Select works

Deutsches Hygiene Museum Dresden, 25. Mai 2012
Matthias Lorenz, cello
Arman Gushchyan, electronics

[ V ] (2012) for cello and live-electronics

Ensemble Phoenix Basel, conductor Jürg Henneberger
Basel, November 2012. Festival "Culturescapes: Moskau".
Instrumentation: flute, clarinet, bassoon, trumpet, horn, trombone, percussion, piano, violin, viola, cello and double bass.

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_non-indifferente (2012) for 13 musicians

Performance: Ensemble Phoenix Basel, conductor Jürg Henneberger
Perm, Russia, 2013.

Echoes to Violet (2013) for ensemble and live-electronics

A live sound installation for four instrumentalists, two performers on objects and an active audience, reading the divinations of the Book of Changes.

Plays the Moscow Contemporary Music Ensemble in Electrotheatre Stanislavsky, Moscow. December 30, 2014

in crosslights (2014) live sound installation

Ensemble Apartment House (London)
Nancy Ruffer, flute
Gordon MacKay, violin
Anton Lukoszevieze, cello
Kerry Yong, piano
New scene of Alexandrinsky theatre, St. Petersburg, 8.10.2014.

Stanza (2014) for alto flute, violin, cello and piano (Ensemble Apartment House)

“Almighty Creator”
Part I of Mass for organ
Performed by Konstantin Volostnov
at the Musik am 13. Concert series
Bad Cannstatt Stadtkirche (Germany)

Part II — Beati pauperes spiritu
(Blessed are the poor in spirit)
https://on.soundcloud.com/4HufMhoYZP79whwhwl

Missa: I. Cunctipotens Genitor (2022) for organ

"Blessed are the poor in spirit"
Part II of Mass for organ
Performed by Konstantin Volostnov
at the Musik am 13. Concert series
Bad Cannstatt Stadtkirche (Germany)

Part I — « Cunctipotens Genitor » 
(Almighty Creator)
https://on.soundcloud.com/b96ntRbyGyykYyTPGy

Missa: II. Beati pauperes spiritu (2022) for organ

Performance: Ensemble Convergence, conductor Andreas Brenner
Boswil, Switzerland 2013

stillhörig (2013) for large ensemble

Konstantin Volostnov, organ
Small Hall of Moscow Conservatory 2015

patchworks (2013) for organ (Konstantin Volostnov)

A part of the "Requiem in Memoriam Josquin Deprez" project – requiem mass super-composition, consisting of Jean Richafort's Requiem, augmented with the absent parts of the canonical Requiem, written by contemporary composers: Arman Gushchyan, Vladimir Rannev, Alexey Sysoev, Klaus Lang and Franck Christoph Yeznikian.

Performance: INTRADA vocal ensemble, conductor Ekaterina Antonenko, Aylen Pritchin (violin), Sergey Suvorov (Cello)

Absolve, Domine (2017) for vocal ensemble, violin and cello (Intrada v.e., A. Pritchin, S. Suvorov)

Performance: Gunta Smirnova, Doron Schleifer, Lev Sivkov, Konstantin Manaev, Alexandra Ivanova

Words by Grigor Narekatsi - in Armenian and Russian simultaneously.

Motet (1999/2003) for soprano, counter-tenor, 2 cellos and organ

Performance: Dresdner Philharmonie, conductor Lennart Dohms
November 2011, Dresden
The title derives from the word "perigee" - the point at which an object makes its closest approach to the Earth. The Greek prefix "peri" means around, near. Here "Ge" refers to the tone G. 

Peri-Ge (2011) for symphony orchestra and live-electronics (Dresdner Philharmonie)

Performance: Konstantin Volostnov, organ.  Moscow Catholic Cathedral

Missa: VI. Sanctus (2009) for organ

Performance: Ensemble Studio for New Music (Moscow), conductor V. Gorlinsky.
Rachmaninoff Hall of Moscow conservatory


time.fragment (09/10) for violin, clarinet and piano

Mondrian Ensemble (Switzerland)
reMusik contemporary music festival (St.Petersburg), May 2016

Ø degrees (2016) for violin, cello and piano (Mondrian Ensemble)

Performance: Ensemble Assonance (Armenia)
Place: Komitas Institute-Museum, Yerevan
Crossroads Contemporary Music Days 2019
Artwork - Michelle Belto

Two Haikus (2011) for flute, violin, viola and cello (Assonance Ensemble)

Performance: Sinfonieorchester Basel, conductor Jürjen Hempel.  Basel, Stadtcasino, 2008

Yevét (2008) for full symphony orchestra

Performance: Stephan Schmidt, guitar and Viviane Chassot, accordion. Bern, Zentrum Paul Klee, 2009

ierkú (2008) for guitar and accordion

I am a composer of contemporary classical music whose work spans chamber and vocal pieces, orchestral and electroacoustic compositions, and interdisciplinary projects in theater and installation. My works have been performed internationally, and I have taught at institutions including the Moscow Tchaikovsky Conservatory, Dresden College of Music, and the HSE School of Design.

Arman Gushchyan

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