Another episode of strange stories and emotions wrapped up as
Part II in the AMAZING BUBBLE series.

The series is based on improvisation sessions with modular synthesis and field recordings as main ingredients. I am interested in the quest for that sorely harmony by weaving modular basses, melodies, drones, noises and rhythms with layers of manipulated field recordings. For me a world to enter, to create amazing bubbles.

Composer:         Ard Janssen 
Mastered:          Jochem Paap @ STOOR
Artwork:             Niels Vrijdag
Video director:  Sibe Kokke // NOTDEF

Released:           February 17, 2021
Label:                 Self Released 
Format:              Cassette / Download

Support

AMAZING BUBBLE II

Written & produced by Ard Janssen
Artwork by Niels Vrijdag
Mastered by Schwebung Mastering
Distributed by Clone Distribution

Releasedate vinyl: 26th of September 2022
Releasedate digital 10th of October 2022

https://ardbit.bandcamp.com/album/music-for-delirious-episodes

Press Text:
Music for Delirious Episodes brings together eleven compositions. Ard Bit is known for his delicate, almost brittle, works. This collection focuses on that same fragility that fascinates Janssen.

From the first steps of “Troubled Veil”, the listener is absorbed into a digital weave of field recordings, everyday undulations, other day modulations and loose harmony. Traditional instruments, string and wind, are filtered and re-imagined. The mundane echoes of routines are reborn as the percussive hum of pieces like “Stripped” and “Broken Respirator (White Funnel).” Behind the shifts and shuffles lurks something triumphal. Memories are given new form through audio carvings. Birdsong is handcrafted through knob tweaks, elephant trumpets bellow past swells of electronic insects as a glowing sun rises through the speaker. Hazes of static are shorn back, as in “Seppuku”, to allow moments of intense focus and reflection. And then we return, to that ephemeral beauty that permeates this record, with the final embrace of “Awakening Delusion”. An artist who finds the extraordinary in the often overlooked, or unheard.

Personal Note:
Instead of looking outside, at your surroundings, it is worth going inside. You find happiness in yourself. And that happiness can only be experienced when there is balance with yourself. Happiness from within apart from expectations from the outside. It is essential to seek the silence to escape from who we think we are and experience who we really are. I like to reach out to that light. I record sound we hear every day, it is a part of life captured in it, a moment when everything happens, where everything can be heard. I focus on that because it is just there but we may have forgotten it, standing still in sound is my silence

Stay close to yourself, with love, Ard ♥

Vinyl

Music For Delirious Episodes

The third episode in the Field Recordings series was recorded in Poland in the summer of 2021. From the Bialowieza Forest on the border with Belarus, one of the last and largest remaining parts of the immense primeval forest, to the Tatra Mountains with her erratic rocks, high peaks, breathtaking views and beautiful nature, located on the border with Slovakia.

Besides recording the natural elements, animals and spatial environments, I used the landscape and the objects present as a sound canvas. Interesting sound textures were created by tapping, hitting, throwing or rubbing on and against surfaces. In this episode I tried to capture the atmosphere of Poland through a coalescence of sound recordings and musical ideas. 

🌍 Locations: Bialowieza, Krakow, Katowice, Tatra Mountains

The colors of the artwork for this edition were chosen by Nanna van Heest.

“𝘛𝘩𝘦 𝘤𝘰𝘭𝘰𝘳𝘴 𝘢𝘳𝘦 𝘣𝘢𝘴𝘦𝘥 𝘰𝘯 𝘮𝘺 𝘢𝘴𝘴𝘰𝘤𝘪𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘢 𝘤𝘰𝘮𝘣𝘪𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘳𝘶𝘴𝘵𝘺 𝘮𝘦𝘵𝘢𝘭 𝘱𝘢𝘳𝘵𝘴 𝘸𝘩𝘪𝘭𝘦 𝘢 𝘥𝘳𝘦𝘢𝘮𝘺 𝘤𝘭𝘰𝘶𝘥𝘺 𝘴𝘬𝘺 𝘱𝘢𝘴𝘴𝘦𝘴 𝘣𝘺."

