Chromacolor (s/t)
01 / A1: Kisses and Wine

arbitrary18, 19 May 2023

https://arbitraryproject.com/Chromacolor

"»Chromacolor« is one of those records that immediately feels like home even though it is hard to locate stylistically. Written and recorded by Hanno Leichtmann in Berlin and Madeira between 2020 and 2022, it draws on rhythmic minimalism as a guiding principle and might call to mind organic, instrument-based ambient music, but also incorporates jazzy moments as well as Annie Garlids multi-layered vocals that permeate through these nine pieces."

LP / DL

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https://arbitraryproject.com/Chromacolor

@hannoleichtmann

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https://www.youtube.com/watch?v=K2YrhWinKoQ

Buy: LP

Chromacolor: Kisses And Wine (arbitrary18)

Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panoptic prison (The White Dove Prison) in Luleå, Sweden.

Längtans Vita Duva

tracklist & download — patreon.com/buttechno

NTS 18.12.2023

A recording of my talk at CTM 2024. 

Slides: https://docs.google.com/presentation/d/1yqoEqU5AsDZ3GPV16lYXzTWJiCxFJ7oGzotM4oprxjY/edit?usp=sharing

This talk explores the perils and wonders of working with mediaeval music in our times, its transhistoricity and alterity – including 13th-century compositions as time-dilating black holes, possessed synthesisers exploring the boundaries of divine determinism and catastrophic polyphony traversing the wartime reality. Heinali is a Ukrainian music composer and sound artist whose core practice reimagines Early music with a modular synthesiser, exploring intersections of the Providence and Contingency, the past and the present, technology and the sacred.

And I Feel Dread, And I Feel Love - Reimagining Early Music at the End of Times

Roadmaps on the palms
Braided, fold over
Where the shore meets the ebbing sea
Forever touching, forever adrift

Whispers of the history fade
Where the sea drapes waning waves
Only to retrace echoing trails
Abiding in ceaseless rims

Rooted in the fertile soil of hauntology, Amulet of Tears presents: 'Before We Melt into the Sea' - chimerical shreds of memoir.  Foraying intervals coiled in visceral resonance, which appear as abyssal, ancestral echoes of elusive moments, where the past unfolds in attendance, like a vapor that forbids to fade.  

Phantoms colliding to forge ahead for what’s to come or to drag us back into the shades of what we once were - enshadowed by imprints of past, present, and future, overlapped upon one another.

Before We Melt into the Sea

Fortunes Brine - Fanned by Palms of Satin and Chain

collabo with tysk raider for a dedicated series.

tysk raider logo stamped and numbering stamp numbered (x/85)
light gray vinyl with printed insert, designed by tysk raider
housed in a pvc bag, limited edition of 85 copies

digital version available here:
https://tyskraider.bandcamp.com/album/tysk003

2024 all music, artwork & logo by tysk raider

bandcamp

tysk003 by tysk raider - 12'' snippets

Taken from 'Alien Intelligence' out now on a limited edition vinyl and download > https://ooh-sounds.bandcamp.com/album/jasmine-guffond-alien-intelligence

Through the medium of a distinctly synthesised, sustained ambience, seasoned artist and composer @jasmineguffond arrives on OOH-sounds to explore the tension between technology and human creativity in an increasingly ambiguous playing field.

Alien Intelligence came into being during Guffond’s residency at fabled Parisian institution GRM in 2021. While learning how to generate sound and make music with the in-house Serge modular synthesiser, the Australian artist noticed the typical role of human input for machine output was being subverted by the behaviour of certain electronic elements, which came to exercise their own influences on the direction of the music.

Taking this idea one step further, Guffond proceeded to explore the programming environment MaxMSP, a customisable interface which allowed her to blur the lines between human input and machine directives even further. Across the three extended pieces which make up Alien Intelligence you can hear the results of Guffond’s inquisitive approach as she coaxed the machines into bringing their own ideas to bear on the music.

