this version seems to tumble more urgently

A7A's NERV Volume 1 brings you 15 tracks of electro, techno and drum & bass madness. A gripping soundtrack of distant futures on far off planets, offering you glimpse into the A7A universe.

The NERV series aims to promote awareness and raise funds for social & environmental organizations in line with A7A’s ethos.

100% of Bandcamp proceeds will be donated to the Stop AAIP Hate and Eden Reforestation Project nonprofits.

The compilation features contributions from the artists: Jadzia, R Gamble, Henning Baer, DJ Frankie, dj genderfluid, Lawrence Lee, E-Talking, Dj Saliva, DJ Trip Lord, Regina Leather, Lake Haze, Gian, P.leone, Lenson and Natlek

Rinse France Podcast 

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A7A Takeover : Regina Leather - 22 Mai 2021

Bong

Possibly up for release at some point , maybe not , we shall see ! cheers for the support so far ! 10,000 plays in a month respekt !

Spongebob Squarewave - 2014 tracks medley

Guest mix by Estoc.
Guest link https://www.instagram.com/estoc_/?hl=fr
With @marwabelhajyoussef & @splintered

Guest Mix by Estoc w/ Marwa Belhaj Youssef (09.01.2025)

Mesmerising dance floor tapestries from a singular experimental musician.

Can you reinvent the human voice? The oldest musical instrument in existence, our voices are the foundation of music as we know it, and few push its limits in electronic music today like Lyra Pramuk. On her masterful debut, Fountain the Berlin-based, US-born artist's voice was the only instrument. No drums, no synths—just her voice warped, synthesized and layered to achieve orchestral-like electronics.

Five years on from her breakout, Pramuk's practice has steadily evolved, with a continued interest in ideas of folk and futurism, and how technology can enable us to build community beyond boundaries of time and space. There’s a holistic nature to her artistry, one that extends seamlessly into her DJing.

As she explains in the Q&A accompanying this week's RA Podcast, she sees her work as "part of a continuum of sacred, folkloric, and communal music represented by many different subcultures and communities across the world."

It's an approach that, like much of Pramuk's output, feels explicitly choral in nature. The first voice we hear on the mix comes from Lonnie Holley, his woozy Southern drawl calling out, "Earth will be there to catch us when we fall." (Although, you have to wonder, if we keep flogging the Earth, will it?) 

More voices follow across an eye-catching tracklist, from the poetry of friends (Nadia Marcus) to esoteric French chantresses from the ’80s (Anne Gillis), while Pramuk wraps an extensive amount of her own forthcoming material around tracks from SD Laika, Leyland Kirby, rRoxymore and 33EMYBW, to name just a few.

By the end, voice and noise become indistinguishable—stammering, glitchy vocals colliding with an orchestra of instruments. The effect is mesmerising.

Unfolding as one continuous composition, RA.979 exists somewhere between an ambient set at Kwia and the main stage at Unsound, voices and textures blurred into a fluid tapestry of sound. It's a singular offering to the series from a singular artist.

@lyra_songs

Read the interview and find the tracklist at ra.co/podcast/980

RA.979 Lyra Pramuk

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Tesla

Všechny zelené rostliny dokonce i droboučké řasy jsou neuvěřitelně produktivními chemickými továrnami. Jejich pohonem je sluneční světlo, základní zdroj vší energie na Zemi.

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Arash

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