Nanna van Heest is a designer and researcher and fascinated by color and patterns. Floating in a universe of color, she likes to study the endless range of possibilities and combinations in which they appear or can be organized.

Download

Field Recordings - 03 Poland

Field Recordings - 05 Bohemia continues my journey into the depths of soundfields, where natural landscapes and human presence intertwine. This time, I’ve immersed myself in spaces rich with history and atmosphere—capturing the ambient resonance of Prague Castle, the sacred echoes within cathedrals, the intimate stillness of a camp bathroom in Žďár Příhrazy, and the mechanical hum of a pumping station in Přírodní rezervace. Layered with nature’s voicefields alive with insects, rolling thunder, and the rhythm of rain, these recordings tell a story of place, memory, and experience.

Back in my studio, I blended these raw recordings with experimental / musical elements and drones derived from a short organ recording in Kathedrále sv. Petra a Pavla in Brno, weaving together the organic and the composed into a cohesive soundscape, all through the lens of sound art.

🌍 Locations: Prague, Žďár Příhrazy, Špindlerův Mlýn, Brno.


The colors of the cover artwork were chosen by Anne van den Hoogen, who reflected on the recordings by saying:

“𝘛𝘩𝘦 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨𝘴 𝘳𝘦𝘴𝘰𝘯𝘢𝘵𝘦 𝘸𝘪𝘵𝘩 𝘮𝘦 𝘪𝘯 𝘢 𝘮𝘦𝘥𝘪𝘵𝘢𝘵𝘪𝘷𝘦 𝘦𝘮𝘣𝘳𝘢𝘤𝘦; 𝘴𝘰𝘶𝘯𝘥 𝘤𝘰𝘮𝘦𝘴 𝘢𝘭𝘪𝘷𝘦, 𝘤𝘢𝘳𝘳𝘺𝘪𝘯𝘨 𝘮𝘦 𝘢𝘭𝘰𝘯𝘨. 𝘐𝘮𝘢𝘨𝘦𝘴 𝘶𝘯𝘧𝘰𝘭𝘥 𝘦𝘧𝘧𝘰𝘳𝘵𝘭𝘦𝘴𝘴𝘭𝘺, 𝘢𝘬𝘪𝘯 𝘵𝘰 𝘴𝘤𝘦𝘯𝘵𝘴 𝘦𝘷𝘰𝘬𝘪𝘯𝘨 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘱𝘭𝘢𝘤𝘦𝘴, 𝘱𝘢𝘵𝘩𝘸𝘢𝘺𝘴, 𝘢𝘯𝘥 𝘧𝘰𝘰𝘵𝘴𝘵𝘦𝘱𝘴. 𝘛𝘩𝘦𝘺 𝘳𝘦𝘤𝘢𝘭𝘭 𝘮𝘰𝘮𝘦𝘯𝘵𝘴 𝘐 𝘰𝘯𝘤𝘦 𝘸𝘢𝘭𝘬𝘦𝘥 𝘶𝘱𝘰𝘯 𝘢 𝘱𝘭𝘢𝘤𝘦 𝘐 𝘩𝘢𝘥 𝘯𝘰𝘵 𝘺𝘦𝘵 𝘬𝘯𝘰𝘸𝘯."

Field Recordings - 05 Bohemia

Ard Bit’s fourth EP blends field recordings, soundscapes and rhythmic sources into melancholic and atmospheric layered constructions. The Rotterdam- based dutch composer and sound artist has released on Lowriders Recordings, Shipwrec and Symbolic Interaction, and now comes with a self-released new episode of strange stories and emotions.

'Six Scores One' was partly written in the forests of Winterswijk, a stone's throw from the Korenburgerveen. This peat lies in an environment where you can wander through beautiful forests, wooded banks, streams, heathland and peat bog. An ideal place for reflection. Six Scores One tells a story of ever-changing nature in all its facets. Transforming beautiful fields into ominous, disorienting worlds where serenity gives way to devastation.

One strong recurring layer, suggesting a machine world, conjugates everything and is often sculpted far enough from the source of inspiration. Ard Bit’s processing here moves in veiled ways, woven with the quirky compositions as if they are housed.

