Name: Snowfall by approachingnirvana in Spring Break 13
Duration: 4 min 30 s
Description: Illusions by Approaching Nirvana. Released December 28, 2012.

Spring Break 13

Originally composed by Chromelodeon. 
Arranged and performed by Marshall Art (Mikhail Ivanov, Jeffrey Roberts). 

Музыка группы Chromelodeon. 
Аранжировка и исполнение -- Marshall Art (Михаил Иванов, Джеффри Робертс).

Polygon Sun

• Album site! http://mm25.ocremix.org
• iTunes! http://bit.ly/17WhezN
• CD Baby! (Buy digital or pre-order PHYSICAL CD!!!) http://cdbaby.com/cd/foreverlastingpeace25yea
• Amazon MP3! http://amzn.to/1hqHjy3

Join the Fight!! OverClocked ReMix celebrates Mega Man®'s 25th anniversary with our first commercial album, For Everlasting Peace: 25 Years of Mega Man!! For this fully-licensed collection of arrangements, we've partnered with Capcom & taken on music from the first game of each Mega Man® series! Twenty-one tracks from OC ReMixers arranging music from Mega Man® classic, X, Zero, ZX, Legends, Battle Network, and Star Force! Electro, trance, ambient, rock, funk, & more, paying homage to one of the greatest video game series of all time!

2-02 Mega Man Legends - Nutritious - Gate Crasher

Test Track 1 - "Dread Ascent"

Sleep with one eye open.

Test Tracks

Dread Ascent

Dread Ascent - Test Tracks #1

A remix of a classic (for me anyhow). Original by Matt Gray who is also on Soundcloud doing some killer tracks, check him out!

https://soundcloud.com/mattgrayc64

The Last Ninja 2 - Level 2

For more EDM related things follow me on
tumblr @ trancekittyy
twitter @ adelinat_

Marcus Maison and Will Dragen - Digital Freedom (Original Mix)

Matt North - New Horizon (Evenwave Remix)

ForRoll20 572129 8 - Bit - Vengeance

Buy this collection:- https://jasonstill.bandcamp.com/album/solace-in-sound

From subtle atmospheres to uplifting crescendos, this collection captures the essence of Melodic House — hypnotic, emotive, and endlessly flowing.

Solace in Sound

ミキシングし直したリマスター版です。

NicoVideo : http://nico.ms/sm17629712
YouTube : http://youtu.be/bH66EiF8H0o

Banjo-Tooie Grunty Industries グランティさんぎょう アレンジ - Remaster

This Sound Was Controled By Sound Systeme

Eric Prydz - 2Night ( Original mix )

READY TO GO ON ITUNES: http://bit.ly/IlWbwT BEATPORT: http://bit.ly/HDTUNm

FACEBOOK: http://www.facebook.com/klaypex
TWITTER: http://www.twitter.com/klaypex
YOUTUBE: http://www.youtube.com/klaypex

MERCH: http://store.klaypex.com
OFFICIAL WEBSITE: http://www.klaypex.com

CHECK OUT OUR PROFILE FOR MORE MUSIC.

Klaypex - Song 12

"The fourth stage theme.
Surprise~!! Bet you weren't expecting this, huh?
All I really had in mind while composing this theme was to catch the player completely off-guard, and so I really let loose on this one, from start to finish.
This theme really gets the blood pumping, no? It could almost serve as a boss theme for some sort of eldritch abomination!
... Welp, guess I'm not far off."

For 東方夢旧市 ～ Glory of Deep Skies.

Into The Courts Of Azathoth

Illusions by Approaching Nirvana. Released December 28, 2012.

Snowfall

One of these days, I'm going to upload a track that isn't from the Metroid series… but not today, as I present my arrangement of SR388 from Metroid II: Return of Samus.

The Unnamed Frontier marks the fifth time I've arranged the SR388 music track. I always seem to come back to this track. It's one of the few upbeat tracks in the Metroid series, and its musical structure is very similar to the original Brinstar track from Metroid. To me, it's one of the most underrated tracks from the series. I was surprised when no one picked this track for the original Harmony of a Hunter project.

My goal for The Unnamed Frontier was to create a very electro-chill piece, where the beat would build up over time to form a catchy groove. I wanted the listener to feel like they could relax, and come to the realization that they accomplished their goals from completing an epic journey. While the length of the source tune wasn't particularly long, its melodic structure was very engaging and easy to work with. I also open with a small tribute to "The Baby Metroid", a wonderful and small anthem played towards the end of the game.

Throughout most of the piece, I used a simple Yamaha Piano virtual instrument from Logic Studio (along with a few delay and reverb plug-ins). It was somewhat simple design, but I really like how it turned out. The synthesizers were all somewhat experimental, especially the delay effects. For the second half of the piece, the decision to modulate the key signature to a minor key was somewhat of a eureka moment, as it really helped the flow of the track (giving it a bit of much needed variety). I also became a little more liberal with the melodic line. The final touch to the piece was the contribution of VikingGuitar's solo, which gave the track that great climax that it needed. This piece also marks one of the few times were I used nothing but Logic Studio's assets (excluding a few minor choral pads). 

I was mainly inspired by two things. Firstly, I've always enjoyed the relaxing electro music that's often played in lounges. It might seem like an odd thing to take inspiration in, but it's the little musical touches in my day-to-day activities that makes things enjoyable in life. Secondly, I was heavily inspired by Boards of Canada's "Dayvan Cowboy". It has such a fantastic build up, it's a track that simply inspires me to do things.

This piece is a first for several things. It's the first original arrangement I've finished that isn't a piano solo. It also marks the first time I've collaborated with someone. Like the planet SR388, this track marks new ground for me… an unnamed frontier.

The Unnamed Frontier (Metroid II: Return of Samus - SR388)

Ori and the Blind Forest

Arrival at the Sunstone

Andrew. Electronic music producer & DJ. YouTuber. Twitch Streamer.

Snowfall

approachingnirvana

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