvenated counterpart are completely different.
Hope you enjoy : )


Flop-transition [Spaceal Orbeats - In Search for an Explanation LP]

Here is a track from my most recent EP Silent Wilderness

Silent Wilderness

[spotify]

Taken from the upcoming Vril album on Delsin Records "Anima Mundi"

https://www.delsinrecords.com/release/6086/vril/anima-mundi

Anima Mundi

In Via

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We are glad to welcome back Deepbass to makes his third appearance on the MNMT podcast. 

Please read our interview with the Scotsman on our magazine (tracklist included): https://mnmt.no/interview/mnmt-196-deepbass-one-of-my-favourite-parts-of-making-music-is-collaborating-with-other-like-minds/

Interview & Tracklist

MNMT 196: Deepbass

Fachwerk Part 3 is a re- release of the 21 -30 Vinyls Releases .
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"You Are Simply A Machine" by @glaskin, featuring the @ryanjamesford remix of "Groundwork", will be released on March 22nd through YAEL Trip. More info: bit.ly/GlassySkin

You Are Simply A Machine

Groundwork (Ryan James Ford Remix)

Glaskin - Groundwork (Ryan James Ford Remix)

Ryan James Ford's debut for the Clone Basement Series!
A versatile 6 track ep with some dark non-conformist techno tracks.

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Ryan James Ford - Face me [CBS029]

We want to welcome to one of the most innovative and original artists from the electronic scene: Truncate. For today's episode he has prepared a 60 minute set showing his versatility and eclecticism on the decks. Enjoy it!

[Suara PodCats 270] Truncate (Studio Mix)

CYRK is a live show and studio duo that now starts life as an
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the planet as a live act, Influenced by Detroit house and techno with shades of electro, the pair have releases on labels like Rawax , Hike ,Vakant

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Fachwerk Part 4 is a dgtl. rerelease from the 12" Vinyl's FW031 - FW038 inkl unreleased special Edits
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FACHWERK PART 4 Proof

Aleksei Klimkin (Apobothra) is a Moscow based electronic music producer who has been inspired by such musicians as The Future Sound of London, Autechre, Biosphere, Brian Eno, Basic Channel / Rhythm & Sound, DeepChord / Echospace, ASC / Mindpsan, bvdub, Fluxion, Quantec, Fingers In The Noise and others. 
Starting with drum&bass in 2006 his tastes have gradually shifted to deeper electronic music such as dub techno, deep techno and ambient. Many of his tracks have been supported by some big names on the scene. 
His first release with Apobothra alias was released on Spaceal Orbeats label in the end of 2013 and simultaneously became his first album. It is called ‘In Search for an Explanation’ and the production style there is based on author’s intoxication by science and particularly by astrophysics.
In real life "Apobothra" is an astronomical term whose meaning is quite similar to "Apogee", but while Apogee is the point of greatest distance between the Earth and its orbiting object, Apobothra is the furthermost point on the Black Hole orbit.

Magnetar [Spaceal Orbeats - In Search for an Explanation LP]

Apobothra

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