SIDE A
1. AFTERHOOK (3:36)
2. SW6RM (2:16)
3. CLOUDS (3:40)

SIDE B
4. MONKEY (1:38)
5. FfOG (2:57)
6. KERN (5:03)

RELEASE DATE: September 25, 2019
OUT NOW: ardbit.bandcamp.com/album/six-scores-one

LABEL: Self Released
FORMAT: Cassette / Digital
COMPOSER: Ard Bit

ARTWORK: Meinhard Spoor
MASTERING: Rudi Arapahoe

Six Scores One

BRTZLM

LPRZLM

MDZLM

ZLPDM

1. Kolejka Linowa
2. Primeval
3. Kot
4. Hotel Katowice
5. St. Barbara’s Church
6. Strumień
7. Mount Tatra

Recorded in Poland in the summer of 2021. 

From the Bialowieza Forest on the border with Belarus, one of the last and largest remaining parts of the immense primeval forest, to the Tatra Mountains with her erratic rocks, high peaks, breathtaking views and beautiful nature, located on the border with Slovakia.

Besides recording the natural elements, animals and spatial environments, I used the landscape and the objects present as a sound canvas. Interesting sound textures were created by tapping, hitting, throwing or rubbing on and against surfaces.
In this episode I tried to capture the atmosphere of Poland through a coalescence of sound recordings and musical ideas.

The colors of the artwork were chosen by Nanna van Heest.

Nanna van Heest is a designer and researcher and fascinated by color and patterns. Floating in a universe of color, she likes to study the endless range of possibilities and combinations in which they appear or can be organized.

“𝘛𝘩𝘦 𝘤𝘰𝘭𝘰𝘳𝘴 𝘢𝘳𝘦 𝘣𝘢𝘴𝘦𝘥 𝘰𝘯 𝘮𝘺 𝘢𝘴𝘴𝘰𝘤𝘪𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘢 𝘤𝘰𝘮𝘣𝘪𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘳𝘶𝘴𝘵𝘺 𝘮𝘦𝘵𝘢𝘭 𝘱𝘢𝘳𝘵𝘴 𝘸𝘩𝘪𝘭𝘦 𝘢 𝘥𝘳𝘦𝘢𝘮𝘺 𝘤𝘭𝘰𝘶𝘥𝘺 𝘴𝘬𝘺 𝘱𝘢𝘴𝘴𝘦𝘴 𝘣𝘺.”

🌍 Locations: Bialowieza, Krakow, Katowice, Tatra Mountains

Learn more: https://www.ardbit.com/field_recordings/

Written & produced by Ard Bit
Artwork by Niels Vrijdag
Mastered by Schwebung Mastering
Distributed by Clone Distribution

Releasedate vinyl: 26th of September 2022
Releasedate digital 10th of October 2022

https://ardbit.bandcamp.com/album/music-for-delirious-episodes

Press Text:
Music for Delirious Episodes brings together eleven compositions. Ard Bit is known for his delicate, almost brittle, works. This collection focuses on that same fragility that fascinates Janssen.

From the first steps of “Troubled Veil”, the listener is absorbed into a digital weave of field recordings, everyday undulations, other day modulations and loose harmony. Traditional instruments, string and wind, are filtered and re-imagined. The mundane echoes of routines are reborn as the percussive hum of pieces like “Stripped” and “Broken Respirator (White Funnel).” Behind the shifts and shuffles lurks something triumphal. Memories are given new form through audio carvings. Birdsong is handcrafted through knob tweaks, elephant trumpets bellow past swells of electronic insects as a glowing sun rises through the speaker. Hazes of static are shorn back, as in “Seppuku”, to allow moments of intense focus and reflection. And then we return, to that ephemeral beauty that permeates this record, with the final embrace of “Awakening Delusion”. An artist who finds the extraordinary in the often overlooked, or unheard.

