du CD Prima Donna (étiquette ATMA Classique)
Karina Gauvin, soprano
Arion Orchestre Baroque
Alexander Weimann, direction

Prima Donna a été récipiendaire d'un prix JUNO et d'un Félix en 2013 et un prix Opus en 2014. Disponible chez tous bons disquaires, sur iTunes ou sur le site d'ATMA Classique.

Handel: "Ah mio cor" (Alcina, HWV 34)

"Capricho Árabe" (Serenata para Guitarra) by Francisco Tárrega
guitar played by Frank Hiemenz
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*Free Download* (wav, 32 bit, 100MB) - ** If you want to use this recording in own projects please put a link to this souncloudchannel and/or mention my name as the guitar player **
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Original artwork : Franz Schams (1823-1883) - "A Moonlit Serenade" 
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recorded in puzzlepie studio
'88 (unfinished recording project)
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takes restored and edited from a CompactCassette Copy with WaveLab 7, october 2014
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this Capricho live in concert :  https://soundcloud.com/fhgitarre/capricho-arabe-by-francisco

"Capricho Árabe" by Francisco Tárrega [studio version]

Release: October 2015

Quatuor Voce
Lise Berthaud, viola

After its first two recordings, devoted to Schubert then Beethoven, highly praised and recommended by the critics (both ffff in Télérama, recommended by The Strad...), this eclectic, innovative quartet is now celebrating its tenth anniversary by tackling the string quintets of Mozart and Brahms.
These two scores, representative of the culmination of a career in the case of Brahms and, for Mozart, the end of a life, are sustained by vigorous inspiration and frothing energy.
Whereas the Brahms Quintet, both brilliant and highly moving, recalls some of his best-known themes (including that of the Sextet, Op. 18, used by Louis Malle in his film The Lovers), Mozart jotted down on paper the four movements of a work that speaks intensely about him, in the diversity of its moods and the complexity of its writing.
Named ‘Rising Star’ for the last season by the European Chamber Hall Organisation, the Voce Quartet has performed in venues the world over. For this project, it calls on Lise Berthaud, one of the most brilliant French violists, to round out the quintet.

BRAHMS - String Quintet No.2 in G Major, Op.111 I. Allegro non troppo, ma con brio - Quatuor Voce

After his acclaimed explorations of such Handel operas as Giulio Cesare and Rinaldo, René Jacobs now tackles the first great operatic success of the ‘caro Sassone' (Venice, 1710), the climax of his Italian period. This version reconstructs the work in its original conception, the only one to combine explosive topicality with extreme dramatic cogency. As a result, this tale of amorous intrigues against a background of Roman history, the ‘prequel' to Monteverdi's L'incoronazione di Poppea, emerges more fascinating than ever.

Handel. Agrippina, Atto II scene XI & XII - Sunhae Im (Poppea) / Jennifer Rivera (Nerone) / Akademie für Alte Musik berlin

Arvo Pärt - Spiegel Im Spiegel (For Violin and piano)

St. Cecilia Choir & Chamber Orchestra Richard J. Clark, Director
Allesandra Cionco, soprano
Marc DeMille, baritone
Timothy E. Smith Organ

Recorded Live November 20, 2015
St. Cecilia Church, Boston, Massachusetts, USA

Requiem in D minor, Op. 48, VII. In Paradisum, Gabriel Fauré

M005-Wolfgang Amadeus Mozart – Clarinet Concerto in A major, K. 622 II. Adagio

Ennio Morricone Music with Piano (Original Film Scores) - Vol. 1 [Digitally Remastered]

La califfa (From "La califfa - The Lady Caliph / The Queen")

Manuel de Falla: Danza ritual del fuego de "El amor brujo" / Manuel Matarrita, piano

Glenn Gould.
Sony Classical. Public Domain Compositions. 1981

Johann Sebastian Bach. Concerto in D minor after Alessandro Marcello, BWV 974

Edvard Grieg - Piano Concerto in A minor Op. 16 - Herbert von Karajan

Au cœur de la vie musicale montréalaise depuis plus de quarante ans, Arion Orchestre Baroque fait figure de pionnier au Québec et au Canada dans le monde de la musique ancienne sur instruments d’époque. Placé sous la direction artistique du chef et bassoniste Mathieu Lussier depuis 2019, Arion présente une série de concerts mettant en vedette des chef.fes et solistes invité.es de renommée internationale. 

Fondé à Montréal en 1981 par Claire Guimond, Chantal Rémillard, Betsy MacMillan et Hank Knox, Arion s’est produit sur les scènes du Québec, du Canada, des États-Unis, du Mexique, d’Asie et d’Europe. La clarté et la fraîcheur des interprétations d'œuvres baroques et classiques d’Arion sont soutenues par une discographie de plus d’une trentaine de titres, salués par la critique et ayant remporté de nombreux prix. 

Engagé dans la création et la diffusion de projets jeunesse et éducatifs, partenaire d’institutions réputées comme l’Université de Montréal, l’Université McGill, la Fondation Arte Musica, le Studio de musique ancienne de Montréal, le Centre de musique baroque de Versailles et la SAMS, Arion est un acteur incontournable du paysage musical canadien. 

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A cornerstone of Montreal's music scene for over forty years, Arion Baroque Orchestra is a pioneer in Quebec and Canada in the world of early music on period instruments. Under the artistic direction of conductor and bassoonist Mathieu Lussier since 2019, Arion presents a series of concerts featuring internationally renowned guest conductors and soloists. 
 
Founded in Montreal in 1981 by Claire Guimond, Chantal Rémillard, Betsy MacMillan and Hank Knox, Arion has performed in Quebec, Canada, the United States, Mexico, Asia and Europe. The clarity and freshness of Arion's interpretations of baroque and classical works are supported by a discography of more than thirty titles, have received numerous awards, and widespread critical acclaim. 
 
Committed to the creation and dissemination of youth and educational projects, and a partner of renowned institutions such as the Université de Montréal, McGill University, the Arte Musica Foundation, the Studio de musique ancienne de Montréal, the Centre de musique baroque de Versailles and the SAMS, Arion is a unique and vital contributor to the Canadian musical scene.

Handel: "Ah mio cor" (Alcina, HWV 34)

Arion Orchestre Baroque

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