VIOLENTLY UNITED

Where The Dark Things Go

The Is The End Of The Fucking World

Between Sound And Silence

In Heaven (I'm In Love)

DEEPLY DIVIDED

The Ground We Stand On

One Nine

If Anyone Builds It, Everyone Dies - Audio Anomaly Mix

Never Spy On A Spy - In The Cab Mix

The Destroyer Of Worlds

Can You Hear My Silent Cry?

This Is The End Of The Fucking World

Free Fall

Where The Dark Things Go - Radio Edit

Over And Over And Over - I Don't Think We Are Ready To Move

This Is The End Of The Fucking World - Short

This Is The End Of The Fucking World - End Times Edit

Future Chaos - Revisited Pt4

From the forthcoming album COLDER

ARCANE ASYLUM - “Carbon”

Duration: 4:50
BPM: 81
Key: F minor
Genre: Ambient / Electronic / Abstract IDM / Leftfield

DESCRIPTION

CARBON is a slow-burn descent into tension, a dark, textural electronic piece that blends icy atmospheres with fractured rhythm and shadow-soaked sound design. Built in F minor at 81 BPM, the track crawls forward with a steady, medium-energy pulse while the emotional tone stays deliberately negative, eerie, and unstable.

Glacial pads and resonant synth drones shape the horizon, while frequent percussion and electronic drums carve out a mechanical heartbeat. The sound palette remains raw and unpolished by intent, an echo of early 2000s experimental electronic, fused with modern abstract IDM sensibilities.

CARBON sits sonically between:

Richard Devine – synthetic tension + percussive detail

Pan Sonic – cold minimalism + menacing low-end

Khost – evolving drone textures + oppressive atmosphere

Semizeu / Power Noise– darker rhythmic moments and pulse-driven menace

The result is a track that feels dark, scary, and quietly menacing, built for late-night listening, dystopian visuals, and heavy cinematic moods.

Mood & Energy

Mood: Dark, Scary, Ominous

Emotional Profile: Negative

Energy Level: Medium

Energy Dynamics: Steady, controlled intensity

Instrumentation

Synthesizer: Throughout

Percussion: Frequent, detailed, textural

Electronic Drums: Pulsing mechanical patterns

For Fans Of

Richard Devine • Pan Sonic • Khost • Semizeu • early 2000s experimental electronic • dark ambient • industrial IDM

Carbon

A new one from ARCANE ASYLUM.
Fast. Cold. Aggressive.
It Gets Colder In Hell pushes into darker, more abrasive territory 146 BPM, breakbeat pressure, distorted bass, and icy synth layers that never let up. Negative emotion, low dynamics, high energy.
Curious what you hear in it.

Let me know your thoughts in the comments.
🔥🖤

It Gets Colder In Hell - Alighieri Mix

ARCANE ASYLUM - LOVE HATE
05:07 | 150 BPM | D minor
Experimental / Soundtrack / Dark Electronic

A tense, cinematic surge of negative emotion and industrial pressure.

LOVE HATE moves like a psychological chase scene unfolding in slow chaos: distorted electric guitars cut through thick synth drones, heavy electronic drums fire in controlled bursts, and a deep negative tone hangs over everything. High energy, low emotional dynamics, a feeling of motion without resolution, like being pulled forward by something you can’t see.

Sound-wise, it sits in the space between Clark’s mechanical brutality, Mouse On Mars’ broken rhythmic play, Ulver’s dark cinematic tension, and the angular intensity of Amon Tobin and Pan Sonic.
Fast, tense, abrasive, but deeply atmospheric.

Bass: partial, shifting

Electric guitar: frequent, cutting, textural

Percussion + electronic drums: frequent, sharp

Synthesizers: throughout, atmospheric and cold

Vocals: low-profile male fragments buried like distant signals

A clash of extremes, the push and pull of connection, conflict, desire, and disruption.
A soundtrack for internal warfare.

Lovers But Not Lovers (Fragments Mix)

HATE/LOVE (Remix)

Amen Brother

TONGUE

Blood In The Mouth

The Algorithms of Control

Tuath Dé

This Is Not What I Wanted

Flashing Lights And Patterns

Look No Hands

Electronic Dance - Dark: 0.71 Aggressive: 0.68 + Scary: 0.66
For Fans Of - Hecq - Bête Noire

A Sinister Turn - FM REDUX

B-Movies

Look Ma, No Hands - Mother Mix

Hypnotized

Death Is The Destination is a dark, confrontational electronic track driven by fast, relentless percussion and layered electronic drums. Blending abstract IDM, techno, and electro, it moves with unstable momentum, surging, collapsing, and rebuilding without ever fully releasing the tension.

Cold synth lines and distorted textures form the core, while fragments of bass and electric guitar cut through intermittently, adding grit and weight. The energy remains volatile throughout, creating a sense of inevitability rather than resolution.

A low-presence vocal sample is used as a textural element rather than a lead, sitting deep in the mix and reinforcing the track’s bleak, mechanical tone. Additional vocals will be added in a later version to expand on this atmosphere.

This is music for forward motion with no escape, pressure, repetition, and controlled aggression until the end point is reached.

Death Is The Destination

Everything Is Bad

Everything Is Bad – Nothing Is Good Edition

Everything Is Bad - Original Version

Everything Is Bad – The Long Night Mix

Energetic: 0.69 + Aggressive: 0 Similar Vibes to Linkin Park - Kyur4 Th Ich (Chairman Hahn Reanimation), Daft Punk - Daftendirekt, + Mindless Self Indulgence - D**kface

You Got Me

The End Will Write Itself

Architect, electronic music producer, composer, and artist.

ARCANE ASYLUM

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