keyboard fevrier/23
Painting : Lou Benesch

The name of the door

Aural Crossing

"Dance track for the unmoving"

Music by Stu King
Korg Monologue synth
AudioKit Synth One
Hologram Microcosm
Phase (Small Stone)
Digital Delay (Timeline)
Reverb (Big Sky)
Gretsch Streamliner
Mixed in Cubase

Frozen Regard

Frozen Regard (naviarhaiku534)

Album download link, https://invisibleriserecords.bandcamp.com/album/gilded-bride
1, all the birds say
2, gilded bride
3, staring at the sun from the bottom of the wishing well
4, wanted to be
5, feel me stare
6, the devil inside (interpretation) #
7, love dont blind me now
8, star high
9, all our stars are dead
10, just ghosts

# An interpretation of a poem by Orieliel Watcher. The original poem can be found here, Orieliel-watcher – The-devil-inside
Orieliel Watcher can be found at, @orieliel-watcher

Gilded Bride

numbers in the dream - Gilded Bride LP

EP OUT NOW
https://vertigocult.bandcamp.com/album/possession

Possession

[[free dl]]

the static sings to me

This track was created for the Naviar Haiku group.
536
https://www.naviarrecords.com/naviarhaiku536-tall-wide-arching-trees/

2024-04-12

Tall, wide-arching trees  (Naviarhaiku 536 )

HAIKU MUSIC CHALLENGE

naviarhaiku536


Tall, wide-arching trees
Assume a cathedral shape
Until darkness falls
 
I found out today that John passed away. John participated in the Naviar Haiku challenge for over 4 years, almost every week, and shared both his music and poetry with us. He'll be deeply missed.

"John Hinks, aka FlownBlue, was a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John was also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed)."

Haiku by John Hinks

Picture by Mike Petrucci


Submission deadline: 17th April 2024

 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku536)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

Until Darkness Falls

Until Darkness Falls (naviarhaiku536)

Recorded for the Naviar Haiku challenge #536.

The intention is to illustrate the passing; peacefully, into darkness, into light.

Starting with a simple arpeggio on the Vintage Vibe, running through a Space Echo, followed by a slow and mellow bass on the Moog One and a bit of space glitter from the Waldorf Quantum. Finished off with an ambiguous melody on the Moog.

Recorded in Logic Pro X with a Soundcraft MTK22.

into light [naviarhaiku536]

luçïd - Fait Vriller (Original Mix)

Outside

the search for the beauty that cannot be named

I also make things with friends  ...

@leavesofabsense
@liluandtheghost

Ask an AI .....
The term "Quality Without a Name" (QWAN) was introduced by Christopher Alexander, an architect and design theorist, in his book "The Timeless Way of Building." QWAN is an elusive concept used to describe the intangible essence or feeling of a well-designed space or object that makes it feel alive, comfortable, and harmonious. It represents the innate quality that resonates with people on an emotional level, making them feel at ease and at one with the space.

Alexander argues that this quality is timeless, meaning that it transcends styles, periods, and cultures. He believes that when people can experience QWAN in a space, it indicates that the design follows a natural and universal order, aligning with human needs and desires.

QWAN can be applied to various fields, including architecture, urban design, software development, and other disciplines where creating something meaningful and harmonious is the goal. In each of these domains, the concept of QWAN is a reminder to designers and developers to strive for that elusive, intangible quality that makes their work resonate with users on a deeper level.

the static sings to me

aqwan

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