El género en disputa. Los trabajos de diversas autoras feministas como Teresa de Lauretis o Judith Butler han venido a desestabilizar desde la década de los noventa la noción de género manejada por los movimientos feministas décadas atrás. Una revolución conceptual y política con implicaciones centrales para entender las prácticas transfeministas y los movimientos queer que apuntan hacia un movimiento feminista que profundiza en las luchas interseccionales y contra la precariedad.

7. Las Disputas en torno al Género. Judith Butler Con Carmen Romero Bachiller

"au sujet de fusion: la genèse d'un(e) . . ." (2019-21)
for amplified ensemble - flute, saxophone, percussion, piano and electronics

Live recording

OPUS 22.1 Jeune Génération

Thursday, March 10, 2022
Le Rocher De Palmer

Proxima Centauri

Marie-Bernadette Charrier, saxophone
Sylvain Millepied, flute
Benoit Poly, percussion
Hilomi Sakaguchi, piano
Christophe Havel, electronics

"au sujet de fusion: la genèse d'un(e) . . .", for amplified ensemble and electronics (2019-20)

Autour, pour piano (2019)
Jean-Frédéric Neuburger, piano
Radio France avril 2022

Philippe HUREL Autour

2023-02-11

Composed 2017, recorded July 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, 2023
Sound engineer: Benjamin Ostarek

Program Note
Tagundnachtgleiche (Equinox) was created on the occasion of a composition competition for brass quintets announced by the publishing house Furore Verlag in 2017.
At the beginning of 2023, I decided to record the piece in a recording studio and to make it available to the public. The trumpeter Bernhard Plagg was kind enough to take on the project. He put together a brass quintet, organised rehearsal dates, etc.
The composition consists of two elements that alternate or interpenetrate each other. On the one hand, composed, notated music, harmonic and rhythmic in the broadest sense. And on the other, improvised music, mainly consisting of differentiated, nuanced noises and representing a kind of random music, like random sounds in nature.

Tagundnachtgleiche for brass quintet

Alenka
for quintet

performed by mdi ensemble

Sonia Formenti, flute
Paolo Casiraghi, bass clarinet
Corinna Canzian, violin
Giorgio Casati, cello
Luca Ieracitano, piano

Alenka (2023), for quintet

This track uses the latest - https://soundcloud.com/half-unusual/half-dark-naviarhaiku518 - Naviar Haiku submission as a starting point for some bluetooth mangling ... All sounds you hear are derived from a recording of the remote headphone connection breaking up whilst playing the haiku original. You can see the 'recording setup' in the middle of the accompanying image.

More on this 623rd weekly Disquiet Junto project, Kinda Bluetooth (The Assignment: Experiment with the sonic qualities of a failing signal), at: https://disquiet.com/0623/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0623-kinda-bluetooth/

more halF unusuaL

halF bluetootH [disquiet0623]

Friction n° 20

enclosures, for chamber ensemble and electronics, explores a combination of reverberant spaces via custom reverbs that echo, mimic and allude to different sections of Bachelard’s Poetics of Space. 

The tape brings together a collection of convolution reverbs containing impulse responses I have collected from my home, environment, and most intimately, from my body. The piece is made up of three movements with live electronics that act as scaffolding for the ensemble to inhabit. The score unfolds in loose time, asking performers to activate each of these three environments using their own directory of flexible, composed materials. The three main movements are separated by two miniature acoustic “doorway” movements that act as portals, moving the ensemble between intimate and expansive spaces, from corners to cavities. Tracing the path from nests and corners to intimate immensity, I combine reverbs to transport and transpose the ensemble through a number of spaces, from that of my chest cavity, to that of hybrid in/outdoor environments, grasping at both real and imaginary spaces.

Burial’s 2013 track “Come Down to Us” ends with an audio sample from a speech Lana Wachowski gave when she received the Human Rights Campaign Visibility Award. When receiving the award, Wachowski speaks to her experience coming out as transgender through the metaphor of space and access. The sample ends with Wachowski stating, “this world that we imagine in this room might be used to gain access to other rooms, other worlds, previously unimaginable.” This piece is about inhabiting a space between, the queer middle, eliding the imaginable and unimaginable, possible and impossible.

Guiding quotes from Bachelard are listed under each movement.

i house and universe
[ i follow the line of the moldings Which follow that of the ceilings ]
[but there are angles from which one cannot escape]
[when the peaks of our sky come together my house will have a roof.]

ii intimate immensity
“Immensity in the intimate domain is intensity, an intensity of being, the intensity of a being evolving in a vast perspective of intimate immensity of the world, which they transform into intensity of our intimate being.”
“Grandeur progresses in the world in proportion to the deepening of intimacy”

iii: the dialectics of outside and inside
[...Silently the birds
Fly through us. O, I, who long to grow,
I look outside myself, and the tree inside me grows.]

Written for, premiered and recorded by lovemusic collective
Recorded and mixed by David Bird

enclosures - for lovemusic

16 April 2024, Bilkent Concert Hall, Ankara

Krassimir Sterev, accordion



to my dear parents

...different types of love...  (or not a Zeusian levin) (2023) for accordion

if you could wish , would you wish to rise ?
do you see the peaks of helioparticles ?
can you trust this earthly base and
will you fall to your systems ?

...different types of love... (or not a Zeusian levin) (2023) for accordion

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