"Dislocation" taken from "Contrevents EP"

Visual by dith design.

CONTREVENTS is :
Maxime Ingrand : Piano, Synths & Guitar.
Paul Void : Synths, Drums, Drone & Tapes

Recorded and mixed at Crstnx Studio, Chaville
Drums recorded by Tom Furgerot at Pierre Schaeffer Studio, Châtenay-Malabry
Mastered by Florent Morel at Marg Sound Studio, Meaux

Produced by Contrevents

Dislocation

A little remix of nas tune stillmatic, I sampled david axelrod. The kind of sound that reminds me of the 90's.

Stillmatic - Nas

Nils Frahm writes his first score for one-take feature film ‘Victoria’ and is nominated for German film prize

LABEL: Erased Tapes RELEASE DATE: June 15th, 2015 CAT.NO: ERATP071 CD/LP/DL EAN: 4050486110577

ABOUT:
Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

IN HIS OWN WORDS:

Dear viewer and listener,

I’ve finally written music for a film. It took me some time to do so, as I was patiently waiting for a movie that would truly speak to me. When director Sebastian Schipper invited me to work on Victoria, I knew it was worth the long wait. Does such a strong film even need music? I realised it wouldn’t be easy to create a score that embraces these bold pictures.

Luckily we were given unusual creative freedom by approaching the movie together with Sebastian Schipper, who was keeping the production and direction to one single team. The score was recorded in a special location, the former GDR broadcasting production facilities that today host Studio P4. We simply put a big screen in the middle of the room, filled it with microphones and instruments, set the movie on loop and kept improvising on top of it together – my good friends and I.

The guest musicians started their recording session by playing a cohesive take over the course of the whole movie. This was the most interesting part of the day, since they hadn’t seen the film before. They became spectators and creators at once, intuitively recording hundreds of different cues that way. You are about to listen to some of its highlights. I hope they do Victoria and your ears justice.

With love, Nils Frahm

‘Music for the Motion Picture Victoria’ will be released by Erased Tapes on LP/CD/Digital June 15th.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon.

ABOUT THE ARTWORK:

The cover illustration was drawn by Stephanie Franziska Scholz based on a still from a key scene in the film, with additional design by Torsten Posselt at FELD.

TRACK LISTING:

1 Burn With Me (Victoria Edit) by DJ Koze 2 Our Own Roof 3 A Stolen Car 4 In The Parking Garage 5 Them 6 The Bank 7 The Shooting 8 Nobody Knows Who You Are 9 Pendulum

The soundtrack opens with an edit of ‘Burn With Me’ by German producer DJ Koze. The digital Bonus Track Version features a previously unreleased track by Hamburg’s electro-punks Deichkind titled ‘Happy New Fear’ plus an additional DJ Koze track titled ‘Marilyn Whirlwind’ from his 2013 album.

PRESS:

‘Frahm's soothing electro-orchestral pieces prove especially effective, washing over the throbbing dance beats like a flood of endorphins.’ – Hollywood Reporter

‘Nils Frahm’s score is an equally flexible asset, veering from juddering electronic chaos to dreamy intrusions of piano and cello — a sonic approximation of the alternating noise in the title character’s wrecked head.’ – Variety

OFFICIAL WEBSITES: nilsfrahm.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Music for the Motion Picture Victoria

Our Own Roof

Buy LP/CD/DL

Nils Frahm – Our Own Roof

 ‘Supermoon’ is taken from the new 65daysofstatic record, ‘No Man’s Sky: Music for an Infinite Universe’, the official soundtrack to the procedurally generated science fiction computer game ‘No Man’s Sky’.

Pre-order is available now with an exclusive second album of soundscape/sound design from http://www.lacedrecords.com

http://www.65daysofstatic.com

Pre-order Now

Supermoon

‘Red Parallax’ is taken from the new 65daysofstatic record, ‘No Man’s Sky: Music for an Infinite Universe’, the official soundtrack to the procedurally generated science fiction computer game ‘No Man’s Sky’.

Pre-order is available now with an exclusive second album of soundscape/sound design from http://www.lacedrecords.com

http://www.65daysofstatic.com

Red Parallax

Ólafur Arnalds & Nils Frahm "23:52" X Rival Console "Low"

Remix By ARCHE

https://www.facebook.com/archeuniverse
https://soundcloud.com/archemusic

1st EP "ORIGIN" now available fro FREE.
http://archemusic.bandcamp.com

2016.

Ólafur Arnalds & Nils Frahm X Rival Consoles (ARCHE Remix)

This track came from a visual collaboration with a mathematical artist who works under the name Cornus Ammonis. He creates simulations of pattern formation, using ideas originally created by Alan Turing in his attempts to explain and model the mathematics of living systems. These systems create beautiful warping interacting layers of simulated substances, and we thought this visual effect could lend itself well to an imagined alien planetary surface with some unknown form of geological process - molten landscapes. You can see that here - https://vimeo.com/217964169

It's a slowly evolving hypnotic visual process, so the music has the same form, with a repetitive syncopated two note motif playing under a gradually developing chord structure which becomes ever more layered. It's all about atmosphere and sitting back to let it wash over I think, it's not a sharply defined piece, and it needs to be given some time to develop, but hopefully the result is worth the time you give it.

I used my usual Prophet 8 for the chords, and then layered over some Absynth pads later on, with a Moog Sub 37 bass coming in much later for the main punctuation point, even though that’s a fairly subtle change, I love it when that rumbling low harmony finally arrives after you think it never will. I used some percussive sounds from Felix’s Machine’s sample pack for this, and plenty of semi-generative detailing with Max for Live tools mainly.

After Cornus Ammonis had created a load of stock video sequences using his models, I then passed the footage on to Morgan Beringer (who created the awesome Unbounded video from Emergence). Morgan applied his trademark processing style to the previously raw footage in order to blend and layer, and make the whole visual have a lot more smooth movement and rich organic feel. Sorry that's not a very technical description of what he did, but hopefully you'll know what I mean when you see it!

The artwork is by Colin Droz, using Chromosomal folding images created by Mikhail Spivakov, Csilla Varnai and Andy Lomas as part of the wider Chromos EP which this track is part of - links to the rest of the project here:

From the Chromos EP - released 26 May [MESH]
Stream/Buy 'Chromos' MaxCooper.lnk.to/Chromos
Subscribe to Vimeo: vimeo.com/maxcooper/
Follow on Spotify: MaxCooper.lnk.to/FollowOnSpotify

Molten Landscapes [Mesh003]

Neon Black opening night @ Cat Club in San Francisco - August 11 2017

Neon Black @ Cat Club - August 2017

From upcoming new Ep "Voyager"

Bandcamp : archemusic.bandcamp.com
FB : www.facebook.com/archeuniverse
SoundCloud : soundcloud.com/archemusic
Youtube : www.youtube.com/channel/UCrNK0DCGpxlNADyvfSRGZcA 

CONTACT : contact@archemusic.org

Produced by ARCHE 
Mastered by Gregory Hoepffner
Artwork by Yoann Vermeulen

Heliosphere

Super Sayin 14

"No fun" Remix for Yolande, single ep now available:

"3 tracks single NO FUN is out today 🚀 A beautiful Remix by ARCHE

LISTEN on all platforms here: https://fanlink.to/nofun

FREE DOWNLOAD here: https://www.toneden.io/yolande/post/no-fun "

Yolande - No Fun (ARCHE REMIX)

Electronica / Ambient / Techno from Paris, Fr

Heliosphere

Max Krafla

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