(𝐢𝐥 𝐜𝐢𝐞𝐥𝐨 𝐝𝐢 𝐬𝐟𝐨𝐧𝐝𝐨) 𝐒𝐟𝐞𝐫𝐚 𝐚 𝐆𝐨𝐜𝐜𝐢𝐚  
Cla x 2, Cor-de-basset, & electronics 
+++++++++
Piccolo omaggio a Giacinto Francesco Maria Scelsi. 
performed by Ensemble La Grive.

(il cielo di sfondo) Sfera a Goccia - trio & electronics

All Roads Are Wrong (2023 Version)

I really admire the direction that @encym took the @noodletwister and @sinnysounds collaboration. I took the three iterations and panned them on Audacity, then used effects and fade. Here's what transpired.

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Coming Home (Disquiet0594)

All sounds: David Forner Barbarian Cello

track 1: pizzicato patch (bass)
track 2: flautando patch (chords)
track 3: tremolo sul pont patch (textures)
track 4: spiccato patch (shorts)
track 5: lyrical legato patch (melody)

No quantization applied, so any bum notes or untidy shorts are down to my sloppy playing.

MIxer channels: Waves Non Linear Summing plugin (EMI) + Sonible smart:EQ3

Reverberation: Ableton Live IRCAM Spat (inserts)

Master bus: PSP Impressor + T-RackS Tape emulation

David Forner Barbarian Cello (Loot Audio) - mini demo 2

{gen~ 9}

There are some beats here, just for a change. They are made with some silicone membranes whose normal use would be to cover food bowls. Soma ROAT and Aqusmatiq Dedalus Delay add a little of controlled chaos.

≸ }{ P ͣ }{ 42 °•  ⩨

Disquiet Junto Project 0611: Music That Listens to Itself
The Assignment: Record a piece of music that repurposes itself as it proceeds.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1.

https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/64092

My immediate idea upon reading the prompt was to use a delay feeding an envelope follower to affect the signal feeding into the delay.   The result being like the speaker is forced to pause and listen to the words of their former self.  The patch came together quite quickly and I has a lot of potential, but I think will take awhile to fully realize and I am really looking forward to continuing the exploration.

Disquiet 0611 - Shush

played at a gallery opening yesterday
My goal was to create absolutely free, momentary music with my new Soma Terra and Soma Cosmos and a bit of guitar.
I started and after 18 minutes the journey was over and I had a very dry mouth

mixed on TE´s TX-6, recorded on TE's TP-7
Mastered in LIVE

Sounds from terra to heaven/hell(disquiet0613)

This is my first music making experiment in response to a prompt from Disquiet Junto. The prompt was to think of something I often do when making music and approach it differently. 

I often end up layering arpeggio-like things, partly because I like how it sounds and partly, maybe, to feel like I'm making something "complicated" and therefor impressive. I decided to avoid that and attempt more simplicity...or at least to bring in the complexity elsewhere.

I also rely a bit on midi instruments and quantizing (my rhythm isn't great). While there is still some midi stuff in there, I didn't start with it. I actually laid down some vocals first that ended up mostly being removed or moved. I also used an old Concertmate I found on the street (Radioshack's version of the simple Casio) for the main bass drum and bass sounds. 

After trying several things that weren't working for me, I ended up dipping into my voice memos in my phone and found a recording of me just playing a riff on the piano and singing nonsense, mumbly, improvised lyrics. I then shifted other elements to built the song around that.

nervous (disquiet0614)

This was my contribution for Disquiet Junto Project 0616: Definition Jam

Here’s a copy of my post on the Disquiet Junto 0616 discussion thread:

Chose to work with the words "calm" and "placid".

Created in Ableton Live using Fors Chiral and Slate+Ash Choreographs with Strymon Big Sky and Aqusmatiq Dedalus Delay for effects. Not sure whether I'm 100% satisfied with the result since I had a more quiet and subtle ambient vibe in mind when I started. Maybe I’ll re-visit this sometime in the future.
 
