Opening excerpt from the new double cassette released by The Trilogy Tapes.

Fred Moten's answer to the final question at his "Symphony of Combs" lecture presented at Haus der Kulture der Welt on Nov. 17, 2019.

If you would like a full transcript of this passage, please PM me. 

Full video recording of the lecture: https://www.hkw.de/en/app/mediathek/video/76046

Full audio recording of the lecture: https://soundcloud.com/hkw/fred-moten-symphony-of-combs

Cassette and more information available here: https://thetrilogytapes.bandcamp.com/album/subrepunt-prospera-fata

Composed between February and December, 2020.

Subrepunt Prospera Fata (Excerpt)

catch me when you're ready i don't wanna wait
"what's the move?"
think somebody knows a place
don't know where we're going
but i'm on the, on the way
when i’m with you, it's got me, it’s got you, it’s got us 

jumpin'

Artwork by DOSS© & ANDYPANTS
Mixed & Mastered by Gabriel Schuman
Performed by Joi Cardwell & DOSS©
Lyrics by DOSS©

Duet © 2022

http://www.doss.world
It’s the music ♫

Jumpin'

See here for full episode: http://patreon.com/aqnb

In this episode Steph speaks with Nichole Fitch and Christopher Adams-Cohen, two LA-based artists who’ve managed to make their individual creative practices collide in a bawdy spectacle of extravagance and deeply reflective eroticism.

Both growing up in Pasadena, the two artist have been friends first and collaborators second since age 12, finding each other in their shared appreciation for classical theatre, and a particular kind of aesthetic sexuality that imbues familiar forms with a new spirit of queer celebration. One is primarily a painter—whose often provocative and fanciful creatures have been popping up throughout LA over the past few years—and the other is an actor-director whose forays into playwriting have been presented in Berlin, New York and Los Angeles, leading to this current collaboration that began with a residency at London’s Soho Revue. 

With their current work in progress, Fitch and Adams-Cohen combine their love of camp and the classics to invade and transgress the canon with a kinky ballet about vengeful gay ghosts.

Episode 38: Camp Visual Splendour with Nichole Fitch & Christopher Adams-Cohen (Teaser)

FREE Download: https://pumpyoursound.com/f/crazydaniel/mozart-hardstyle-remix-turkish-march/154230

Spotify: https://open.spotify.com/track/41GZnqHgr9mpEV2z33Wz67

Youtube: bit.ly/3zbWKrO

Instagram: https://www.instagram.com/cr4zydaniel

Mozart Hardstyle

Mozart Hardstyle Remix (Turkish March) [OUT ON SPOTIFY!!!!]

Dijit - Mahracash - مهرَكاش
Zanna Productions ©
Produced/Mixed/Mastered By Dijit
Typography by Hatem Soliman 
Instagram 
@dijit__
@hatemsoliman 11
2023

Dijit - Mahracash

Title: FICSXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: FICSXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

FICTOSEXUALITY IS AN ATTRACTION TO FICTIONAL CHARACTERS. 

See here for more info: https://bit.ly/ILOVEFUCKINGMONEY

PHILTH HAUS, "FICSXL" (2023). Courtesy AQNB, London.

Nasty

nusar3000- LÁTIGO

Dijit (/ˈdɪdʒɪt/), is the stage name of the SWANA music producer Hashem L Kelesh, the electronic artist who's redefining cool without trying too hard. They stumbled into the music world by accident, juggling knobs and wires in a cluttered bedroom in Egypt's surreal capital that inevitably inspired the unique, mashed up sound of their tunes.

Dijit doesn't chase the limelight; they're content to be an underground gem, making music that speaks for itself. With a sly sense of humor and an ear for unique beats, Dijit keeps it real, reminding us that the best talents are often the most unassuming ones. So, if you're lucky enough to discover their music, consider yourself in on one of the electronic scene's best-kept secrets. 
https://www.nts.live/shows/guests/episodes/dijit-14th-november-2023

DIJIT 141123

Berlin-based events organizers and label Creamcake are pleased to announce their latest release, Ludwig Wandinger’s Eat the Rich (Original Score) album (released March 15th 2024) 

Having participated in 3hd: “Let Them Eat Cake” last year, the producer, performer, and visual artist provided music for the festival’s pièce de résistance—a collaborative dramaturgy of performance, conversation, and food called “Eat the Rich.” The two-day banquet held at HAU Hebbel am Ufer was catered by artist and cook Caique Tizzi and named after the political slogan opposing wealth inequality and popularized during the French Revolution. Featuring a number of interdisciplinary artists—with Arvida Byström, Élie Autin, and Cassie Augusta Jørgensen among them—Wandinger’s soundtrack to these evenings of delightful resistance is an exquisite suite of seven MIDI movements, inspired by the event’s luxurious Baroque themes. 

Eat the Rich (Original Score) tumbles in on the 11-minute atmosphere of opener “Flower Still,” its metrical harpsichord-sounding prelude blooming into delicate pads and choral patches that draw the listener into its world of decadence and escape. That track is followed by the ambiguous narrative thrust of structured three-to-four minute numbers, whether in the cyclic breathlessness of “The Jester’s Ritual” or the orchestral ebb of closer “Engouement” (French for “fad”). There’s another extended listen in the menacing swell of “The Lurking Dance,” while a sense of longing and wanderlust is led by a cascade of string samples on “Fernweh Poitrine.” As melancholic as it is hopeful, Wandinger’s compositions reflect on the “Eat the Rich” narratives of death and decay, beauty and power. 

The artist himself is no stranger to the intersensory and interdisciplinary nature of the feast he scored. Working in both the audio, as well as visual fields under the multimedia digital art moniker of “kirschbluetenimwind,” Wandinger has shown his work across Europe and around the world. He often marries these mediums to cross-format, synaesthetic effect, whether it’s in the cover art for his 2021 cassette release on Orange Milk Records, Rooms, or his animation and sound piece “Modern Church,” presented as part of Vienna’s Keyframe digital art exhibition in 2022. Wandinger has also worked extensively scoring a number of choreographer Kianí del Valle’s dance performances, and is one of 16 artists selected to participate in a two-year residency for experimental music festival Monheim Triennale. With releases on labels like Gin&Platonic, and compilations like the Mutants Mixtape series—as well as co-production credits on PAN and Genot Centre—Wandinger’s work is an equal parts spontaneous and intentional organism of rhythm and sound design by a master of his field. 

CC012 

released March 15, 2024 

Artwork by Claire Barrow 
Design by Ludwig Wandinger 
Mastered by Rashad Becker

Buy on Bandcamp

Voided 1428

See here for more info: https://bit.ly/3s3FZeb

Support AQNB with a monthly subscription to our Patreon: www.patreon.com/aqnb

Colliding Wind

Tragic Selector, 'A Dialogue With Gravity' (2021). Courtesy Concentric Records, Berlin.

AQNB has been writing across visual art, music & critical thinking since 2012.

Tragic Selector, 'A Dialogue With Gravity' (2021). Courtesy Concentric Records, Berlin.

AQNB

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