im still amazed there is people that think Stretch 1 & 2 are mid ep/album

✩✩✩

Joyride

Joyride (feat. Eartheater)

Trinity

Supersoaker

kick iiii

Lost Woman Found

Naomi Elizabeth - God Sent Me Here To Rock You

"Xen" is the debut studio album by Venezuelan electronic musician Arca, released on November 4, 2014 through Mute Records. The album was recorded over a largely improvised six-month period in 2014. The album was supported by singles "Held apart", "Thievery" and "Now You Know" with promotional singles "Xen", A/B singles "Sad Bitch" and "Wound"

Arca ✶ Xen (Album Mix)

Bandcamp

All About You

私はヤギが好きです

Beets 3 is available for download at birocratic.bandcamp.com.

So much love went into this project - I hope it's received the same way. Enjoy.

download Beets 3

let linger

I've been toying around with some new sounds and song structures, and am very happy with how this one turned out!  Here is my official remix for Mattanoll's "Clearness".  
If you are in to it, please hit the [↻ Repost] button and share with your friends!

Buy: http://bit.ly/ClearnessRobotakiRemix

 Listen on Majestic Casual: https://www.youtube.com/watch?v=7VBLysGx8Ms

 Stay tuned for more music, just around the corner... 

Mattanoll - Clearness (Robotaki Remix)

LOVIN TOUCHIN GOODIES.m4a

Dual single by @0800shygirl 
Produced by @segabodega

Buy now: smarturl.it/NXX001

Artwork by Shygirl
Out now on NUXXE

Mastered by Alchemy

SHYGIRL — MSRY

「Broke Up」

Stretch 2 out now http://www.unonyc.com/shop/arca-stretch2/

「Self Defense」

「2 Blunted」

Cheerleader

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Volcano (PAN 112)

www.arca1000000.com
email - shaun@codexmgmt.com + regeneratedgirl1000000.com

♥♥
(just here for the tunes)
♥♥♥♥

「Broke Up」

Arca

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