https://appendixfiles.bandcamp.com/album/appx-lint01-no-time-for-distance

introducing... Lint. with the release of their debut
single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus. Born from a live improvisation session at kwia, Berlin and restructured in the studio, the track employs a technique the artists refer to as “smudging”—an infinite delay-tail sampling process that pushes recorded fragments into abstraction.

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APPX:LINT01 No Time for Distance

late night amb

Pain Management welcomes London cult favourite DJ ojo, who arrives on the label with a hazy three tracker of trademark nether zone system music. On his most dubbed out full length to date, ojo span’s the full emotive spectrum of dub sonics with a range of both the eerie and more tender expansions of low end atmospherics, the resulting 12” equally suited for the club and the journey home alike.

‘Tongue Tied’ opens the record, a lysergic offering from the darker edges of dub music. A slippery fugue-state hit of narco-ambience built around a crooning, intelligible vocal refrain and chest shot sub weight. A real nightfall system pusher built to simmer in the early hours. It kicks off the EP on an amorphous, hypnotic note that sustains throughout.‘Oil Dub’ sinks deeper into the fog, melodic kinesis and expansive delays upholding an underworld of feedbacked percussion and tongue in cheek sub motion; a seven minute sound bath of ambiguous dub ASMR.

The B-side balances out the darker strains found on its counterpart with an overtly tender digidub closer. Clocking in at almost ten minutes long ‘Cloud Suck’ is a nebulous bliss of perpetually ascending late-summer warmth. The kind of liminal dream-state embrace that you wish would never end. True to the name, it evokes tender, dusk and dawn hued moments, a quiet ride-home flash of introspection on the way to or from some pursuit of meaning. Pain Management essential right here.

Limited run of 200 hand-stamped 12” records available now.

DJ ojo - Oil Dub

Lulled into melancholic tales by other joe (@josephbuchan), musician, producer and label head from Melbourne, a city that has given me so much in musical terms. This mix —sketched for loved ones— signifies the 100th landmark at FR, which I celebrate as an enduring and beautiful journey through the ever-expanding music realm. A heartfelt thanks to every soul who has contributed to this project so far.

Artwork x Isidora Amenábar.

FR100 other joe (Melbourne, AUS)

Faith

First Iota (feat. Angelina Nonaj)

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Lint. - No Time for Distance (Axine M Remix)

The debut single by Lint.

Recorded live at kwia, Berlin, using a process called smudging—sampling and layering infinite delay tails into drifting, textured loops. The Origin Mix captures the piece in its raw, hypnotic form.

From the upcoming Appendix.files release featuring six remixes.

No Time for Distance

No Time for Distance (Origin Mix)

Lint. - No Time for Distance (Origin Mix)

APPX:LINT01

No Time for Distance (DJ Strawberry Remix)

Lint. - No Time for Distance (DJ Strawberry Remix)

Previews for No Time for Distance, the debut single by Lint. 
With remixes by Genus Aix, DJ Strawberry, Another You, E.M.Butler & unown B.O.S., and Anixe M.

Lint. - No Time for Distance (previews) [APPXLINT01]

Appendix.files introduces Lint. with the release of their debut single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus, out on May 2nd.

Pre-order: https://appendixfiles.bandcamp.com/album/appx-lint01-no-time-for-distance
More: www.orbmag.com/music

@appendixfiles
@kingsofty
@genus-aix

Listen more

Premiere: Lint. - No Time for Distance (Genus Aix Remix)

Appendix.files introduces Lint. with the release of their debut single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus.

Born from a live improvisation session at kwia, berlin and restructured in the studio, the track employs a technique the artists refer to as “smudging”—an infinite delay-tail sampling process that pushes recorded fragments into abstraction.

The original mix captures the sensation of memory dissolving in real time. Over five and a half minutes, No Time for Distance (Origin Mix) unfolds as a drifting, hypnotic composition shaped by ephemeral melodies, decayed loops, and warped rhythmic pulses.

The release extends into six radical reimaginings by a diverse group of artists: Genus Aix, DJ Strawberry, Another You, E.M.Butler & unown B.O.S., and Anixe M. Each remix further distorts the original sound source—drawing it through different filters of genre and emotion, from dub-drenched haze to rhythmically fragmented club mutations. The digital edition closes with the Valley Mix, a contemplative alternate version that fades the project into the ether.

Running just over 30 minutes, No Time for Distance is both a standalone piece and the opening gesture in Lint.’s evolving language of live-sampled decay and collaborative transformation. A full-length album is currently in the works for 2026.

https://soundcloud.com/appendixfiles

PREMIERE⚡️Lint. - No Time for Distance (Another You Remix) [Appendix.files]

A synapse-popping electro-acoustic soundwalk around Western Europe's cathedrals, chapels and churches, 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔 skews recognizable sacred soundscapes, proposing a contemporary mythology that muddles the past, present and future. Following on from his critically-acclaimed 𝑩𝒂𝒕𝒉𝒉𝒐𝒖𝒔𝒆 𝑩𝒍𝒖𝒆𝒔 full-length, American sound artist Jake Muir familiarizes himself with German and British sonic architecture by studying some of the medieval shadows that still hang over Europe's streets, even as they continue to evolve. Manipulating environmental recordings captured in Germany and England, Muir presents an impressionistic juxtaposition of parallel cultures: the UK's distinctive "change ringing" technique, where a team of bell-ringers play long varied sequences on a set of tuned bells; and Germany's more sober style, with monotonous peals that add rhythm to daily life.

