chilling the mind , feel like flying and free from all the stress

Hope

http://www.sonokinetic.net/products/classical/capriccio/
Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just...BIG!
We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. It can be really loud and awe-inspiring, or gently set the mood.
If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
With Capriccio we’ve brought phrase-based sampling bang up to date. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.
Despite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. These instruments are meant to stimulate your creativity, and based on the feedback we are getting, that is exactly what they do.
Please watch our range of videos if you want to know more about Capriccio’s inner workings. There are many 'hidden' features that will enhance your user experience a great deal if you know how to use them. For example, with Grosso we added 'bar sync' but for Capriccio we also added 'phrase offset’. These things are very complicated in terms of under-the-hood programming but we’re sure that the intuitive interface makes it easy to realize the potential of features like this.
All phrases for Capriccio are composed in 4/4, with straight 8th and 16th notes.
We have also included a 'runs' instrument with strings and woodwinds runs, a gorgeous and eminently playable multisampled percussion patch and a melodic percussion instrument containing Xylophone, Glockenspiel, Tubular Bells and Piano phrases.
We, at Sonokinetic BV, are very proud to introduce Capriccio to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.
We wish you the best inspiration and creativity. 

Capriccio Demo - Kaleidoscope - Valentin Boomes

This set primarily contains samples from 8Dio Acoustic Grand Ensembles Vol. 1 and Vol. 2 - a set of virtual music software instruments (VST/AU/AAX) by www.8dio.com

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8Dio The New AGE Bundle : "Circles" by Colin O'Malley

Official Demo for Sonokinetics new choir library Tutti Vox

Valentin Boomes (c) 2015

Oberon And Titania

Extreme Ensembles 10 Electric Guitars: "Beaches" by Troels Folmann

www.audiomachine.com
www.michaelpatti.com

The Adventurer's Hymn

Millenium

Official Demo for "Rhodope 2" by Strezov Sampling (Bulgarian Choirs library)

 More info here : http://www.strezov-sampling.com/products/view/rhodope2.html

Featuring the vocalist of https://soundcloud.com/azureamusic for the solo vocal parts.

Across Time - Official Demo for Strezov Sampling's "Rhodope 2"

T H E | F A T E S | A L I G N

2017 has been a great year! I just wanted to share a small collection of different tracks and scores I've worked on in the past year, featuring music from the soon to be released score for 'The Sense Of Beauty' and an unreleased trailermusic album. Enjoy, and a successful and happy 2018 to everyone!

Showreel Epic/Orchestral 2017

Image from here
https://pixabay.com/photos/aurora-borealis-northern-lights-731456/#_=_

I composed a 10 minutes tribute to my unrivaled favorite composer and greatest inspiration Thomas Bergersen. 
It's by far my longest and most ambitious track to date, a piece dedicated to the master shall not be anything else! It was a piece written for his birthday, 4rth of July. So, the Happy Birthday part at the end won't be appropriate for most days of the year haha.

I hope it feels somewhat connected and cohesive. There are so many ideas and musical shades in there and making the changes/sections feel entirely connected is not quite in my capabilities yet.  
The title is of course a pun on American Dream but the piece is 100% serious. In fact I completed it just now in the evening after a sleepless night and being kept awake by energy drink and coffee. 🥴

The piece is loosely based on notes of the Norwegian Hymn and Happy Birthday (later in the track both become more explicit).  
Which means it gets kinda awkward when it goes full on HAPPY BIRTHDAY in the last part but just imagine it's the 4rth. 😉 Just can't post it by then. 

By the way, the "happy birthday" weird signing is me recording myself several times in my staircase 😛. + A virtual choir that I forced to sing along. 
I'm really happy I pursued the idea writing this now somewhat awkward birthday tribute and - well it got a bit out of hand and blew up into a 10 minutes monstrosity. A wonder where  heard that terminology before...? 😉 (inside nerd joke)

Parts of the track are meant to be derivative - I consciously referenced pieces or musical elements/devices of pieces by Thomas. I usually don't write in such a derivative manner at all, but in this case it's the intent of the piece.

Norwegian Dream (A Tribute To Thomas Bergersen)

Arn Andersson is a 20 years old norwegian composer and producer for Film, TV and motion picture advertising. Studied Orchestration for Film and TV at Berklee Online, and is currently working on several films and games in LA and worldwide. 

Hope

Arn Andersson

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