Don’t know what it means but is profound sound 🙏💜

আহ বাংলা ❤️❤️❤️❤️

don't underestimate a person,  u yourself can't estimate how big that monster inside you can get

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This song is a Ghazal, was written by great poet, lyricist, song writer Kavi- "Kaji Najural Islam" 
       It was 1926. Kazi Nazrul Islam was living in Keshtanagar in Hooghly, West Bengal. He was facing financial difficulty. This was not new for Nazrul. His second son, Arindyam Khaled, was severely sick. Nazrul was badly in need of money for Arindyam's treatment, and of course his family expenses.
        Nazrul got on a train to Calcutta. His destination was the office of the literary magazine Kallol. Seeing Nazrul's face, the editor, Suresh Chandra Mukherjee, realized it was serious. Nazrul asked for an advance. Nazrul mentioned that his son was sick. Suresh Mukherjee honoured Nazrul.
        Nazrul was about to leave when he remembered a note in his pocket. He handed it to Nripen Krishna Chatterjee. It was a Ghazal written on the back of a handbill during the train trip. It was one of Nazrul's first Ghazals, Bagichai Bulbuli Tui. Nazrul wrote the Ghazal extempore. Arindyam's nickname was Bulbul
    Two years later, in 1928, the Ghazal became a song. The tune was based on Raga Bhairavi. This raga is suited for the morning. The Raga is thought to extract a devotional mood. If Nazrul was thinking of his sick son when he was writing the Ghazal, then Bhairavi does justice to the mood of the lyrics. The Kaharba taal (a beat of 4+4) was chosen for the tune. Kaharba and Dadra (a beat of 3+3) were the popular taals for Kheyal and Thumri, the avant-garde music of the 1920s and 1930s.
         During the Durga Puja festivals of 1928, HMV published the song. K Mallik was the first person to officially sing and record the song. Mallik's real name was Munshi Muhammad Kashem. He was one of the first Muslim singers who recorded Shyama Sangeet, songs in devotion to goddess Kali. Shyama Sangeet is a genre where Nazrul had and still does have an absolute monopoly. ❤️


To learn more- 

(https://www.google.com/amp/s/www.thedailystar.net/opinion/in-focus/news/bulbuli-nazruls-music-future-listeners-3105621%3famp)

Bulbuli _ Coke Studio Bangla _ Season One _ Ritu Raj X Nandita.mp3

Recorded in 2008 with Sanjoy (Bapi) on the guitars

Piya Bholo - Somlata covers the legendary Begum Akhtar

Rain and Romance in the air, Somlata and The Aces covered - আমার ভিতর বাহিরে অন্তরে অন্তরে, with a fusion flair :) 
We dedicate this to all our fans who have time and over again requested us for our rendition of this song. 
We initially thought of recording this live and releasing it online, but given that we love you so much, we decided to take it more seriously and do some hard work.
Thank you once again for all your love and support.

Credits / Making of:
Somlata and The Aces cover of Amar Bhitoro Bahire Ontore Ontore by Late Rudra Mohammad Shahidullah
Vox: Somlata Acharyya Chowdhury
Guitar: Arnab Roy
Bass Guitar: Abhishek "Nona" Bhattacharya 
Keys: Arnab Sen
Drums: Arkaprava Sen
Recording, Mixing and Mastering: Sayan Ghosh
Vocal Dub: RBK studios

Special Thank You to Sourish Kumar for lending the V drums for recording purposes, Rishabh Ray and Chetan Verma for their analog pedals and Friends of Shiva for providing us a guitar amplifier

