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Afrikan Roots feat. Zulu & Da Donz - Samba Gada (Original)

Jackson do Pandeiro - bebop no meu Samba arrBd3

Bebop Funk Psyfer

Justin "Phillip" Yap's Top Deck label produced some of Jamaica's most dynamic ska recordings between 1962 & 1966 and utilised the formidable talents of the Skatalites... Enjoy those 27 finest instrumental records, strickly on 7", of the personnal collection of your Doctor "Nessé" J!!

1- Roland Alphonso : El Pussy Cat;
2- Roland Alphonso : Live Desire;
3- Roland Alphonso : Tough Talk;
4- the Skatalites : Scattered Lights;
5- Roland Alphonso : Step Down;
6- the Skatalites : Tuff Talk;
7- Lin Taitt : Ska-Ta-shot;
8- the Skatalites : Tipi-Tin;
9- Baba Brooks : Shock Resistance;
10- R. Alphonso & King Sporty : El Cid;
11- Don Drummond : Love in the Afternoon;
12- the Skatalites & King Sporty : Lawless Street;
13- Rolando Alphonso : Shot in the Dark;
14- the Skatalites : Ska-Boo-Da-Ba;
15- the Skatalites : Surftide Seven in a Mellowtone;
16- Roland Alphonso : VC10 Shake a Lady;
17- Roland Alphonso : Rolli Rollin';
18- Roland Alphonso : Ska-Ra-Van;
19- Johnny Moore : South China See;
20- Don Drummond : Chinatown;
21- the Skatalites : China Clipper;
22- Johnny Moore : Red is Danger;
23- Don Drummond : Marcus Junior;
24- Don Drummond : Smiling;
25- Roland Alphonso & Lin Taitt : Non Stop (alternative);
26- Johnny Moore : Yogi Man;
27- Baba Brooks : Distant Drums (aka African Blood).

____________________________________________________

SKA FEVER #2! 27 TOP DECK RECORDS killer instrumentals 1964/1966 on 7"! Mixtape

Bebop Samba

Música  "When the clock ticks", do grupo Jazz Liberatorz, com participação do rapper J. Sands.

Jazz Liberatorz - When the clock ticks (Partic. J. Sands)

Larry Coryell 
Heavy Feel 
Track 6 2011 East
Wide Hive Records WH-0325

Larry Coryell- 2011 East

Larry Coryell 
Heavy Feel
The Way It Was Track 3
Wide Hive Records 
WH-0325


Larry Coryell- The Way It Was

Emily Remler's solo on Clifford Brown's "Daahoud", transcribed and played by James Maltby. 

Daahoud Solo - Emily Remler

When Zurich's Paul Racle says GO GO ..... I Go Go right to my Hammond B3 sound to collaborate.  Paul threw this Stevie Ray Vaughn type track up for people to join in, allowing me the great pleasure to jump in once again.  Got that great Jimmy McGriff organ sound going on the keys for this.  Great blues track Paul  - sweet playing on everything!  

Check out Paul's three SoundCloud galleries.  They are some of the most inclusive and diverse musically on SC:

https://soundcloud.com/paul-racle
https://soundcloud.com/paploviante2
https://soundcloud.com/paploviante-and-friends

As always, thanks for your time listening, for your comments and your shares.

BUY JAMIE'S MUSIC

GO GO - with Paploviante / Paul Racle

Made with Figure for iOS. Don't have Figure yet? It's a fun, easy and bargain-priced music making app that anyone can use! Read about it here: https://itunes.apple.com/app/figure/id511269223?mt=8&at=11lGe2&ct=soundcloud

The Jazz Bebop Rock

1971 was an important time in music, where electricity was changing the landscape and Rock, Funk, Soul and Jazz were all merging into psychedelic grooves.  Marshal stacks were often taller than the players, the players were higher than the Marshal stacks, Strats and Les Pauls were the axes of choice, Hammond B3 Organs and Fender Rhodes keyboards could compete for volume with the guitars, and the hair was even longer than the jams.   Woodstock was a recent memory, Jimi Hendrix had just passed but had moved into the funk and soul inspired Band of Gypsies period, Sly & The Family Stone was heating it up with heavy funk and soul inspired grooves, and Miles Davis had just released the seminal Bitches Brew fusion double album that literally changed music.  This was where it was at, with each of these musicians and bands being influenced by each other.  Great stuff that produced legendary sessions and recordings and pushed music forward with power, energy, groove and volume.  

