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Kiss Me (Kill Me) - JerryTerry

Duet Collaboration Magical Magestical Co-op powers and Sneak preview from recently released second album. A song about wanting to befriend your favourite serial killers, and the consequences of doing so!

If blood and bones are what you want, I suggest that you look behind you.

Buy on Bandcamp

Blood and Bones

Don’t go in there
You’ll become one
Freaky creatures
Monster party
Eyes of yellow
Scales and feathers
Tails in tethers
Turn the lights off

Bend the nightmare
You control it
Artful dodger
Easy does it
Shut the closet
Get under the covers
Snakes and lovers
Turn the lights off

[Chorus]
Everybody likes to get taken for turns
To see how bright the fire inside of us burns
And everybody wants to get evil tonight
But all good devils masquerade under the light

[Verse 2]
Here’s the pinky
There’s the kinky
Everybody complicate it
Man and woman
Baby child
Calm and wild
Turn the lights off
 

Don’t remember	(Day’s gone)
What we look like (Night’s on)
Younger holding	(Day’s gone)
One another	(Light’s passed)
Paper colors	(Day’s gone)
Dangle streaming (Night’s on)
Tangle screaming (Light’s gone)
Turn the lights off

[Chorus]
Everybody likes to get taken for turns
To see how bright the fire inside of us burns
And everybody wants to get evil tonight
But all good devils masquerade under the light

[Verse 3]
Can’t they take it
Should be stronger
Books abandoned
Breathe the water
Mind distracted (Bad girls)
Sons and daughters (Good boys)
Out for slaughter (Bad guys)
Turn the lights off

Sparkles and shines on the water (Bet you’ve got a bone to pick with me)
Seeps through the cumulus brume (Bet you’ve got a bone to pick with me)
Tingles and tears while we’re gazing (Bet you’ve got a bone to pick with me)
Vanishes soon after bedtime for good (Bet you’ve got a bone to pick with me)
 

[Verse 4]
Don’t you like it (Day’s gone)
I know I do (Night’s on)
How about you?	(Day’s gone)
What do we know (Light’s passed)
Tiny patterns (Day’s gone)
Hypnotizing	(Night’s on)
Terrorizing (Light’s gone)
Turn the lights off

[Chorus]
Everybody likes to get taken for turns
To see how bright the fire inside of us burns
And everybody wants to get evil tonight
But all good devils masquerade under the light

[Verse 5]
Chroma diamonds
Twinkle brightly
Dance in darkness
Blow the nights off
Sleepy child
Spark desire
Walk the fire

Tally Hall - Turn The Lights Off

The Mind Electric [ミラクルミュージカル]

Yeah Yeah Yeah (V2)

This is a cover of a song originally written by Neil Cicierega (aka Lemon Demon) for his album Spirit Phone. You can find the original song here: https://lemondemon.bandcamp.com/track/cabinet-man

Download: https://drive.google.com/drive/folders/1ptR2SUifK_xWxMv98Rb_98b5x2MCThlq?usp=sharing

Lyrics:
The day they found me, I hadn't yet been played
Inside my workshop behind the old arcade
Electric desires had unraveled all my wires
Now I'm in the box for safekeeping
The news reporters reported that I died
But all my organs were living on inside
Circuit board to brain with two lungs collecting change
One big human heart gently beeping

You can't win me, I can't be beat
I won't hurt you unless you cheat
You can't see me behind the screen
I'm half human and half machine

Thank God for business, they let me take the floor
I stood so proudly, like I was going to war
Players soon appeared and I quickly was revered
This must be what love would have felt like
Such dedication, they came from miles away
With eyes so piercing, they'd wait their turn to play
In perfect patient lines because I was in their minds
I could do whatever I felt like (Whatever I felt like)

You can't win me, I can't be beat
I won't hurt you unless you cheat
You can't see me behind the screen
I'm half human and half machine

I'm happy for years and years
And only eating the occasional maintenance man
Only driving a few kids to madness
Maybe they were predisposed to madness, who knows?
I only want to have fun
But now they're telling me my days here are done
'Cause there's a little tiny box that they make in Japan
And pretty soon it's gonna fit in your hand

It's getting lonely, it's getting hard to breathe
The arcade's empty, I think it's Christmas Eve
Someone's broken in, now they're painting on my skin
Breaking me and taking my quarters
Bashing in my face with a crowbar
Kicking me and pushing me over
Now they see my blood on their sneakers

You can't win me, I can't be beat
I won't hurt you unless you cheat
You can't see me behind the screen
I'm half human and half machine

Cabinet Man (Lemon Demon Cover)

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Forrest Day - Sleepwalk

A re-imagining of the classic songs from The Jungle Book with a whole new narrative only THD could provide.

The Mind Electric [ミラクルミュージカル]

arcaadepunk

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