The tension inherent in this thematic duality is mirrored by the contrast between glacial ambience and chaotic interference across the album. On ‘Serge & Maxine Variation One’ the presiding mood is a slow and patient one, as undulating waveforms rich with harmonic overtones spill out over one another across 10 minutes. The track’s latter passage, driven by steadily intensifying oscillations, is then interrupted with an unexpected flurry of pitch shifting. This kind of complex technical movement features more prominently at the start of ‘Serge & Maxine Variation Three’, which then gradually shifts into a gentler ebb and flow of rising and falling frequencies.

Angled slightly differently and residing on the B side of the album, 15-minute quiet epic ‘Serge & Maxine Variation Two’ bookends a louder passage of synth work with serene, sustained notes that ring out a sort of hymnal melody. Throughout, the movement in the music evolves in subtly modulating, hypnotic, ways, but there are also unexpected turns or melodic diversions which feel much more incongruous. In its closing stretch, the notes dart around more freely as though played by hand, but it’s hard to be sure whether these shifts in the otherwise delicate tonal music were a human conceit or a programming by-product. In the end, the two inputs logically become one.

As Guffond says herself, “More-than-human logics emerge, a kind of alien intelligence that questions an assumed central position of human subjectivity in socio-technical assemblages and considers the philosophical, socio-political and cultural implications beyond music practice in an increasingly technologically mediated world.”

As AI creeps into art as much as other aspects of modern life, Guffond applies her playful instinct to the theme of these works by reconsidering machine intelligence as ‘alien’, crediting its contributions with a more robust yet enigmatic identity in the creative process, leading to an end result which is far from artificial.

A1 Jasmine Guffond  - Serge & Maxine Variation, One [OOH-040]

LYL radio: jamais entendu (20.09.24)

German Army - 1% Silk
Released October 31st 2024



German Army - Jighuristan

Last year in September I released the album ‘Quiet Rooms’ on the British label Whitelabrecs. The tracks on this album were a kind of self-healing process to refocus on home life after a long absence caused by working far away. At that time I was making a lot of improvised music and recording many ideas and sketches. After selecting the tracks for ‘Quiet Rooms’, some ideas, feelings, blurred images and unfinished tracks remained, which later became a solid base for ‘All Our Yesterdays’. Over the course of 2024, more recordings were made and - voilà - a new album was born.

'All Our Yesterdays' is probably a bit more introspective, exploring the spaces between the notes in a much deeper and broader way. So each track is quite transparent in atmosphere and sound, with piano notes, electronic textures and strange sounds drifting in and out. As always, all was recorded mainly at night in dim lighting to focus on what's important to me and my music. ‘All Our Yesterdays’ could be seen as a metaphor for missed moments on the one hand and great moments with the people you love on the other. Deep contemplation with a sense of serenity and balanced stillness - some things don't change...

The cover picture was taken in autumn at a nearby lake, when everything was already prepared and waiting for winter.

Tracklist:
01. All Our Yesterdays / 02. A Change Before A Choice / 03. The Silence Within Us / 04. Until It's Time / 05. There Are Ghosts Around You / 06. Half As Far Out / 07. Beyond Paradise / 08. Anything At All / 09. Before Night / 10. It Takes Confidence (To Let The Music Speak) / 11. The Inner Sea / 12. Fragments Of Love / 13. Never Gonna Let It Go / 14. I Could Sleep For Hundred Years

Written and produced by Polaroid Notes
Recorded between Nov 2023 and Dec 2024

Limited edition CD and digital download @ https://polaroidnotes.bandcamp.com/album/all-our-yesterdays

Release date: 22nd February 2025
Büro für Erdrotation Spin 042

Polaroid Notes - Snippets of All Our Yesterdays (Album)

Dropsonde

Warmed by the Drift

Label / imprint
Denseland – Code & Melody (arb.20, April 2024)
arbitrary21 (10" / DL) 06 Sept. 2024
https://www.arbitraryproject.com

Updated: https://arbitrary.bandcamp.com

info@arbitraryproject.com

Chromacolor: Kisses And Wine (arbitrary18)

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