more+more=MORE 
Mix and visuals by N1L
https://www.ofluxo.net/moremoremore-n1l/
https://soundcloud.com/n_1_l

Tracklist:

Benjamin Grosser - Order of Magnitude (audio rip)
GOLPESAR - Na-Koja-Abad
Arad Acid - Torqued Light
FRKTL - Haruspex
Racine-Nérol
Vanessa Lorenzo Toquero - Manifesto for the Republic of the archipelago
N1L - Sinful Tongue
Death Qualia - Death Quail
Yem Gel - Thaumaturgist Plexus
Kirk Barley - ETHER
Sugai Ken - 桂
Duma - Uganda with Sam
Nishaiar - Meli’āki Ādanyi
Gatekeeper - Re-gen

O Fluxo, N1L
2021

N1L — more+more=MORE

@quiverrrr

Textur is proud to present the debut EP of Quiver. His EP ‘Artificial Tranquility’ (TXT-07) commutes between emotional narratives and persistent patterns. The music aims to create a listening experience that invokes both eeriness and familiarity, placed somewhere in between organism and cynicism.

Creating a sonic meeting-space, in which organic and warm timbres from the pipe organ and other acoustic instruments intertwine with the cold and cynical properties of digital sound-design, the EP explores worlds and timbres that are essentially ‘in between’.

The photo-mosaic cover-art has been created by photographer Nicola Hein. Much like the music found on the EP, it has taken form as an abstract piece composed of contrasting yet recognisable pieces of textures and shredded materials.

The EP is the seventh release on Textur, a small non-profit label and music collective rooted in Copenhagen, with an ambition to create a platform for exposure, collaboration and community among artists outside the commercial music scene.

TXT07: Quiver - Zerocrossing

Ewa Awe - Spiderloop

See here for more info: bit.ly/3uYO5I7

Support AQNB with a monthly subscription to our Patreon: www.patreon.com/aqnb

Bridget Ferrill & Áslaug Magnúsdóttir, 'Metal Slug Sings' (2022). Courtesy Subtext Recordings.

Heith - Your Element (a spell of equality)
Label: PAN
Cat.No. PAN 119S
Format: DL
Release Date: 26 July 2022
Purchase: pan.lnk.to/YourElement

X, Wheel

Heith - Your Element (a spell of equality) (PAN 119S)

[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

opal beau ~ No-One To Talk To

New Label | First Release | Split EP
Ltd edition of 120 tapes:
https://doyenne-books.bandcamp.com

Tracklist:
A1: Hold Yr Tongue - Susu Laroche
A2: Hours - Susu Laroche
B1: Acid / Answered Prayer - Flora Yin Wong
B2: End - Flora Yin Wong

Susu Laroche / Flora Yin Wong - D001 EP (Clips)

Toxe - The Story of Leonora (OST)
Label: PAN
Cat.No.: PAN 127
Release Date: 17 February 2023
Purchase: PAN.lnk.to/TheStoryofLeonora

The Story Of Leonora (OST) is the seventh edition of PAN’s Entopia soundtrack series. The first original score by Toxe, the album accompanies a short film of the same name by Clemens Stumpf and Cleis Vandam. Serving as an extended version of the original score, the new release from Toxe additionally presents audio yet unheard by viewers of the film. Created in 2020 between Berlin and Amsterdam, The Story of Leonora is released today as a 10track album and a limited edition sliding puzzle designed by Emir Timur Tokdemir.

The album ebbs and flows while retaining the individuality of certain moods–– sometimes ominous, often innocent. Recalling an elementary introduction to the world, Toxe draws inspiration from sounds sourced in daily life: the clicking of high heels, birds and humming machines. Cascading echos and short breaths merge with delicate synths and incomprehensible human mumble. The simplicity of these elements are distilled to their core, evoking the naïveté of the world to an alien perspective, while maintaining sonic sophistication throughout.

Written, produced & mixed by Tove Agelii 
Mastered by Rashad Becker 
Film direction & photography by Clemens Stumpf and Cleis Vandam
Puzzle design by Emir Timur Tokdemir

Toxe - The Story Of Leonora (OST) (PAN 127)

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

https://luttolento.bandcamp.com/album/legendo

BANDCAMP

HORNED HEART FEAT. KATARZYNA KARPOWICZ

(‾̴̴͡͡▿•‾̴̴͡͡ʃƪ) 30 min live/dj set for Nice Setting on Skylab radio- chopped up loops.,60% my own productions & loops & cut up samples
12.2020

oh, out of time mix

AQNB has been writing across visual art, music & critical thinking since 2012.

Bridget Ferrill & Áslaug Magnúsdóttir, 'Metal Slug Sings' (2022). Courtesy Subtext Recordings.

AQNB

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