More on this 616th weekly Disquiet Junto project, Definition Jam (The Assignment: Explore, in music, the nuanced differences between two closely related words), at: https://disquiet.com/0616/
About the Disquiet Junto: https://disquiet.com/junto/ 1
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0616-definition-jam/

Strangely Calm and Placid Days [disquiet0616]

Corium

𝐀𝐫𝐜̧𝐨𝐧 𝐝𝐞 𝐍𝐢𝐞̀𝐳𝐞 / Napoli / 𝐔𝐧𝐡𝐞𝐢𝐦𝐥𝐢𝐜𝐡𝐞
_________________________________
* 𝐎𝐑𝐀𝐆𝐄 [𝐠𝐞𝐧~] (Full Six missing album) --> https://soundcloud.com/arcondenieze4/sets/orage-gen-six-missing-upcoming  
ORAGE [gen~] is a new project managed by Arçon de Nièze, focused on electronic generative music. 

* 𝐂𝐨𝐫𝐩𝐮𝐬𝐜𝐮𝐥𝐥𝐢𝐬 (Full excerpts Corpuscullis album) --> soundcloud.com/user-678992529/sets/canzoninne-corpuscullis
(with Julien Boutonnier poetry)


contact : arcondenieze@gmail.com 


L’ès-change au cuer brillant, se détourne chez les velés 
la calmisse d’estompté ès loggia, se carnoie en leurisse 
ritournelle ricrenelle, Arçon de Nièze couroinne les leurats, 
leurrait de soier, de Nièze falcon des épées cuer signantés 
turmants del profondis, luzsas y cièl pour toutes cuer 
Casvités stellis antemps . Anfenté grane suvenirs 
casvités anfentti stellis . 

Parinne bleumi 
aux arssères du grane en velés 
se ssarnoîcinne en leurisse 
l’Éreucline dans cruquel, de soier y pleure pourpre .
Casvités stellis antemppi . Résonann bleumi . pourse tousjoures . 
Lachryssoremène i lachrymmè blumise du dessein 
Stellirre pourse tousjoures . 


___________________________ 


• Terrassement en Andoyries (chap.I), 
   Virelai 1 de l’ancor

• Terrassement en Andoyries (chap.I), 
   Virelai 2 des velés 

• Terrassement en Andoyries (chap.I), 
   Virelai 3 n'enlèvement d'Assi des tremblères d'ornie 

• Terrassement en Andoyries (chap.I), 
Virelai 4 & 5 da éreucline y cruquel ès solaceram, dagli occhi . annegare viola

• Terrassement en Andoyries (chap.I),
Virelai 6 en Leurisse

• Terrassement en Andoyries (chap.I end), 
   Virelai 7 di Stellirre falconertti lachrymmè 
(with William Fowler Collins)

___________________________ 


• Terrassement en Andoyries (chap.II),
Virelai 8 Stellare cuer bleumie di scelssibè 

• Terrassement en Andoyries (chap.II), 
   Virelai 9 è fiddebaquè matiera primmatti
(no inputs/sources material)

• Terrassement en Andoyries (chap.II end), 
   Virelai 10 y Solacellam anfentti stellirre  
(90’s band own material) 

__________________________

• Terrassement en Andoyries (chap.III), 
   Virelai 11 Simonetti, prima della lava 

• Terrassement en Andoyries (chap.III), 
   Virelai 12 Napoli, amore sotto la lava dei tuoi occhi 
forgive me, i saw the pontoon of your soul .  
(with martelli/piano rehearsals material)

• Terrassement en Andoyries (chap.III), 
   Virelai 13/14 make Niblock Greataar againnis, 
    sotto la lava dei tuoi occhi, y Droni 
(with instrumental ensemble drone, rehearsals material) 

• Terrassement en Andoyries (chap.III), 
   Virelai 15 senglarine thisè Sicknessam ian.Um Stellirre 
(with Senglar "Sustain" ep material)

• Terrassement en Andoyries (chap.III end), 
   Virelai 16 Scarrabeesam stellarris è leurissè 
(with ensemble/fields rehearsals material) 

___________________________ 

• Terrassement En Andoyries (chap.IV), 
  Virelai 17 Diggazinne moltostellirre Di velés, 
usually you're drenched into dawn

• Terrassement en Andoyries (chap.IV),
Virelai 18/19 Tombborine millènious è carnoie en periferica

• Terrassement en Andoyries (chap.IV), 
  Virelai 20/21 è Rackhaminne sovetti slavenam, stelli Cuer infinitè 

• Terrassement en Andoyries (chap.IV end), 
Virelai 22/23 Auroressinnè pourse tousjoures, y finè 
(with Laszlo Umbreit material, and with instrumental ensemble rehearsals material)


(≈ 3h)


__________________________

(il cielo di sfondo) Sfera a Goccia - trio & electronics

Arçon de Nièze

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