During these times of unprecedented challenges as a virulent pandemic grips the world, my thoughts turned to our human condition and the ambiguities of life’s unknowns and how much we crave connection and solace.

If ever there was a time when we need a comforting arm around our shoulder, or a heartfelt hug, it’s now. But these are also the every day human gestures of caring that we are forced to deny each other for the sake of our physical health. All the while our hearts are breaking. Our souls ache. Damn this cursed virus!

Perhaps I had an unconscious sense of what was to come? I feel as if my latest album Soul to Soul was almost prescient in that respect. The pieces are longer, more contemplative. I see the album as a comforting embrace, a musical reaching out, from my soul to yours. Each piece is a journey of meditation and healing, reflective our times.

My composition What If explores life’s universal questions, the “might have beens” and “could have beens” - what if we had pursued one relationship over another? Chosen a different career path or different job or different city? Said one thing instead of another?

And now: what happens if I return to work? To school? Take a trip? Will I be safe? Can I visit an elderly loved one? Will they be safe? These are unknown scary times full of “what if’s”. You will hear a hint of melancholy and resignation in the piece - sadness that eventually transforms into gentle acceptance, focusing energy on the present, reminding us that to enjoy the present you can not live in the past. Nor can you worry about the future.

Fearing Love is one of the longer pieces on the album. It explores our wanting and needing - yet fearing love, especially so now in times of a merciless virus that has forced us to deny physical contact with fellow human beings. Love makes us feel vulnerable at the best of times as we ponder where it will lead. It’s natural to fear the unknown. It causes anxiety - and now the world faces a terrifying unknown that has changed the very way we live from the simplest of daily activities to how we relate to the people around us. Tragically, we now fear each other.

Reflecting the endless unknowns that bombard us, Fearing Love starts very tentatively, mirroring the hesitancy around seeking love - or even the company of others - underscored by a mournful cello that quietly recedes as the keyboard melody carefully ventures into more optimistic explorations. The cello then rejoins the piano, this time a little more upbeat as the music ebbs and flows exploring our ambivalence around love, and our fears about what the future holds. A hint of optimism emerges as piano and cello hold back at first, then surge forward. We must have hope. We must continue to move forward through uncharted waters.

In my two previous New Age minimalist albums, With Closed Eyes and Elsewhere, I explored a wide range of musical narratives. Soul to Soul with its longer contemplative pieces is more a reflection upon the complexity of human emotion and existence, delivering compositions intended to soothe and heal during troubled times. From my soul to yours.

Soul to Soul

During these times of unprecedented challenges as a virulent pandemic grips the world, my thoughts turned to our human condition and the ambiguities of life’s unknowns and how much we crave connection and solace.

If ever there was a time when we need a comforting arm around our shoulder, or a heartfelt hug, it’s now. But these are also the every day human gestures of caring that we are forced to deny each other for the sake of our physical health. All the while our hearts are breaking. Our souls ache. Damn this cursed virus!

Perhaps I had an unconscious sense of what was to come? I feel as if my latest album Soul to Soul was almost prescient in that respect. The pieces are longer, more contemplative. I see the album as a comforting embrace, a musical reaching out, from my soul to yours. Each piece is a journey of meditation and healing, reflective our times.

My composition What If explores life’s universal questions, the “might have beens” and “could have beens” - what if we had pursued one relationship over another? Chosen a different career path or different job or different city? Said one thing instead of another?

And now: what happens if I return to work? To school? Take a trip? Will I be safe? Can I visit an elderly loved one? Will they be safe? These are unknown scary times full of “what if’s”. You will hear a hint of melancholy and resignation in the piece - sadness that eventually
transforms into gentle acceptance, focusing energy on the present, reminding us that to enjoy the present you can not live in the past. Nor can you worry about the future.

Fearing Love is one of the longer pieces on the album. It explores our wanting and needing - yet fearing love, especially so now in times of a merciless virus that has forced us to deny physical contact with fellow human beings. Love makes us feel vulnerable at the best of times as we ponder where it will lead. It’s natural to fear the unknown. It causes anxiety - and now the world faces a terrifying unknown that has changed the very way we live from the simplest of daily activities to
how we relate to the people around us. Tragically, we now fear each other.

Reflecting the endless unknowns that bombard us, Fearing Love starts very tentatively, mirroring the hesitancy around seeking love - or even the company of others - underscored by a mournful cello that quietly recedes as the keyboard melody carefully ventures into more optimistic explorations. The cello then rejoins the piano, this time a little more upbeat as the music ebbs and flows exploring our ambivalence around love, and our fears about what the future holds. A hint of optimism emerges as piano and cello hold back at first, then surge forward. We must have hope. We must continue to move forward through uncharted
waters.

In my two previous New Age minimalist albums, With Closed Eyes and Elsewhere, I explored a wide range of musical narratives. Soul to Soul with its longer contemplative pieces is more a reflection upon the complexity of human emotion and existence, delivering compositions intended to soothe and heal during troubled times. From my soul to
yours.

