https://appendixfiles.bandcamp.com/album/appx-lint01-no-time-for-distance

introducing... Lint. with the release of their debut
single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus. Born from a live improvisation session at kwia, Berlin and restructured in the studio, the track employs a technique the artists refer to as “smudging”—an infinite delay-tail sampling process that pushes recorded fragments into abstraction.

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APPX:LINT01 No Time for Distance

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Lint. - No Time for Distance (Axine M Remix)

The debut single by Lint.

Recorded live at kwia, Berlin, using a process called smudging—sampling and layering infinite delay tails into drifting, textured loops. The Origin Mix captures the piece in its raw, hypnotic form.

From the upcoming Appendix.files release featuring six remixes.

No Time for Distance

No Time for Distance (Origin Mix)

Lint. - No Time for Distance (Origin Mix)

APPX:LINT01

No Time for Distance (DJ Strawberry Remix)

Lint. - No Time for Distance (DJ Strawberry Remix)

Previews for No Time for Distance, the debut single by Lint. 
With remixes by Genus Aix, DJ Strawberry, Another You, E.M.Butler & unown B.O.S., and Anixe M.

Lint. - No Time for Distance (previews) [APPXLINT01]

Appendix.files introduces Lint. with the release of their debut single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus, out on May 2nd.

Pre-order: https://appendixfiles.bandcamp.com/album/appx-lint01-no-time-for-distance
More: www.orbmag.com/music

@appendixfiles
@kingsofty
@genus-aix

Listen more

Premiere: Lint. - No Time for Distance (Genus Aix Remix)

Appendix.files introduces Lint. with the release of their debut single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus.

Born from a live improvisation session at kwia, berlin and restructured in the studio, the track employs a technique the artists refer to as “smudging”—an infinite delay-tail sampling process that pushes recorded fragments into abstraction.

The original mix captures the sensation of memory dissolving in real time. Over five and a half minutes, No Time for Distance (Origin Mix) unfolds as a drifting, hypnotic composition shaped by ephemeral melodies, decayed loops, and warped rhythmic pulses.

The release extends into six radical reimaginings by a diverse group of artists: Genus Aix, DJ Strawberry, Another You, E.M.Butler & unown B.O.S., and Anixe M. Each remix further distorts the original sound source—drawing it through different filters of genre and emotion, from dub-drenched haze to rhythmically fragmented club mutations. The digital edition closes with the Valley Mix, a contemplative alternate version that fades the project into the ether.

Running just over 30 minutes, No Time for Distance is both a standalone piece and the opening gesture in Lint.’s evolving language of live-sampled decay and collaborative transformation. A full-length album is currently in the works for 2026.

https://soundcloud.com/appendixfiles

PREMIERE⚡️Lint. - No Time for Distance (Another You Remix) [Appendix.files]

recorded during live performance at Silent Green (22.5.2025), alongside upsammy's av show 'Strange Meridians'

Andriy K. live rec. Silent Green (22.5.2025)

"Illuminotecnica is a slacker’s exploration of ecstatic techniques in sound, echoing the free-form drift of elemental flows across the motherboard. Celestial data streams. Mineral rhythms loop in cycles within cycles. A glitch pulses at the heart of the sun while the sky turns green.

What reveals itself through divergent, simultaneous patterns?
What do we hear when we let the aural flood loose?

Set it free—let it spiral inside out. From the cracked shell, new forms emerge: thought-forms, feel-forms, signal-forms shaped by frequencies we don’t yet know how to decode. Shapes that shimmer at the edge of language. Emotions without names. Visions that flicker in the periphery—half-seen, half-sensed—like memories from a future that hasn’t happened yet."

Music by Cortex of Light
Artwork by Francesco Tosini
Design by Nicolò Pellarin
Mastered at Tapewave Studio
Distributed by Boomkat

Wax: boomkat.com/products/illuminotecnica

Verde è Osiride

Brussels-based human who DJ's
A lot of wopwop and bambam.

Mankiyan @ Kiosk Radio 21.07.2025

The 20th episode of the Recovery Channel Outsiders residency. Celebrating this moment with a contribution by none other than Slowfoam. They've been following her moves for a while and are delighted to share this lush, deep and dreamy mix with you.

This episode feels like traversing through all stages of sleep, from vivid and almost visceral memories of holidays in a rainy tent, walks through gigantic forests and dewy fields in a valley filled with morning mist, to deep transformative loops of thoughts, dark shifting feelings and desires close but out of grasp. All to wake up to soft voices, bird shrieks perhaps on a beach.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Recovery Channel w/ Slowfoam @ Kiosk Radio 19.08.2025

Wave After Wave

Detox № 54 - fgpjy

Render ' to render again or anew - discovering experimental music from within the margins. Guest mix by so-called Australia’s d-grade. 

insta : @gillielove @cotton_pills
sc : https://on.soundcloud.com/erDe1FmHyNHga6i0K8 
https://on.soundcloud.com/xepxGr8kmt5IjEZx82 
https://on.soundcloud.com/CrRaKgvKDJyJIdAvm7

___
Station Station est une webradio associative qui émet 24/24 et 7/7j, basée à La Station - Gare des Mines. Pour écouter le direct : www.stationstation.fr nous suivre : www.instagram.com/stationstation_radio/ - @stationstation - www.mixcloud.com/Station_Station_radio/stream/

Render ' to render again or anew #3 w/ Cotton Pills and Gillielove

https://theorytherapy.bandcamp.com/album/were-here-all-the-time

@whatdotjp
@theory-therapy

Theory Therapy is pleased to present ‘we’re here all the time’ by jp (aka J.P Wright) – the New York producer behind one of last year’s shinetiac remixes on the OST label, and a member of Housecraft Recordings’ trip-bient group Ahem.