1971 commemorates this time and mindset, and recreates the feel with friends from around the world who continuously exhibit this spirit, energy and hair in their playing:

Alpha Roots - djembe  Stuttgart, Germany  https://soundcloud.com/alpha-roots
Rikard From - Hammond B3 organ  Umea, Sweden  https://soundcloud.com/rikard-from
Stephen "Pinner" Lipinski - guitar  New Jersey, USA  https://soundcloud.com/pinner
Scott Nelson - guitar  Pennsylvania, USA  https://soundcloud.com/scott-nelson-364333064
Marco Oversteegen - guitar  Almere, Netherlands  https://soundcloud.com/marco-oversteegen
Justin Valente  - guitar  New Jersey, USA  https://soundcloud.com/justin-valente
Jorg Calaminus - Dusseldorf, Germany - mastering

A couple of words on each of the players:  ALPHA ROOTS - Alphio was the perfect choice to add his soulful African djembe percussion voice.  One of the most prolific and inclusive musicians here on SoundCloud, always speaking with a positive voice.  Check out his often reggae and dub inspired recordings.  RICKARD FROM - my favorite B3 player here on SoundCloud.  We haven't recorded before but wanted his beautiful sound and also wanted these other heavy cats to be introduced to his Jimmy Smith type playing.  STEPHEN "PINNER" LIPINSKI - one of the hottest jazz fusion guitarists on SoundCloud, bringing more modern Scofieldesque jazz lines and harmonies to 1971.  SCOTT NELSON - another burning jazz and fusion guitarist, Scott sound combines elements of the contemporary guitar masters - Scofield, Metheny and Martino - to create his extraordinary playing.  MARCO OVERSTEEGEN - no one on SC has a closer overall sound to Hendrix, and we needed Marco's fabulous rhythm playing and soloing to anchor this 1971 mood.  JUSTIN VALENTE - Justin's my favorite blues rock guitarist, and just had to be a part of this summit, bringing us that heavy electric sound of Jimi, The Allman Bros, Freddie King and Stevie Ray Vaughn.  

So here's 1971.  Again.

Thanks to these great players for joining me and contributing so much to 1971, and also to all the listener, for your generous time, your comments and your shares.  And a special thanks to Jorg Calaminus for taking the initiative to master the sound for us to give you this real fine mix.
  

1971 - Alpha Roots, Rikard From, Scott Nelson, Marco Oversteegen, Pinner, Justin Valente, Jamie

GT201605 Page 76 Emily Remler Jazz

Emil Remler was one of the best guitar players that I have heard in my whole life... and she was one of the few women to play the jazz guitar, at least one of the few that I know cause I am sure there is many more, invisible, like Emily. 

Emily way of playing is shivering, everytime I listen to one of her songs and her way of improvising I always wonder: " How is this so good and so little people know about it ? " 

I think everybody should listen "Soft as a Morning Sunrise" once in his life. This song is a tribute, not only to Emily, but to all the other women who ever played music and are sadly unknown. 

Despites my many mistakes, I think she would like it!

Blues For Emily

Jazz Radio Fm - The Very Best in Smooth Jazz Music, Nu Jazz, Afro-Cuban Jazz, Ethno Jazz, Jazz Fusion

Smooth Jazz

Jazz Radio Fm

Larry Coryell- The Lift

TRIBAL WINDS presents WEPA ep Vol. 1
Can be purchased at: Traxsource
http://www.traxsource.com/title/214851/wepa-ep-vol-1

ANTONIO OCASIO - Jibaro Jazz-snip

This tune is for my old friend Wisam from Hammamet - Tunisia

Wonderful tune from Dizzy Gillespie. Some inspiration for the intro from Fela Kuti. 
Arrangement and Rhodes by Marko Kustic. Funky drums and slapping bass come from Michael and Robert. We had fun playing it!!!! The rhodes solo inbetween is something from Jimmy Smith.

A Night in Tunisia - from bebop to funk

Fabricio Amaya / Guitarra / Composición
Martin Dellavedova / Saxo tenor
Ariel Rodriguez / Piano Rhodes
Renato Borghi / Contrabajo
Luciano Cuviello / Batería

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