Personal Note:
Instead of looking outside, at your surroundings, it is worth going inside. You find happiness in yourself. And that happiness can only be experienced when there is balance with yourself. Happiness from within apart from expectations from the outside. It is essential to seek the silence to escape from who we think we are and experience who we really are. I like to reach out to that light. I record sound we hear every day, it is a part of life captured in it, a moment when everything happens, where everything can be heard. I focus on that because it is just there but we may have forgotten it, standing still in sound is my silence

Stay close to yourself, with love, Ard ♥

Double Vision

Broken Respirator (White Funnel)

Naked

Stripped

Troubled Veil

For those who like that lo-fi sound!

Six Scores One' was partly written in the forests of Winterswijk, a stone's throw from the Korenburgerveen. This peat lies in an environment where you can wander through beautiful forests, wooded banks, streams, heathland and peat bog. An ideal place for reflection. Six Scores One tells a story of ever-changing nature in all its facets. Transforming beautiful fields into ominous, disorienting worlds where serenity gives way to devastation.

One strong recurring layer, suggesting a machine world, conjugates everything and is often sculpted far enough from the source of inspiration. Ard Bit’s processing here moves in veiled ways, woven with the quirky compositions as if they are housed.

RELEASED: September 25, 2019 
ardbit.bandcamp.com/album/six-scores-one

LABEL: Self Released 
FORMAT: Cassette / Digital 
COMPOSER: Ard Bit
MASTERING: Rudi Arapahoe

ARTWORK: Meinhard Spoor 
VIDEO: Joost Kosir / Dirty Brown
 youtu.be/Qng0W43VmNo

Bandcamp

Six Scores One (Tape version)

Hotel Katowice

Primeval

Kolejka Linowa

The fourth episode in the Field Recordings series was recorded in the Balkans in the summer of 2022.

All sounds for this episode are recorded in the versatile fields of Albania, Bosnia, Montenegro and Slovenia. From Sarajevo’s Olympic Bobsleigh to the Cursed Mountains in Albania and back via the small peaceful village Miholjače in Bosnia to the beautiful Kamnik-Savinja Alps in Slovenia. The ambient layers on top are recorded in my studio in Rotterdam.

The colors of the cover artwork are chosen by Rutger Zuydervelt.

Rutger Zuydervelt composes music as Machinefabriek. His music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. The music can be heard as an attempt to create sonic environments for the listener to dwell in. It can be minimalistic at first glance, but reveals its depth upon closer listening.

“𝘓𝘪𝘴𝘵𝘦𝘯𝘪𝘯𝘨 𝘵𝘰 𝘵𝘩𝘦𝘴𝘦 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨𝘴, 𝘐 𝘸𝘢𝘴 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘵𝘦𝘭𝘺 𝘵𝘳𝘢𝘯𝘴𝘱𝘰𝘳𝘵𝘦𝘥 𝘵𝘰 𝘮𝘺 𝘱𝘢𝘴𝘵 𝘵𝘳𝘢𝘷𝘦𝘭𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘤𝘰𝘶𝘯𝘵𝘳𝘪𝘦𝘴 𝘭𝘪𝘬𝘦 𝘚𝘭𝘰𝘷𝘦𝘯𝘪𝘢, 𝘈𝘭𝘣𝘢𝘯𝘪𝘢, 𝘢𝘯𝘥 𝘕𝘰𝘳𝘵𝘩 𝘔𝘢𝘤𝘦𝘥𝘰𝘯𝘪𝘢. 𝘎𝘳𝘦𝘢𝘵 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘩𝘪𝘬𝘦𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘨𝘳𝘦𝘦𝘯 𝘧𝘪𝘦𝘭𝘥𝘴 𝘢𝘯𝘥 𝘧𝘰𝘳𝘦𝘴𝘵𝘴. 𝘉𝘶𝘵 𝘢𝘭𝘴𝘰 𝘰𝘧 𝘴𝘶𝘮𝘮𝘦𝘳𝘴 𝘣𝘦𝘪𝘯𝘨 𝘵𝘰𝘰 𝘩𝘰𝘵, 𝘭𝘦𝘢𝘷𝘪𝘯𝘨 𝘵𝘩𝘦 𝘷𝘦𝘨𝘢𝘵𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩𝘦𝘳𝘦𝘥 𝘢𝘯𝘥 𝘣𝘳𝘰𝘸𝘯. 𝘚𝘰 𝘵𝘩𝘦𝘳𝘦 𝘺𝘰𝘶 𝘨𝘰, 𝘢 𝘧𝘦𝘳𝘵𝘪𝘭𝘦 𝘨𝘳𝘦𝘦𝘯 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘣𝘦𝘪𝘨𝘦 𝘰𝘧 𝘩𝘢𝘺."