When Muir moved from Los Angeles to Berlin back in 2019, it wasn't just the German capital's damp weather and long, dark winters that came as a surprise. He was immediately struck by the city's anomalous acoustics, and one particular element stood out: the resonant church bells that echo around Berlin throughout the day to mark time, and for 10 minutes on Sundays as a call for mass. Gathering his field recording equipment, Muir acquainted himself with his new home by following the sonorous clangs, wandering from kiez to kiez to capture each church's distinct auditory flavor. And the more material he collected, the more engrossed he became in the history of bell ringing, prompting a deep dive that would shuttle him across Germany and into Italy, Belgium and the UK.

On 𝑪𝒂𝒎𝒑𝒂𝒏𝒂 𝑺𝒐𝒏𝒂𝒏𝒔, Muir trains his focus on Berlin, where his journey began, and on England, where he encountered the most elaborate bell ringing practice. 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 is a hypnotic lattice of sounds recorded all over the German capital: at Parochialkirche, a reformed church in Mitte; at evangelical church St. Matthäus, at Sophienkirche, another Mitte landmark; and at St. Mathias, a Roman Catholic church just in front of the Potsdam Gate. By fusing the liturgical chimes with snippets of local ambiance - traffic, chattering tourists and birdsong, for example -  Muir takes a blurry snapshot of the city, queering its idiosyncratic color spectrum with his various digital processes. Using reverb to replicate the acoustic properties of both the streets and the church interiors, he subtly disturbs the timeline, stretching out brief peals into long, mesmerizing drones and turning garbled voices into ghostly babble.

The environment alters considerably on 𝘊𝘩𝘢𝘯𝘨𝘦𝘴; Muir uses the same technique and applies it to recordings made at the 1000-year-old St. Oswald church in Oswestry, St. Bartholomew's, Edgbaston and Holy Trinity in Stratford-Upon-Avon, home to Shakespeare’s final resting place. Here, Muir methodically untangles the change-ringing process, linking back to 𝘌𝘳𝘻𝘬𝘭𝘢𝘯𝘨 with a single bell tone before moving inside the church itself and documenting the ringers' shouted instructions, blending the calls with the bells' mathematical cyclic patterns. Muir memorializes what in 2025 is a dying art-form - a community skill that's disappearing worryingly quickly as young Brits lose interest in the church and its rituals. Unsettling distortions bite into the undulating sequences and underneath the noise, Muir highlights the music's latent euphoria, drawing out its most celestial tonalities.

File under: devotional music.

---

recorded by Jake Muir
audio finalized by Glyn Maier
photography by Jake Muir
design template by Joe Bastardo

Campana Sonans

Erzklang [Preview Clip] (ENM-14)

Recorded set for @yolabmi MADPIA Show on Tokyo’s Room 303 Radio,  a drift through abstract soundscapes, works in progress, and unreleased material around.  

01 Igor Dyachenko - raw wip cuts
02 free version - urban ambience 01
03 a b - igh
04 Mattia Onori - La fossa della disperazione 
05 Tra Vento E Oscurità - Platani Remix cut
06 bad lsd trips - vacuum sacrifice
07 OL - Soma MASTER v1
08 C.D. Noé - tidal.exe
09 Sseq - Take It Softer
10 PVAS - Gathering Drift
11 OL - msw 62 beat 82 v3
12 bed - sun baby
13 emre girginkaya - eMastered_jus p
14 emre girginkaya - 251124
15 Rhythmic Theory - Ceti Alpha
16 Igor Dyachenko - Sign 
17 Serwed - D-Side
18 Orchid Dealer - Night Fragments	
19 leaf miner - lily - red - wash 2 blush
20 wan - lowtec

MADPIA w/ Igor Dyachenko 2025-05-16 Room 303 Radio, Tokyo

@kklofinkk

www.retreatradio.net/we-lie-low

Listen 24/7 at www.retreatradio.net

We Lie Low #27 w/ Klofink (22/05/25)

Appendix.files presents Post Ambient Lux, a deep listening full-length LP from experimental sound artist Igor Dyachenko, out July 28th.

Pre-order: https://appendixfiles.bandcamp.com/album/appx-lp01-post-ambient-lux
More: www.orbmag.com/music

@appendixfiles
@igordyachenko

Premiere: Igor Dyachenko - Emitting

mindseyerecords.xyz/
https://www.youtube.com/watch?v=KbzQeNhMIp4

Lint. - No Time for Distance (Axine M Remix)

Appendix.files

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