@2shy2dj

For cheeky Q&A with DJ Fart in the club... 

https://pipipi.life/mix/djfartintheclub

DJ Fart in the Club - 12.7˚

Milan-based Piezo (@piezopz) sits at the heart of the current club sounds. He has long had an obsession with sound system music and that defines what he does today: mutant and beguiling club tracks with meticulous sound design and thrilling energy, heavy low ends and a real dose of UK influence from d&b to garage, grime and techno. He kicked off the year by dropping his genre-busting Ecstatic Nostalgia EP on our Dekmantel-UFO sub-label and now returns with a podcast that is just as fresh.

It's a futuristic mix of bleeping machines and lurching rhythms with bright synth designs and deep space ambience. Over the course of 90 minutes, the pace picks up and you're whisked along a variety of rhythms from broken to dubby, head spinning to minimal. It feels utterly spontaneous but is also a fully coherent mix from this restless innovator. 

Dekmantel Mix 483 - Piezo

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

the 9th naffcast is a recorded session from the passage of Jan Loup at Ohm Berlin for Pppppoems, in between 3 and 5 in the morning. 

@janloup

In the artist's words : 

For those two hours i rly wanted to embrace the picture a glaoting fairies-goblins complete cycle party, imagining the rite would happen in a flowery clearing deep in the middle of a giant firs forest, where those feisty creatures would then ingest some fine nuts and ravishing mushroom and start the ball by giggling swinging hovering around, until the hit arrives and the dance become more frenetic as they progressively mutate into forest parts into soil and roots and bushes, slowly loosing their contour to be part of the whole. The climax would be complete fusion, returning to being particules of the mole, flirting with univers laws, atomic gangbang. Then gently the rite wraps up as they return to their bodies, ultimate shapeshifters, fulfilled from the feeling of shortly having been together one. Return the energy to the ground and the life takes delightfully back its course
Bass hippie enough lol?

naffcast009 ⦾  ◢▆█▆██ Jan Loup ██▆█▆◣ @ poems_ohm

lucidity w fuchsia ft St. Amp

@salmarosa @dancingubik

Hors Sol Festival 2025 !!! Une journée de curation et d'itinérance musicale assis et debout, du milieu de l’après-midi au petit matin.

Salma Rosa b2b Ubik (Radio Sofa @ HORS-SOL Festival 2025)

Kamoun has developed a signature sound where percussive intensity meets atmospheric depth, blending polyrhythmic drums with modern electronic textures. His fascination for traditional tribal percussion, paired with influences from minimalist field recordings and British bass culture, generates a hypnotic energy that resonates with the raw power of contemporary electronic music.

On 'Wave Prophecy', his first 12" on Dance Data, Kamoun showcases his distinct range - from deep tribal grooves to high-energy dance tracks, Kamoun fuses rhythmic complexity with avant-garde sensibility, forming a unique and addictive sonic palette.

As If the full 5 tracks weren't already enough of a treat, we've also got a fresh remix from our friend Sepehr, who takes La Panthère to a tantalizing place with his 'pantheress' rendition.

https://dancedata.bandcamp.com/album/wave-prophecy

releases August 1, 2025
All tracks written by Abderrahmene Hamitouche
Mastered by Mark @ A Colourful Storm
Artwork by Jesse Pimenta
Remix by Sepehr
Dance Data Records [DDR009]

pi premiere: Kamoun - La Panthere (Sepehr's Pantheress Mix)

Carrier feat Gavsborg - The Fan Dance

Drum grooves left behind on the disk drive of an old SP1200, a rusted spring reverb and crates of dusty records, all boxed up in a distant relative’s workshop. @commandd has uncovered the first tracks in a series of forgotten gems of a distant relative, a craftsman inspired by the raw style of 90s house and techno.

On a mission to keep dancefloors moving, this long-lost relative’s productions find new life, with a hope to travel from city to city, deejays responsible for carrying sounds forged in the fire of an undeniable groove. 

The Vibesmith is the work of an alchemist with the freedom to embrace imperfection and find solace in tradition.

With no concern for passing trends, the Vibesmith went about thankless work at the forge, the fruits of their labour finally available for all to taste.”

Command D presents ‘Fever’, the first in a series of releases under his no muss, no fuss imprint ‘The Vibesmith’. Taking inspiration from Junior Byles’ 50s era joint, also called ‘Fever’, the track is a reinvigoration of an inescapable vibe sure to capture the attention of any willing dance floor.

The smith forges on, with no doubt many more to come.

‘The Vibesmith 001’ releases as a double single via Command D’s Bandcamp this Friday, August 29.

PREMIERE: Command D - 'Fever' [The Vibesmith 001]

“A recording from pe:rsona in France, one of the most memorable sets of the summer for me!! 

I felt a connection to this crowd in particular and that’s not something that happens often. A lot of this is down to the people behind this festival, the pe:rsona/Positive Education crew are very intentional with what they do, they champion and support a lot of artists who aren’t necessarily ‘big names’. I think this cultivates a crowd that trusts in their curation, they’ve fostered this really special energy. 

I played on Friday night between two live sets, Christian Coiffure and Renslink. They are two incredible acts to be sandwiched in-between which inspired the set to evolve the way it did. 

Big big love to the crew and to everyone who danced with me ❤️”
- @emma-jane-g

Photo: Raphael Chene & Carla Lubrano Di Sbaraglione
Mastering: Devoye Folkes

subglow/Live 6: EMA @ pe:rsona '25

titaniCslamm

Radio broadcasting. Storytelling podcasts. Music discovery. Community engagement.

Area 3000 is a multifaceted platform dedicated to exploring underground music and industry conversations in Naarm/Melbourne. Broadcasting 24/7 from Revolver Lane on Wurundjeri land, we amplify emerging voices, share diverse sounds, and foster a connected, creative community.

Please email us. We do not check our Soundcloud messages.

lucidity w fuchsia ft St. Amp

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