🌍 Locations: Albania, Bosnia, Montenegro and Slovenia

all sounds recorded in the Balkans
all ambient layers recorded in Rotterdam
2022 - 2023 

released July 5, 2023

artwork by Niels Vrijdag
color combination by Rutger Zuydervelt
license

Field Recordings - 04 Balkans

Table For Two EP [Ship05]
http://www.shipwrec.org

DOWNLOAD/SUPPORT

Tois

Table For Two EP [Ship05]
http://www.shipwrec.org/

Hilips

Ard Bit – Ellioth
Release date: September 29th 2014
Format: digital
Label: Lowriders Recordings
Catalogue Number: LOWf001
written & produced by Ard Janssen
mixed & mastered by Roel Funcken
Artwork by NOTDEF


Copane (Roel Funcken remix)

Pantanal, Brasil - 2013
DR00152.wav says my field recorder. It’s an enchanting recording of the serenity I experience in the magic of Pantanal. A purling stream, a water tumbler, insects and a bird, beautiful!

This place and the recording are the primary ingredient for Brizal. The serenity and the emptiness in this track reflect my experience there.

Ard Bit – Ellioth
Release date: September 29th 2014
Format: digital
Label: Lowriders Recordings
Catalogue Number: LOWf001
written & produced by Ard Janssen
mixed & mastered by Roel Funcken
Artwork by NOTDEF

Brizal

Field Recordings - 05 Bohemia continues my journey into the depths of soundfields, where natural landscapes and human presence intertwine. This time, I’ve immersed myself in spaces rich with history and atmosphere—capturing the ambient resonance of Prague Castle, the sacred echoes within cathedrals, the intimate stillness of a camp bathroom in Žďár Příhrazy, and the mechanical hum of a pumping station in Přírodní rezervace. Layered with nature’s voicefields alive with insects, rolling thunder, and the rhythm of rain, these recordings tell a story of place, memory, and experience.

Back in my studio, I blended these raw recordings with experimental / musical elements and drones derived from a short organ recording in Kathedrále sv. Petra a Pavla in Brno, weaving together the organic and the composed into a cohesive soundscape, all through the lens

releases October 23:
2024:https://ardbit.bandcamp.com/album/field-recordings-05-bohemia

Pre-order

Kostel (Field Recordings - 05 Bohemia)

Field Recordings - 05 Bohemia aired on DFM Radio as part of the Earbitten show by Radboud Mens. In this special two-hour broadcast, Radboud explores and reinterprets my album, with the second hour featuring his remix of Bohemia's soundscapes. Earbitten is a continuation of Radboud’s deep-rooted history in experimental radio, from Amsterdam's Radio 100 to his Staalplaat and Concertzender shows. 

The original album on Bandcamp: 
https://ardbit.bandcamp.com/album/field-recordings-05-bohemia

Field Recordings - 05 Bohemia (Earbitten Radio Mix)

Gemaal II

Verhany

Gemaal

Boiler Room

'Projection' is taken from the album 'Marking A Boundary With The Turning Point' 

Marking A Boundary With The Turning Point, my collab with Radboud Mens, was first released as a limited CD on Shimmering Moods (50 copies, sold out during pre-order).

Now it’s back in the format it truly deserves: a double vinyl edition, remastered by Stephan Mathieu, pressed at Record Industry, and limited to 200 hand-numbered copies.

We explore the tension between stasis and movement; drones, textures, and acoustic details shifting in and out of focus.