Compiling several years of well-worn material, the Brooklyn artist’s debut solo LP was the result of many hours of hardware jams and happy accidents, later meticulously edited down into these seven arrangements. Blending first-thought-best-thought spontaneity with extended DAW labouring, Wright delivers some of the most immediate music yet on Theory Therapy.

The album is reminiscent of ’90s and early-’00s IDM. Syncopated rhythms and atmosphere swirl into a mutable whole, as hardcore breakbeat, ambient trance and acidic electro bleed together into a liquid mélange. The sequencing drifts from gauzy, ethereal openings into tensile, club-ready pressure before swerving toward moments of stillness – like lingering in an emptied club hours after the crowd has gone.

There’s a distinct physicality to the music too. Kick patterns jitter like loose live wires, delays ripple through the fog-soaked air, yet the album’s finest moments lie in its more subtle textures and tonal shifts. This is proper braindance that keeps you suspended in its pulse, caught in non-linear time. Wright lets the music wander in unpredictable arcs, moments folding back on themselves, stretching in multiple directions at once – tracing and retracing a memory that refuses to settle. 

pi premiere: jp - perf (Theory Therapy)

X^x CHAPTER III - QWQWQWQWA / KVISHA + KARA KAISER

IN OUR COMPOSITION SERIE WE ARE GOING TO
PRESENT U THE APPROACH OF CONNECTING
KNOW AS AWELL AS UNKOWN AMBITIOUS MUSICAL ARTISTS
AND VISUAL ARTISTS.
WE ARE TRYING TO USE OUR PLATFORM
TO OVERLAP COMMUNITIES AND PROVOKE A
COMPOSITION, U MIGHT CAN RELATE
TO.

FOR THE SEVENTH COMPOSITION WE WARMLY INVITE.

KARA KAISER.
"My paintings and drawings isolate moments of peak suspense within cine-
matic and animated narratives—the charged seconds immediately before,
or after, impact, explosion, or climax. Tension has been built but resolution
remains uncertain.
By appropriating imagery from film and cartoons, I play with collective media
literacy while disrupting linear storytelling. The familiar becomes estranged
when divorced from narrative continuity, creating spaces where viewers are
encouraged to project their own interpretations onto fractured sequences.
This practice questions the authority of prescripted meaning, asserting the
primacy of individual reading over intended conclusion.
Through traditional mark-making, I translate digital movement into analog
stillness, establishing a dialectical relationship between medium and mes-
sage. Each work functions as both homage and intervention—acknowled-
ging the cultural power of mass media while claiming interpretive agency
and the fertile uncertainty of the unresolved"

QWQWQWQWA / KVISHA.
"I’ve put together a two-hour mix made up of music that has shaped me as an artist and once gave me a powerful creative push. It starts with broken beats and early IDM — that’s the era where my journey into electronic music began, with sounds from labels like Skam, Warp. Alongside that, there’s hip-hop blended with illbient in the style of DJ Spooky or DJ Krush. All of this shaped my love for slightly dark and strange sonics, but always with rich sound design and a beautiful urban atmosphere.

When I was 16-17 I started going out to clubs, and I was always drawn to tracks with subtle groove, micro-details, metallic or dreamy and lush sounds — all stripped down to the bare essentials. Back then, I didn’t even know it was called minimal and dub techno.

In short, the first half of the mix represents what eventually became qwqwqwqwa, and the second half — kvisha."

ENJOY.

SOCIALS.

QWQWQWQWA / KVISHA.
https://soundcloud.com/qwqwqwqwa
https://www.instagram.com/qwqwqwqwaaa/?hl=de
https://qwqwqwqwa.bandcamp.com

KARA KAISER.
https://www.instagram.com/k____a_r_a/?hl=de

X^x CHAPTER III - QWQWQWQWA / KVISHA + KARA KAISER

boofmix003
a tribute to ollie
@mx-ai-music

a tribute to the music of seminal Australian musician, Ollie Olson, one year on from his passing. 
thank you for the vision, Ollie.

*
music by Ollie Olson
compiled by Mx-Ai 

*
Tracklist:

Ollie Olsen - Except from “The Bad Planet” - E.M.C Electronic Music
Club - Subterranean Tapes - 1983
Orchestra of Skin and Bone - Scherzo 2 Scum Action - Scab 45 -
Transworld Death Corporation - 1985
Orchestra of Skin and Bone - In Search of Faculty “X” - Self Titled -
Major Records - 1986
Flinstones Meet the Flinstones - Too Fat to Fit Thru the Door - Little
Bands Melbourne: 1979-1980 The Little Band Collective - Fantastic
Mess - 2024
Hugo Klang - The Wheel of Fat - The Wheel of Fat/Mouse Runner - Au
Go Go - 1982
Whirlywirld - Signals - Whirldwirld 7” - Missing Link - 1979
Abnormal Recovery - Antediluvian Rocking Horse - Music for the Odd
Occasion - Psy-Harmonics - 1995
The Mutagen Server - Hypersonic Radiation - Consume: PsyHarmonics Vol. 6 - Psy-Harmonics - 2008
Shaolin Wooden Men - The Creep Like Dot Coms - Supermindway -
Psy-Harmonics - 2000
Ollie Olsen - Ono Zetta ! - Children of Low Resolution - Dinoplasm -
2003
Shaolin Wooden Men - Stormer - Stormer 12” - Devic Craft Cordings -
2003

*
image: Daniela Federici

boofmix003_mx-ai_tribute-to-ollie

Appendix.files [APPX:] — a label for sonic experimentation, material care, and sustainable listening.

Lint. - No Time for Distance (Axine M Remix)

Appendix.files

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