Amar Bhitoro Bahire - Somlata and The Aces cover

#KothaKoiyoNa is the sound of two hearts having a conversation – one is written by the modern urban poet Hashim Mahmud, while the other is an excerpt from the ancient folk ballad - Maimansingha Gitika – known as the Eastern Bengal Ballads in English, it is a collection of folk ballads from Mymensingh in Bangladesh. Shiblu and Aleya Begum take turns in singing, like exchanging dialogues where the modern urban folk lyrics finds answers from the traditional voices rooted in earthen Bangla folk ballad of Maimansingha Gitika. The duality of the song is not limited to the lyrics alone, but goes on to the composition of the music too. The eclectic music producer Emon Chowdhury has left no stone unturned when it came to using Bangladeshi wind and stringed instruments for this song. Starting with the leaf-flute in the beginning to the grand orchestration of the Sarinda and Mymensingh Geetika chorus in the end, he has juxtaposed the Bangladeshi traditional sound of east with the modern instruments of the west. Creating a #RealMagic musical where everything is in a conversation with one other. #cokestudiobanglas2 Season produced & curated by Shayan Chowdhury Arnob Music Composed and Produced by @emonchowdhury5574 Dekha Na Dile Written by Hashim Mahmod Baro Mashe Baro Ful Re Collected by Mymensingh Geetika Mixed and Mastered by Shafiq (M Records Studios)

REAL MAGIC

© COKE STUDIO BANGLA 

Kotha Koiyo Na _ C S B _ Season 2 _ Shiblu Mredha X Aleya Begum X Emon Chowdhury

Adit Feat. Elita And Mahadi - Hridoy

Tore Mon Diya (Protikkhar Prohor)

#MALOMA embodies the realisation that life is a journey where the inevitability of adulting and nostalgia work as two sides of a coin. As we grow up, there comes a time echoing the question: "What am I doing here?" But within this very questioning lies the potential for a beautiful transformation - a self-acceptance that allows us to bloom even in the most demanding seasons. This folk fusion song serves as a conversation acknowledging this inevitable shift, using the metaphor of a broken boat symbolising life and a river symbolising the world. In addition, the song is infused with ‘Chaad Petano Gan’ (Roofing Music by Masons), a form of ’Shaari Gaan’ (Music of the Boatmen and other worker groups) from the folk genre tracing back to the Mughal Era. An urban version of this was found among building masons around the 80s and 90s, who migrated to cities for livelihood and sang these verses while working to construct concrete roofs. The beats of the paddles, combined with the verses, break monotony, and create a festive atmosphere around their hard work. Pritom takes up the song, infusing his twist, alongside the duo from the Dewan family: Shagor Dewan and Arif Dewan, whose ancestor is the original writer of the song Ma Lo Ma Jhi Lo Jhi. Rapper Aly Hasan joins in and conveys his optimistic perception to create this #RealMagic. Together, it becomes a timeless tale of growth, blossoming into adulthood, and the eternal quest for meaning in an ever-changing world. #CokeStudioBangla #banglamusic 

Ma Lo Ma _ C S B _ Season 03 _  Pritom x Sagar x Aly x Arif

There are songs that fade with time, and then there is this masterpiece. #ObakBhalobasha isn't just a song; it’s a love affair within the starlight, whispered by the wind, burning bright for generations. This timeless piece has been the track to teenage dreams, kindling senses, and pure joy since the 90’s. Entering on their 40th year, Warfaze, one of the pioneer bands of rock music in our industry, re-envisions this golden track. This love affair started when the lead vocalist penned the lyrics amidst the crashing waves on a seashore of Cox’s Bazar- the longest uninterrupted natural beach in the world. This new rendition, a tribute to the cult classic, accompanied by a choir, a stringed orchestra and a heavily distorted guitar riff, Warfaze creates the harmonious symphony of nostalgia. A nostalgia that sparks the same fire in the hearts of youth today as it did for their parents and elder siblings. It reminds us of the #RealMagic of love and nature that is like the spirit of youth, truly timeless. #CokeStudioBangla #BanglaMusic 


Obak Bhalobasha _ C S B _ Season 3 _ Warfaze

Es ist keine Schwäche schwach zu sein Wenn du fällst in Seine Arme rein Lass die Wunden endlich heilend schreien Denn Stärke wächst aus Schmerz allein

Koto Proshner Boney Hariye Joriye,
Bojhena Tobu E Mon,
Shanto Nibir Pothe Hetey Kate
Saradin Sarakhon...

