кому ваня дмитриенко нравиться такие есть вообще?

Дыши (из т/с "Плакса")

комната культуры - поезда

Женя Трофимов х Комната Культуры - Поезда

Вишнёвый

Ваня Дмитриенко - Дыши (slowed & reverb)

вишневый — Ваня Дмитриенко

Ваня Дмитриенко - Настоящая

Шёлк

здравствуй - три дня дождя (без Макана)

Остап Парфенов - Смс от бывшего

Бонд с кнопкой - Идём пить сидр глядеть тебя красивую (by Gomer)

Step into the storm once more — the candlelight flickers, the cradle sways, and the Mansion breathes again.
Abigail’s Curse is The Black Cross’s most haunting creation yet — a full-length gothic horror metal opera paying tribute to the legendary King Diamond.

Across twelve interconnected chapters, the album resurrects the tale of Abigail la Fey — her bloodline, her damnation, and the eternal echo of her rebirth. Each song unfolds like a cinematic nightmare: ghostly choirs, thunderous organs, and twin guitar harmonies blaze through a cursed house that refuses to die.

Michael’s voice channels the spirit of King Diamond himself — dramatic, tortured, and unholy — while Lilith’s ethereal presence weaves beauty through the darkness, her final song “Eternal Return” closing the saga in tragic grace.
From the galloping fury of “The Seven Horsemen” to the ritualistic lament of “The Feast of Shadows” and the apocalyptic exorcism “The Final Rite,” this is not just an album — it’s a séance.

Recorded under candlelight and shadow, Abigail’s Curse stands as both homage and resurrection — a gothic metal opera where death is reborn, faith burns, and the curse… never ends.

🩸 “Through blood we fade, through sin we begin — forever we fall, forever we return.”

вишневый — Ваня Дмитриенко

Rianna

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