This much of dedication and control over his creation is overwhelmingly uncanny to explore. Even the possibility of experiencing this pure connection of the artwork and the artist is shocking and amazing.

artist : Bidocea
album : EVILFRANCE "Elvifrance vs. Earsheltering"
earS100 / 2020
earsheltering.free.fr/earsheltering100.html

earsheltering celebrates both its 100th release and 16th anniversary in 2020 with a various artists release as a tribute to Elvifrance.
We are also happy to celebrate the 50th anniversary of Elvifrance with this release.

Evilfrance

Bidocea_-_The 8-ball in the fifth pocket

A fictitious competition where 99 of the 100 competitors in a squiggling competition perish. Somewhat inspired by the Dancing Plague of 1518 and Shirley Jackson's short story "The Lottery".

The original version had more vocals, but a decent portion of them were scrapped for the reupload.

Sinny: percussion (shakers, caxixi, cabasa, tambourines, triangle, finger cymbals, cowbells, jam block, rototoms, djembe, vibraslap, helix bowl, The Night Cricket, brake drum, slit drum, frame drum, flexatone, ratchet, thunder tubes, xylophone, marimba, orchestral chimes); drum kit, kalimba, synthesizers, dobro, samba whistle, bulb horn, sound sticks, vase, chair, voices; synth, drum, and percussion programming

Squiggle Till You Drop

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

If You're Ever Present But Not Here

Disquiet Junto Project 0591: The Loneliest Number
The Assignment: Record the first third of a trio.

I started with a track I'm working on since months and which does not work for me. I threw away all but what was originally some kind of Rhodes basis. I rearranged it until I liked it more than the original fully instrumented version. It's now Dmin with only two 4-bar-progressions to Gm and back. It's 90bpm, 6/4. I see plenty of space for Drums, Leads, Vocals, Noises - have fun, if you like ;-)

--

Track cover: DALL·E "worm waiting under a clock, vermeer painting"

--

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Patient Earthworm [disquiet0591] (The Loneliest Number)

Snippet from the bass solo from Sonny Stitt's 1964 release of 'Now's the Time' - Bass Richard Davis, Drums Connie Kay ...

Iterative limiting (towards the left) and distortion (towards the right) ...

More on this 596th weekly Disquiet Junto project, Phylogeny Junto (The Assignment: Depict genres’ evolution over time in music), at: https://disquiet.com/0596/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0596-phylogeny-junto/

folly hang hype

halF phylogenY [disquiet0596]

performed by Neue Vocalsolisten Stuttgart
Chiesa di San Giovanni Battista (Onsernone), 30 June 2023

This piece is the third and the last piece of my Wittgenstein cycle and also an homage to Solage to express my fumeusement**
for his Rondeaux ‘’fumeux fume par fumee’’. 

The idea behind the polytext use is based on how much each text can be perceived 
as explanatory, commentary and complementary in relation with each other. 
As a composer I consider myself very lucky because the self-contained and self-explanatory qualities of each text
make it possible for me to stay silent whereof I can't speak as Witgenstein suggest in his famous sentence.

**fumeusement: with sadness, with grief, quarreling, with haziness, intangibility,
 tendency to rise, shifts in shape, easily wafted or dissipated  with the heat that fum produces, just like the fumeurs.

fumeux fume par fumèe, a whole world of fume (2023) for five voices

a little "krellish" patch using the Tiptop Buchla Source of Uncertainty 266t to drive the sonic show.

Tiptop Krell

premiered by and composed for Madison Greenstone and Alexandra Smith.

No additional processing - only acoustic clarinet and metal sheet.

no dogs in space (2022) bass clarinet and metal sheet with transducer

Her Majesty the Fool (2020)
by Oren Boneh
Fanny Vicens, XAMP mictrotonal accordion and electronics

For the video: https://youtu.be/hagaxRg15FE

Composed for Fanny Vicens for premiere at Festival Manifeste IRCAM 2020
Special thanks to Grégoire Lorieux, Thierry De Mey, and the IRCAM Pedagogical Team.
Filmed at Centre Pompidou, Paris
Video production: Année Zéro – Benoît Martin, Guillaume Foresti

Her Majesty the Fool (2020) - for accordion and electronics

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=129

for: large ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone, percussion I, percussion II, harp, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 21'
commission: Ensemble InterContemporain
first performance: 4.9.20, Paris, La Scala, Ensemble InterContemporain, Matthias Pintscher (conductor)
publisher: Edizioni Suvini Zerboni
catalogue number: S. 16215 Z.

fumeux fume par fumèe, a whole world of fume (2023) for five voices

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