We talked and walked, we found something entirely precious yet locked - voices travelled across. I will never forget our day amongst the glittering blades. 🍃

Mastering by @medulasa
Artwork by Omar El Sadek (@hiqow)

All the Glittering Blades

Candle Stick Mansion

FROM CLAM012 | EMULATION OF US

https://clam-pressure.bandcamp.com/album/clam012-emulation-of-us

out 11/03/2022

@sineraw

SINERAW - VERY ANGRY TYPING

ESTOC - BOG TROLL [YGK019]

1. BOG TROLL
2. SOMNOLENCE
3. PERSPICACITY
4. WAR WORLD ft CITY
5. LUGUBRIOUS

Format: Digital/EP
Release Date: 11 Nov, 2022
Mixed by Estoc
Cover by Taylor Dow
Mastered by Soda Plains

ESTOC - LUGUBRIOUS [YGK019]

We are stoked to welcome these artists to the ANBA family with Anthelion. A concept album where all tracks are made using Æthereal Arthropod and Seraphim's Parhelion release as source material.

Glory to thee celestial blight.

Paradox itself sediment overlay the horizontal plot, parallax canvas of the stars alas magma crusts defrost tear gas, broken mountain grave fractals entombed delusionals.

Plus the dragon xenofossil rots on vertical dimension. Wonder on, trust speared sun sword, shattered thy heart and death alone.

Although the moon & the temples bestow, the beastgod can’t ever be truly wormed.
But its the worms who run over thy lord.
As Lion´s blood scaled serpent thrones, spectral amber angers radiant horror.

Fleshdevouring galaxy size reptile abominations, fester of the reborn angel of despair,
consume the endless nectar of Eden´s cycle putrid over and over again.

Pteratitans sub-electrical plethora mecha-animas, pitch black quartz shrine vortex argonauts.
Arcane egoNecrophagists, hyperflash ghost recoils, shattered narrow spastic arrow void-automaton.

As be the phlogiston, you be the oil. I set thy fire, as you shall destroy

1. Duma - Dagon Chant
2. Teya Logos - Mother Devours
3. Elvin Brandhi - THIS FUNK8
4. N-Prolenta - Total Restriction Mix
5. i.o - Subparhelic Hyperdrum Obliteratio

Source material credits:

Æthereal Arthropod - Production & vocals
Seraphim - Production
Nicola Tirabasso - Artwork

Artist Socials

– @aetherealarthropod
– www.facebook.com/aetherealarthropod
– www.instagram.com/aethereal_arthropod/

– @seraphim2228
– www.instagram.com/_____seraphim______/?hl=en

- www.instagram.com/visio____/
- www.nicola-tirabasso.com/

- www.instagram.com/duma_ke/

- @teyalogos
- www.instagram.com/teyalogos/

- @elvin-brandhi-1
- www.instagram.com/elvinbrandhi/

- @n-prolenta
- www.instagram.com/nprolenta/

- https://www.instagram.com/102_i.o/

Buy all

Teya Logos - Mother Devours

The third collaborative effort between producers Lila Tirando a Violeta and Sueuga sees the two artists effortlessly combining their styles for an organic, two-track sonic experience at the intersection between cyberpunk and Latin tribal mysticism. Distorted drums, eerie textures and abrasive industrial sounds come together in the unsettling heavy-hitter “Residual Self-Image”, while Lila’s vocal performance floats over the manic percussion and melodic minimalism of Sueuga and Tazar Yoot in “Archivios Corruptos”.
As intense as it is sudden, “Residual Self-Image” entangles the audience with its dark atmospheres and oppressive rhythms, making its rare bright passages precious instants of pure bliss.

Stream & Download: https://push.fm/fl/residualselfimage

"Residual Self Image" Produced by @lilatirandoavioleta & @sueugakamau
"Archivos Corruptos" Produced by @lilatirandoavioleta, @sueugakamau & @tazaryoot-143
Artwork by IG: karinagevox
Mastering by @dj_ghepard

Stream & Download

Sueuga & Lila Tirando A Violeta - Residual Self Image

Title: COESXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: COESXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

COEOSEXUALITY IS AN ATTRACTION TO OTHERS ONLY DEVELOPED FROM “LOVE AT FIRST SIGHT.”

See here for more info: bit.ly/ILOVEFUCKINGMONEY

PHILTH HAUS, "COESXL" (2023). Courtesy AQNB, London.

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

v1984 & City - Parallel Phrases [digital only]

@gargantuang x @modern-collapse
Dawn Syndicate 
pirate single 🏴‍☠️
Artwork by Gabriel De Sercey

Gargantuan Collapse - Whole Lotta $$$

@benu-vent

BEAN - 'Forever BEAN' EP releases August 18

Lyrics + Vocal + Production + Mix: Benjamin Lederer (BEAN)
Mastering: Viktor Hannell-Bonde (Acea)
Cover photo: Till Milius
Edit: Anthon Raimund

PHILTH HAUS, "COESXL" (2023). Courtesy AQNB, London.

AQNB

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