Purchase via Bandcamp: https://ardbit.bandcamp.com/album/marking-a-boundary-with-the-turning-point


All music by Ard Janssen & Radboud Mens
Mastered by Schwebung Mastering
Artwork & design by Ard Janssen

Manufactured by Record Industry
Distributed by Clone Distribution

Out Now

Projection

'Orientatation' is taken from the album 'Marking A Boundary With The Turning Point'

Marking A Boundary With The Turning Point, my collab with Radboud Mens, was first released as a limited CD on Shimmering Moods (50 copies, sold out during pre-order).

Now it’s back in the format it truly deserves: a double vinyl edition, remastered by Stephan Mathieu, pressed at Record Industry, and limited to 200 hand-numbered copies.

We explore the tension between stasis and movement; drones, textures, and acoustic details shifting in and out of focus.

Purchase via Bandcamp: https://ardbit.bandcamp.com/album/marking-a-boundary-with-the-turning-point

All music by Ard Janssen & Radboud Mens
Mastered by Schwebung Mastering
Artwork & design by Ard Janssen

Manufactured by Record Industry
Distributed by Clone Distribution

Orientation

'Perpendicular' is taken from the album 'Marking A Boundary With The Turning Point'

Marking A Boundary With The Turning Point, my collab with Radboud Mens, was first released as a limited CD on Shimmering Moods (50 copies, sold out during pre-order).

Now it’s back in the format it truly deserves: a double vinyl edition, remastered by Stephan Mathieu, pressed at Record Industry, and limited to 200 hand-numbered copies.

We explore the tension between stasis and movement; drones, textures, and acoustic details shifting in and out of focus.

Purchase via Bandcamp: ardbit.bandcamp.com/album/marking-a…e-turning-point

All music by Ard Janssen & Radboud Mens
Mastered by Schwebung Mastering
Artwork & design by Ard Janssen

Manufactured by Record Industry
Distributed by Clone Distribution

Perpendicular


In this collaboration, Radboud Mens and I explore the tension between stasis and movement. Operating within the realm of drone and electroacoustic music, we construct a sonic landscape where sustained tones and microscopic events constantly shape and reshape each other. What initially appears static reveals itself to be rich with detail: tiny acoustic shifts breathe life into apparent stillness, inviting focused and attentive listening.

The album emerged from a process where sound research, improvisation, and sound design merge. Self-built instruments, the search for timbre and texture, and recordings of the learning process itself form the foundation of these compositions. Rather than following a traditional musical structure, the result is a sonic field in which the minimal continually transforms depending on the listener’s perspective. This is a layered and handcrafted album that doesn’t narrate, but questions. Marking A Boundary With The Turning Point is not a boundary. It’s an invitation to listen differently.


released June 9, 2025

All music by Ard Janssen & Radboud Mens
Mastered by Stephan Mathieu at Schwebung
Artwork & design by Ard Janssen

Manufactured by Record Industry
Distributed by Clone Distribution

Spirit Level I

Rotation

Tangent Plane

Displacement

Spirit Level II

Spherical

Fiber

Buy "Hum Score":
http://ardbit.bandcamp.com/track/hum-score

Buy the whole cd "The Silence was warm vol.5":
https://www.normanrecords.com/records/148224-various-the-silence-was-warm-vol

I wrote this track for the compilation album The Silence Was Warm vol. 5
released on Symbolic Interaction in Japan, june 2014

compiled by Kentaro Togawa
mastered by Rudi Arapahoe (purgatory mastering)
photos by (k/t) & (u/o)

Hum Score

Ard Bit’s fourth EP blends field recordings, soundscapes and rhythmic sources into melancholic and atmospheric layered constructions. The Rotterdam- based dutch composer and sound artist has released on Lowriders Recordings, Shipwrec and Symbolic Interaction, and now comes with a self-released new episode of strange stories and emotions.

'Six Scores One' was partly written in the forests of Winterswijk, a stone's throw from the Korenburgerveen. This peat lies in an environment where you can wander through beautiful forests, wooded banks, streams, heathland and peat bog. An ideal place for reflection. Six Scores One tells a story of ever-changing nature in all its facets. Transforming beautiful fields into ominous, disorienting worlds where serenity gives way to devastation.

