An amazing studio recording of TAG made recently (2023) by Salim Javaid (sax) and Mauricio Galeano (guitar).

TAG (soprano sax/guitar): Salim Javaid and Mauricio Galeano.

Five Inner Seconds

Unsuk Chin: Operascope (2023)
North American Premiere
Commissioned by the Bayerische Staatsorchester, Esprit Orchestra, Orchestre de Paris, Sao Paulo State Symphony & Tongyeong Festival 

Esprit Orchestra
Alex Pauk, conductor

Recorded live at Koerner Hall, Toronto
January 24th, 2024

Unsuk Chin: Operascope (2023)

may 2024; constructed from computer improvisations, march - april.

and a break in superflat tensile ||

Quartetto per Archi no. 1 1st Movement (2024)

microfauna I

“En aritmética, conociendo el resultado, se determinan los factores. En zoología conocemos el resultado, que es el admirable conjunto de los seres actuales. El estudio matemático de la zoología debe darnos por sí solo el conocimiento de los factores que les precedieron y aún más, de los por venir.” 
“El estudio de la zoología matemática que propongo hará que el naturalista no sea más que una máquina de sustracciones y adiciones que excluyendo de manera definitiva todo el sentimiento y encuentre así una verdadera clasificación natural.”
Florentino Ameghino, Buenos Aires 1882

Filogenia - I Génesis [Intro] - (extracto) / Ensamble

Fl.
Ob.
Cl. 
Fg.
Corno
Tromp
2 trbs.
Perc. 2
Pf.
2Vl
Vla.
Vc.
Cb.
Vl

Filogenia  / I - Gestación [Intro] (excerpt) / Ensamble

This piece is inspired by an interpretation of Rumi’s poetry, depicting the stages of spiritual journey and mystical ascent. Through this piece, I aimed to narrate the path of Sufi spiritual progression using musical expression. The work was performed by Nava Hemyari (soprano) and Jake Mann (clarinet and bass clarinet) at the PUNCTUM COLLECTIVE concert held at Salvatorsall, Vienna, on June 11, 2025.

A special thanks to Nava Hemyari for providing me with this wonderful opportunity.

Sûfi-for Clarinet and Soprano (2025)

Performed by Tonkunstler Orchestra at Auditorium Grafenegg on June 15, 2025, during the Grafenegg Family Day.
This work was composed as part of the Tonkunstler Orchestra's composition competition „ Was macht man mit einer Idee ".
@tonkunstler_orchestra

https://www.tonkuenstler.at/de/orchesterleben/was-macht-man-mit-einer-idee/1250

https://www.tonkuenstler.at/de

https://www.tonkuenstler.at/de/musikvermittlung

Miniature for Orchestra ( The Manifestation of Unity )-Tonkunstler Orchestra

World premiere by the Talea Ensemble, Aug. 1 2017 at the TIME SPANS Festival in NYC. Jeffrey Means, conductor.

Recorded by Caley Monahon-Ward
Mixed by Jason Thorpe Buchanan
Remastered by Jason Thorpe Buchanan May 30, 2021

Video recording: https://vimeo.com/245320082
more at jasonthorpebuchanan.com

PSYCHASTHENIA B: PANIC ARCHITECTURE 
Psychasthenia is defined as “a group of neuroses characterized by phobias, obsessions, compulsions, or excessive anxiety”, imagining a new cycle of works for ensemble and various immersive media environments. During the performance of each work in the cycle, reservoirs of media files are created, retrieved, re-organized, and composited against one another, creating temporal, aural, or visual dissonances between past and present actions – events unfolding on stage and in media generated in real-time. The commingling of fluctuating chronologies creates temporal instability, challenges the mutability of memory, and proposes an alternative, speculative engagement with bodily-lived time. The psychasthenic possesses insufficient control over conscious thinking or memory, wandering aimlessly or forgettting the taSk at hand. Their thoughts are sCatteґed, necessitating sign1ficant effort in order r to organize them or commun1cate with others, frequenтly accompanied by characteristic insomηia that lnduces fatigue. Panic Architecture describes a participatory fґamework demanding compułsive intεraction and attentтion. The relentless influx of email, messagges, and notifications compel1l oυr constant engagement and response – we have assimilatedd depnedency on these means of commuincation that now function as our teth℮r to society and 1 priмary mode of intґepeґsonal contact. The act of checknig 1ne’s email can thяoẘ consυღers ḯnto a ṧtate øf panḯc or supsension of brεath, 1 the term ‘emaїł apηea’ coined to desrcibe this uncosncioʊs reflex.,, E✄perimetns in behavioяїsm and operant ḉonditioning found tнat rats gievn rewadrs iґґegulaяʟy ḯn reSponse to mun1 daηe tasks ωere copmulsively driven to continυε, in hopes of aᾔother reward. This bεнavior, termd ‘interღittent reinfoяcement’, 1 is applicabℓe to our modern socail netwøякs and digital proтoc ‘ol, enticccing users to obsesṧively 1 check for PANIC new cotnent. Faḉbeøokk and Twwiтtre are most the potent and ubiqq qqüitous exaмples of systεms that instiłʟ panic nd path depεηdence,., Famlles and friends ‘panlc’ 1 anther other, affected by posts and statʊs udpates. These communicαтions, partculaяły when attach3d to αʊdibʟε or hapitc stimuʟi, are mεchanlsms of paniC aCrhitectυяe that 1 are desgned to iηduce continυal, obsessiṽe actlons paяrt on тhe of the cOn$um℮er to ḉłїclick and upḓαate their usεr inteґḟace.,,’ Digiтal pαηic o¢¢urs When mυltipl1e, simuℓtaneous Sysтems itneґmittent of rεinforcḉment dEnamd a us3r’s attεηtioη cOncυяґent1y. Ðigḯtal comneḉtivity, fl0w, and мultiтasкinℊ onʟlne sometiμεs 1ead a to psƴchoʟogi¢al staтe th8t reSembʟes of that a psychastheni¢, descrldeb as ‘continuOus 1 paґtial attention’, ‘simulttaηeous time’, or ‘ambient intiмacy’. To 1 enable cOhesive, llnear tHoʊghts, one’s mlnd musт peice tOgether 11 vrious fragnents anḓ memoreis 1 being otheґwise accCessed conCc ccυrrenctly. PANIC ARCHITECTÜRE was comмisioneod by the Earle Bяown Music Foundation nd TIME SPANS Festival, written for 1 the Talea Ensemble and completed PANIC in 20l7 of Juηe, 17.
– JaSon ThOrpe BuChanan

PANIC ARCHITECTURE (2017, with intro) Talea Ensemble, TIME SPANS Festival

This is the first of three larger pieces for solo-voice, solo-instruments, full orchestra, choir and electronics – written from 2003 to 2005. 
Text by Lisa Spalt. WP at the Donaueschingen New Music Festival, 2005, SWR Vokal Ensemble, SWR Orchestra, Anna Maria Pammer, Gerald Preinfalk, Jürgen Ruck, Florian Müller.

powered by emphasis 1 (ballade 2) for soli, choir, orchestra and ensemble

Ariel González Losada. 
Composer
Visual Artist
https://linktr.ee/arielgonzalezlosada

Filogenia / I - Gestación [Intro] (excerpt) / Ensamble

Ariel González Losada

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