Shunner Pore Khujechhi Tomay,
Oshimer Pothe Tumi,
Hou Bole Sobe Pran Diyechhilo
Sobe Onugami... 

Tumi Avash Hoye Asha,
Hotasha Mukher Hashi...

Koto Adore Bhalobeshechi,
Tomar Oi Misty Mukher Hashi,
Tomakei Aj,
Bedhe Niyechhi
Amaro Hridoyo Majhe... 

Pothe Jetey Hay,
Shey Bhalobashay,
Duru Duru Bukta Kepe Jay,
Chhuye Dile Mon,
Ajo Ajibon
Hridoyo Shopechhi Tomay... 

Tumi Aradhone Mor Shadhona,
Shoto Sukkho Dustho Kamon,
Koto Jol Chhol,
Koto Kolahol,
Tumi Shanto Abeshe Jatona...

Theme Thak aj Kotha shob,
Joto Hahakar Asha Kolorob,
Pore Robe Sob Joto Sodvab,
Prane Shonghar Gechhi Hariye...

Du'hat Tule Dhori Bariye,
Ami Sristy,
Tai Srostay Valobashi...

Jugey Jugey Joro Jib Sobe,
Pore Robe Nibir Obelay,
Dhuli Dhushor Podo Chinho Aka Morur Balukay... 

Ekhane Pore Achhe
Koto Shoto Pran,
Jiboner Gaan,
Gechhi Hariye,
Eka Dariye Opekkhay... 

Ostitter Michhile,
Khola Deyaler Opare,
Rokto Plabone Tomar Khino Hashi...

Koto Adore Bhalobeshechi,
Tomar Oi Misty Mukher Hashi,
Tomakei Aj,
Bedhe Niyechhi
Amaro Hridoyo Majhe... 
Pothe Jetey Hay,
Shey Bhalobashay,
Duru Duru Bukta Kepe Jay,
Chhuye Dile Mon,
Ajo Ajibon
Hridoyo Shopechhi Tomay... - [ 2 ] 
Koto Adore...

Avash

Meghomilon - Tanjib & Shoma

Bondhu Amar

Tahsin Ahmed - Khola Janala

Dube Dube bhalobashi lyrics | ডুবে ডুবে ভালোবাসি |

তোমায় গান শোনাবো, তাইতো আমায় জাগিয়ে রাখো
ওগো ঘুম ভাঙানিয়া, তোমায় গান শোনাবো
চমক দিয়ে তাইতো ডাকো,
বুকে চমক দিয়ে তাইতো ডাকো
ওগো দুখ জাগানিয়া তোমায় গান শোনাবো

এলো আঁধার ঘিরে 
পাখী এলো নীড়ে 
তরী এলো ফিরে
শুধু আমার হীয়া বিরাম পায়না কো
ওগো দুখ জাগানিয়া তোমায় গান শোনাবো

আমার কাজের মাঝে মাঝে 
কান্নাধারার দোলা তুমি থামতে দিলে না যে

আমায় পরশ করে 
প্রাণসুধায় ভরে তুমি যাওযে সরে
বুঝি আমার ব্যাথার আড়ালেতে দাঁড়িয়ে থাকো
ওগো দুখ জাগানিয়া তোমায় গান শোনাবো

- রবীন্দ্রনাথ

Tomay Gaan Shonabo - Somlata Acharyya Chowdhury

Coke Studio Bangla brings the musical magic of Coke Studio to Bangla Music. Coke Studio Bangla pays ode to the richness of Bangladeshi Music, while paves the way for global sound and musicians to pave the way to a richer Bangladeshi Music. 

Coke Studio Bangla bridges the global sound to native treasures to showcase how tradition and modernity beautifully share a common ground and thus deliver REAL MAGIC.

Kotha Koiyo Na _ C S B _ Season 2 _ Shiblu Mredha X Aleya Begum X Emon Chowdhury

Coke Studio Bangla

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