One strong recurring layer, suggesting a machine world, conjugates everything and is often sculpted far enough from the source of inspiration. Ard Bit’s processing here moves in veiled ways, woven with the quirky compositions as if they are housed.

SIDE A
1. AFTERHOOK (3:36)
2. SW6RM (2:16)
3. CLOUDS (3:40)

SIDE B
4. MONKEY (1:38)
5. FfOG (2:57)
6. KERN (5:03)

RELEASE DATE: September 25, 2019
OUT NOW: https://ardbit.bandcamp.com/album/six-scores-one

LABEL: Self Released
FORMAT: Cassette / Digital
COMPOSER: Ard Bit

ARTWORK: Meinhard Spoor
MASTERING: Rudi Arapahoe

Ffog

Ard Bit’s fourth EP blends field recordings, soundscapes and rhythmic sources into melancholic and atmospheric layered constructions. The Rotterdam- based dutch composer and sound artist has released on Lowriders Recordings, Shipwrec and Symbolic Interaction, and now comes with a self-released new episode of strange stories and emotions.

'Six Scores One' was partly written in the forests of Winterswijk, a stone's throw from the Korenburgerveen. This peat lies in an environment where you can wander through beautiful forests, wooded banks, streams, heathland and peat bog. An ideal place for reflection. Six Scores One tells a story of ever-changing nature in all its facets. Transforming beautiful fields into ominous, disorienting worlds where serenity gives way to devastation.

One strong recurring layer, suggesting a machine world, conjugates everything and is often sculpted far enough from the source of inspiration. Ard Bit’s processing here moves in veiled ways, woven with the quirky compositions as if they are housed.

SIDE A
1. AFTERHOOK (3:36)
2. SW6RM (2:16)
3. CLOUDS (3:40)

SIDE B
4. MONKEY (1:38)
5. FfOG (2:57)
6. KERN (5:03)

BUY: https://ardbit.bandcamp.com/album/six-scores-one

LABEL: Self Released
FORMAT: Cassette / Digital
COMPOSER: Ard Bit

ARTWORK: Meinhard Spoor
MASTERING: Rudi Arapahoe

Monkey

Clouds

Sw6rm

Afterhook

my contribution for the Australian Bushfire Compilation (Part 1)

Electronic Music Compilation project by Roel Funcken, Julien Mier and Magda Kozuba

This project  is an international collective effort to generate funds for the rescue, preservation and safe sanctuary of koalas and other vulnerable wildlife affected by the unprecedented catastrophic fires of the Australian Black Summer (September 2019 – February 2020) resulting in a massive loss of habitable forests.

Curated by Roel Funcken (Funckarma)
Photography by Magda Kozuba
Design by Florence Meuleman (moiCflo)
Mastered by Bob Macc (Subvert Central Mastering)

Australian Bushfire Compilation

Mornicle

"...a fusion of electro, dubstep, and darker elements of electronic music. The beats brood and crawl, and the atmospherics stare at you from the shadows of a dark alley. The music is powerful and menacing, at once imposing a sense of fear and inexorably pulling the listener along..." 


Bleck

Castick Flow

Here Process

‘NTRZPM’ is the fourth track of the new ep ‘AMAZING BUBBLE II’, out on February 17, 2021.

https://ardbit.bandcamp.com/album/amazing-bubble-ii

Official videoclip: 
https://youtu.be/tc8eEudZ5ew

Composer:         Ard Janssen 
Mastered:          Jochem Paap @ STOOR
Artwork:             Niels Vrijdag
Video director:  Sibe Kokke // NOTDEF

Released:           February 17, 2021
Label:                 Self Released 
Format:              Cassette / Download

NTRZPM

'Marking A Boundary With The Turning Point' is now available on double vinyl.

→ https://ardbit.bandcamp.com/album/marking-a-boundary-with-the-turning-point

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Ard Bit is the artist project of Ard Janssen, a composer, sound designer and field recordist who creates audio sculptures which are subtle, layered and characterized with great detail.

His musical forms come about through free improvisation and systematic composition with a focus on minimalism.

https://ardbit.bandcamp.com/follow_me

Ard Bit

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