Arca doon kanda Nicolas Jaar DARKSIDE Ash Koosha Dasychira NOGAWA kazune Elysia Crampton Mahdyar

Romeo

Cicada (feat. Arca)

(available on all streaming)

Mixed by Bamster
Credit to Pet Shop Boys

(LYRICS)<3
It works both ways 
Sitting in your car
Driving on my own
Looking at the stars 
I wanna get into you
I wanna get into you

Then you grab my hand and say hey man
I think I wanna kiss you
I think i understand 
My heart stretched out again
My heart stretched out again
Cos when my heart stretched out 
I dont know what to do, cos your thinking of my and im not thinking of you. 

And when you start off things like that it don’t feel right 
Got me up in my head like all night 
I don’t know what to do with my mind now
I don’t think I can even be kind now 

Brain ain’t thinking glass, not clinking 
You see my eyes they not blinking 
Try to forget me please just regret me 
I just wish you would make it easy 

I wish you would make it easy 
I wish you would make it easy 
Please just make this easy
I wish you would make it easy

I see the stars but they dont see me 
My future goes by quiet quietly
And all my aspirations and dreams 
Left my body when you saw me

But that’s not what I wanted 
Things weren’t meant to change quite so often 
Your nose your eyes change like the seasons
Same person but very different reason
Same person but seems to like to talk a lot 
About all the things they got and they dont got a lot
They dont got a lot 

It works both ways 
Smashing up your car, walking on my own 
Looking at the stars
I couldn’t get into you, I wouldn’t get into you
Cos when my heart when pop, it wouldn’t really start
It jus kinda stopped

Imagine if you’d made it easy, I just wish you had made it easy

I wish you had made this easy
I wish you had made this easy
Please just make this easy
I want you to make this easy

And nothing really matters anymore
Not the stars the sun, the open door
Cos when you want someone in your life, dont let them in
They’ll take everything for granted, and they’ll win
I dont wanna see those faces anymore, dont wanna dream about them
I wish they’d all just disappear so I could live in sin
My life is just moments I consume, lots of photos piled high in a room
And il burn It to the ground just for you
And my life is so dully and so measly
But I just wish you had made it easy 
I wish you had made it easy
I wish you’d made it easy
Please just make this easy
I wish you would make this easy
Please just make this easy
Please 
Im begging you, please

I wish you would make it easy - Babymorocco

Elk Skin

man we're fucked

one-take vent

orig. track @segabodega

sega bodega - "hopeless!!! (bail flip)"

Eartheater - Shark Brain (feat. Shygirl)

Stream/Download Shark Brain / Dolphin: https://chemicalx.ffm.to/sharkbrain
Pre-order Shark Brain / Dolphin Vinyl: https://chemicalx.ffm.to/sharkbrainvinyl

2025 Chemical X

Song Credits
Performed by Eartheater & Shygirl
Produced by Eartheater,  Andy Morin & Gabe Schuman

Shark Brain / Dolphin

Shark Brain (feat. Shygirl)

I want to exist

Arca

Piel

Anoche

Whip

Saunter

Urchin

Reverie

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Mercurial Nerve (PAN 112)

www.arca1000000.com
email - shaun@codexmgmt.com + regeneratedgirl1000000.com

Whip

Arca

Related tracks