What If

Madly

Nightfall

Fearing Love

The Muse

Composition “Peace” is a plea for an end to war. For an end to the deep pain and the irreparable losses that war inflicts. I yearn, as do millions the world over, that “they will find peace” for humanity and compassion know no borders.

I co-created this song together with Lika Starinets who did the lyrics and vocals. Cellist: Cellomano

Peace - Мир - feat. Lika Starinets

براي… زن، زندگي، آزادي
موسيقي بدون كلام آهسته پيانو و ويولن سل

Dedicated to my sisters, brothers, mothers, fathers and the people of Iran who have lost or are risking their lives, fighting against injustice for their freedom.

My heart is shattered by what you have gone through and I’m praying for the nation’s victory against the evil forces.

Baraye… is inarguably the new national anthem for freedom originally created by Shervin Hajipour @shervinine . This slow instrumental version is a Piano/Cello interpretation based on Shervin’s original song and is dedicated to all of you in Iran and the people of the world who fight against injustice and cruelty.

My thoughts and prayers are with the families of the beautiful souls who lost their lives.

#mahsaamini #hadisnajafi #sarinaesmailzadeh #nikashakarami #shervinhajipour womanlifefreedom #مهسا_امینی #براي #زن_زندگی_آزادی #حديث_نجفى #نيكا_شاكرمي #سارينا_اسماعيل_زاده

Piano: Arash Behzadi
Cello: Samuel Bisson

Baraye... Woman, Life, Freedom - Slow Instrumental Version

Another Love - Acoustic Piano/Vocals cover, featuring Lika Starinets. 

Piano: Arash Behzadi
Vocals: Lika Starinets

Another Love - Acoustic Piano/Vocals Cover feat. Lika Starinets

'Hotline' instrumental Piano/Cello rendition is based on Bille Eilish's latest release

Hotline Acoustic Piano / Cello Cover

L'vitsa means 'Lioness' in Russian/Ukrainian language.

L'vitsa

Arash Unveils a Tender Piano Rendition of Billie Eilish's Hit 'Lovely'

In a mesmerizing and soulful musical offering, Arash, the virtuoso pianist known for his captivating interpretations, has unveiled a touching piano cover version of Billie Eilish's chart-topping sensation, 'Lovely'. With a delicate touch and an emotional depth that resonates with listeners, Arash's rendition of this beloved track takes the original's essence to new heights, reimagining it through the timeless elegance of the piano.

Arash's piano cover of 'Lovely' is a harmonious convergence of two distinctive musical worlds. Known for his ability to infuse classical elements into contemporary pieces, Arash skillfully retains the poignant sentiment of Billie Eilish's lyrics while imbuing them with the gentle power of his piano performance. The result is a harmonious marriage of modern pop sensibilities and the timeless allure of the piano's melodic richness.

With each note, Arash evokes a spectrum of emotions, breathing new life into 'Lovely'. The delicate keystrokes echo the vulnerability of the original song, while the pianist's impeccable timing and nuanced dynamics add depth and texture to the composition. Arash's interpretation captures the essence of longing and intimacy that the lyrics convey, allowing listeners to experience the song in an entirely fresh and profound way.

As the notes resonate, Arash's piano cover unveils layers of meaning, drawing the audience into a world of introspection and connection. The arrangement showcases his mastery of musical phrasing, embracing the ebb and flow of emotions as the song unfolds. The transitions between verses and choruses are seamless, demonstrating Arash's innate ability to translate a pop hit into a piano masterpiece.

Arash's piano cover of 'Lovely' is a testament to the enduring power of music to transcend genres and create meaningful connections. Through his skillful interpretation, he invites listeners to embark on a journey of emotions, inviting them to explore the song's narrative from a different perspective. With each delicate keystroke, Arash's rendition encapsulates the very essence of what makes music a universal language that touches the heart.

In a world where musical boundaries are constantly evolving, Arash's piano cover of 'Lovely' stands as a testament to the beauty of artistic collaboration across genres. This rendition is not merely a cover; it's a heartfelt homage to Billie Eilish's original creation, reimagined through Arash's exceptional talent and passion for the piano. As the notes fade away, the echoes of this rendition linger, leaving a lasting impression on all who have the privilege of experiencing its grace.

Lovely

Defiance is an award winning video produced and directed by Dimitri Legrand with the music composed by Arash Behzadi. 

This short film was awarded by the following Internatonal Film Festivals: 
- Best Original Score - New York Cinematography Awards 2023 (NYCA) 
- Best Music Video - New York Cinematography Awards 2023 (NYCA) 
- Best Dance Film - Cannes World Film Festival 2023 
- Best Music Video - New York International Film Awards 2023 (NYIFA)

Defiance - Movie Soundtrack

What Was I Made For? - Gentle Instrumental version is the 2nd piano version of the cover rendition of Billie Eilish's original song, released by Arash Behzadi. This 2nd more gentle version is more meditative, and ideal as background music for studying, meditating, working and driving.

What Was I Made For? - Gentle Instrumental version

White Magic

Sayuri

Defiance

Aurora

Element

Ablution

Phoenix

Alma

Love Hook, a captivating spoken poetry piece crafted by the talented duo, Arash Behzadi and Maryam Ghouth. Their collaborative project weaves a poignant narrative that deeply resonates with both women and men in our modern society. 

