TOTD Strictua - March 2015 TOTD

Preußens Gloria beat

National Anthem Of The Socialist Federal Republic Of Yugoslavia

Knock Him Out Sugar Ray

Pre-order links below:

iTunes: smarturl.it/projectionsit
Ninjashop: smarturl.it/projections
Amazon: smarturl.it/projectionslp

Prison Blues

Brownswood and Havana Cultura are delighted to announce this new EP from Cuban singer, composer, arranger, choir director, and band leader Daymé Arocena. At just 22 years old, Daymé is already a skillful, charismatic presence in Cuban music. 

Daymé first came to the attention of François Renié, Communications Director at Cuban rum maker Havana Club and founder of the Havana Cultura platform (which co-produced the Havana Cultura album series with Brownswood Recordings) in 2008. He recalls: “Gilles and I met Dayme for the first time on Gilles' first trip to Cuba, with Edrey [from Grammy nominated Cuban project Ogguere] improvising a rumba session at a friend’s place. She started to sing and we were amazed. She was just a teenager." She already knew and listened to the singers, rappers and musicians involved in the Havana Cultura project, but was considered too young to join in. But, just a few years later, her time came with the Havana Cultura Mix project, which saw Gilles Peterson mentoring selected producers from around the world to make a record in Cuba with local musicians. She auditioned, prompting all the producers to decide they wanted to work with her. In the end, she sung on three tracks on the album, including the massive U Knew Before. Seeing huge potential in her, Gilles invited her to London to perform at the album launch event, where she enchanted the packed out audience, and it was decided she should record a solo project for Brownswood Recordings and Havana Cultura. The announcement brought out a loud, rich, infectious laugh instantly recognizable as Dayme’s deep and chocolaty voice. “My first record, here,” she squeals. “It’s a crazy dream.” 

Recorded in just a few days in London and Havana, The Havana Cultura Sessions EP is a great introduction to Daymé’s broad ranging musical talent. Drama showcases her trademark mix of jazz and Latin styles. El Ruso is what Dayme calls ‘a funny song.’  Its story covers her mother’s enforced study of Russian during the heyday of Cuba’s relationship with the Soviets. “Life never says it; does truth tell a lie?” she sings. On Sin Empezar Daymé glows with the range and use of tones in a superb song. Mellow and slow, its moving and stunning inclusion of the trumpet playing slowly with elongated notes. The sharp and crisp drumming and the piano’s impressively subtle phrasesall work in harmony with the chorus and Dayme’s unusually delicate voice in response to some lyrics. A deep ruumba re-imagining of the American torch song Cry Me a River completes the package. 

Daymé Arocena’s The Havana Cultura EP is released on Brownswood Recordings on the 30th May on CD and digital download.  

About Havana Cultura: 
Launched in 2007, Havana Cultura is Cuban rum maker Havana Club’s global platform for the promotion of contemporary Cuban creativity. Its main activities include showcasing the work of artists across various disciplines—including music, visual and performing arts, cinema and literature — through a rich multimedia website as well as the development of cultural projects. 


Daymé Arocena - Cry Me A River

Over the past 6 years WOLF Music have earned their stripes as stalwart purveyors of refined House and Disco. Now, in the follow up to Medlar and Greymatter’s debut LPs and EPs from the likes of Ishmael, Ossie and Casino Times they ready their 3rd LP from Dutchman Frits Wentink.

Now residing in Amsterdam, Frits has a glowing back catalogue of soulful, Lo Fi club material that’s touched Heist Recordings as well as WOLF in the form of his ‘Mouse’ and ‘Goose’ EPs. With an experimental approach to hardware and instrumentation, his work blooms naturally through jams and improv and in this - his debut LP: ‘Rarely Pure, Never Simple’ we see a development in this experimentation to enlivening effect.

Working with a meld of grubby samples, chunky percussion and the frequent vocal accompaniment of Utrecht based Loes Jongerling, Rarely Pure Never Simple is a journey through Frits’ influences forged into a cohesive pack of grooves and interludes tinged with a certain charming nostalgia.

wolfmusicrecords.com
www.facebook.com/wolfmusicrecordings
www.facebook.com/pages/Frits-Wentink

C1 Frits Wentink - The Circus (Soundcloud Clip)

B2 Frits Wentink - Glints (Soundcloud Clip)

@hnny
https://soundcloud.com/lphnyc

Part of the Swedish producer's follow up April Solsidan/Alby 12" for NYC label Let's Play House. 

HNNY - Solsidan

Far Cry 4 Royal Radio - Track 1

The Best of German Marching Bands

Fredericus Rex

Girls Und Panzer - AMV - Kuromorimine - Wohlauf Kameraden, Aufs Pferd

Karjalan jääkärien marssi on suomalainen sotilasmarssi, joka toimii Pohjois-Karjalan prikaatin kunniamarssina ja puolustusvoimien perinnemarssina. Marssi esitetään usein aamu- ja iltasoiton yhteydessä, ja sen alkuun liitetään yleensä iltasoittosignaali.[1]

Perimätiedon mukaan marssin melodia olisi alkujaan kansansävelmä 1700-luvun lopun Pohjois-Karjalasta, mahdollisesti Liperistä. Se säilyi muistitietona liperiläisessä Hällström-suvussa, kunnes sotilaskapellimestari Lenni Linnala laati siitä pianosovituksen vuonna 1910. Elli Hällström kirjoitti kappaleeseen sanat sisällissodan alkaessa tammikuussa 1918.[2] Sodan aikana Karjalan ratsujääkärirykmentti otti sen epäviralliseksi kunniamarssikseen. Suomen puolustusvoimien virallisten kunniamarssien joukkoon Karjalan jääkärien marssi vahvistettiin ensimmäisten joukossa keväällä 1919.[1]

Knock Him Out Sugar Ray

Arkancelo

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