Join us on a journey of love, heartache, and resilience as we delve into the depths of human emotion.

Love Hook

Frozen - Instrumental Piano / Cello Version is a cover rendition of Madonna's popular track.

Cello by: Artem Litovchenko

Frozen - Instrumental Version

Arash Behzadi's version of the popular persian piece, "Khab haye Talaei", originally composed by Javad Maroufi.

Khab Haye Talaei

Arash Behzadi's solo piano rearrangement of the popular piece, "Farangis" originally performed by Siavash Ghomayshi as well as Emad Ram

Farangis

Arash Behzadi's solo piano rearrangement of the eternal piece, "Bordi Az Yadam" originally performed by Viguen and Delkash. Composer: Mostafa Gorginzadeh

Bordi Az Yadam

Arash Behzadi's solo piano version of the popular Iranian folk song, "Mikham Beram Kooh"

Mikham Beram Kooh

Arash Behzadi's solo piano version of the popular piece "Bahar-e Delneshin" originally composed by Ruhollah Khaleghi and performed by Banan.

Bahar-e Delneshin

Arash Behzadi's rearrangement of Simin Ghanem's "Gol-e Goldoon" popular piece

Gol-E-Goldoon

Arash Behzadi's solo piano version of Googoosh's popular song, "Gonjeshka". Original piece composed by Hasan Shamaizadeh.

Gonjeshka

Arash Behzadi's cover version of Dariush's popular song, "Ejazeh". Original piece composed by Varoujan.

Ejazeh

Arash Behzadi's rearrangement of the legendary Persian Diva, Hayedeh's beloved song, Soghati. 

Soghati

Arash Behzadi's rearrangement of the eternal piece, Jan-e Maryam. Original Piece is composed by Kambiz Mojdehi and Mohammad Nouri is the original singer.

Jan-e-Maryam

Arash Behzadi's solo piano rendition of Fereysoon Foroughi's "Niaz" song, also known as "Namaz"

Niaz (Namaz)

Arash Behzadi arranges Faramarz Aslani's popular "Del Aseereh" song on the piano

Del Aseereh

Arash Behzadi re-arranges Golpa's popular "Darvish" piece on the piano. 

Darvish

Arash Behzadi's single track release covering the popular persian song "Bogzar Ze Man" originally performed by Aref

Bogzar Ze Man

Personal loss, yearning, passionate love, deceit and heartache, prescient dreams and healing journeys are central to the powerful musical narratives in pianist/composer Arash Behzadi’s newest album, Elsewhere, which will be released October 27th.

Arash Behzadi’s solo piano compositions on Elsewhere are reflective of the gamut of human experience and emotion. It’s about the drama of life.

“I feel that my music is universal and timeless,” Behzadi says. “It never ages. And because of that people feel an instant connection. It speaks to people of all ages. It opens up emotions and it heals.”

In a series of recent visits to Bali, Behzadi found an unexpected inner peace and tranquility in the timeless island’s ancient sacred temples and its gentle people. His own personal transformation has inspired him to share his passion for the healing powers of music which we see reflected in pieces on the album such as “Heartfelt,” an intensely personal composition, peaceful yet powerful, exposing a touching vulnerability yet confident in its execution. Other pieces were designed to bring about the healing of relationships and reunite people who had grown apart.

Behzadi is an exciting new Canadian talent, a New Age pianist/composer with a global audience. He has performed worldwide including the renowned Bali Spirit Festival, in Geneva, New York, Dubai and at the 2015 Pan Am Games as well as the Tirgan Festival in Toronto. Elsewhere is his second album following the successful release of With Closed Eyes along with several music videos filmed in Bali, Geneva, Florida, Northern Ontario and Toronto, all of which can be viewed on his website arashbehzadi.com

Heaven's Gate

Inspiration, hope, joy and comfort. Mystery, alienation and longing. The gamut of human emotions is explored in Arash Behzadi’s vibrant piano compositions, an instrument he describes as an allegory for life itself in its wide tonal range of expression.

Arash is an exciting new international talent - a Canadian/Persian New Age pianist/composer with a global following. His concerts have captivated audiences worldwide in an eclectic range of venues from Bali to New York, Dubai to Istanbul, Naples Italy to Moscow and Geneva to Toronto.

His dynamic improvisational technique was first showcased in his debut album, With Closed Eyes, with its dreamy sense of mysterious yearning, intricate and exciting, yet calming and freeing.

Passionate love, personal loss, prescient dreams and healing journeys are all central to the powerful musical narratives in his second album, Elsewhere.

Soul to Soul, his latest release, reflects upon the human condition during these times of unprecedented global upheaval, delivering lengthy contemplative pieces in which listeners can seek solace as they ponder the ambiguities of life’s unknowns.

Arash’s musical path is one that introduces fresh interpretations of minimalist music yet is rich with evocative visual metaphors incorporating the interplay of dance, theatrical performance, film and animation.

“The piano mirrors existence in all its complexities from moments of profound sadness and loss to exhilaration and new beginnings,” he says.

Arash Behzadi

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