Pepite #Random

We Belong (ft. Katie Herzig)

Hear the entire RAC discography by subscribing to this Spotify playlist: http://found.ee/RACdiscog

> TRACK 04 OFF OF "DON'T TALK TO" EP. 
> BUY HERE: smarturl.it/DontTalkToEP

1 - Let Go (ft. Kele & MNDR)
2 - Hollywood (ft. Penguin Prison)
3 - Tourist (ft. Tokyo Police Club)
4 - We Belong (ft. Katie Herzig)

> Credits:
Written/Produced by André Allen Anjos.
Vocals/Lyrics by Katie Herzig.
Mixed by Andrew Maury.
Mastered by Joe LaPorta at Sterling Sound NYC.
Cello by Alexandra Lawn.

Intro To RAC: http://smarturl.it/RACINTRO
RAC Discography: http://smarturl.it/RACDISCOGRAPHY

Follow RAC
http://rac.fm
http://twitter.com/rac
http://facebook.com/remixartistcollective
http://instagram.com/rac
http://soundcloud.com/rac

PRE-ORDER THE NEW ALBUM EGO: smarturl.it/RACEGO

RAC ON TOUR - smarturl.it/RACTOUR
SEP15 - Neumos, Seattle, WA
SEP16 - Wonder Ballroom, Portland, OR
SEP17 - The Imperial, Vancouver, BC
SEP20 - The Fonda, Los Angeles, CA
SEP22 - Life Is Beautiful Festival, Las Vegas, NV
SEP24 - Bluebird Theater, Denver, CO
SEP26 - Trees, Dallas, TX
SEP27 - Mohawk, Austin, TX
SEP29 - The Republic, New Orleans, LA
SEP30 - The Basement East, Nashville, TN
OCT1 - Terminal West, Atlanta, GA
OCT2 - Cat’s Cradle, Carrboro, NC
OCT4 - Paradise Rock Club, Boston, MA
OCT5 - Black Cat, Washington DC
OCT7 - Coda, Philadelphia, PA
OCT8 - Brooklyn Steel, Brooklyn, NY
OCT11 - Mod Club, Toronto, ON
OCT12 - Newport Music Hall, Columbus, OH
OCT13 - Metro, Chicago, IL

RAC MERCH - smarturl.it/RACSTORE

Buy on iTunes

We Belong (ft. Katie Herzig)

Aleckxis Jaina aka The Future - They Call me

Had a good time with this one, hope ya'll like it!

Follow Ariana & The Rose: https://soundcloud.com/arianaandtherose

<3

Ariana & The Rose - In Your Bed (Oliver Nelson Remix)

New release on AFFIN, which will be released on April 14 2014!

Make sure to follow me on Facebook: https://www.facebook.com/KeithCarnalNL 

Prospect (Original Mix) | Affin145

Release date (all formats): 2nd of June 2014

CD / Digital:
1. Narrative
2. Birth
3. Requiem
4. Plaintive
5. Lullaby
6. Vallecula
7. Winter
8. Petrichor
9. Aleph
10.NGC5128 

2LP:  
A1 Narrative
A2 Birth
B1 Requiem
B2 Plaintive
C1 Vallecula
C2 Winter
D1 Aleph
D2 NGC5128


From his first EP release in 1996, British producer Inigo Kennedy has built a sound which embraces both the traditional and the ambitious - as well as the emotional, the organic and the energy of live performance. Continuously studying the effects and capability of digital equipment, Kennedy has released in excess of 100 records, either as himself or through alternative monikers (Reducer, Tomito Satori). He has released these records on labels such as Missile, Semantica and his own Asymmetric. Since 2007 Inigo Kennedy and Belgian label Token Records have had a particularly close and fruitful relationship. Kennedy released three times on the Ghent-based label last year, including the thumping 'Emitter' and spiralling epic 'Cathedral'.

In April 2014 Inigo returns to Token - and with a project that feels like the culmination of all those years and all those records: a CD, 12'' single and 2x12'' LP under the banner of Vaudeville. In true, theatrical manner, Vaudeville is a collection of differing themes - from the abstract and freakishly odd to the direct and resonant. And just as the Vaudevillian shares a common purpose with his co-stars as the 'voice of the city'('voix de ville'), there runs through the centre of this record a clear narrative for urban experience.

'Narrative' presages the mood with a cold wind, before 'Birth' emerges with rain on the ground and a helicopter searching in the swirling darkness. 'Requiem', next, is more direct, as a warm kick and frenzied timbres interlock; the rumble recalls echoing and unhappy machinery. As one cornerstone of the record, 'Plaintive' is Requiem's anxious but happier brother: an organ winds its way down a slope, as soft toms herald the start of reflection on a heroic journey. 'Lullaby' has a deep and echo-laden undercurrent, building from afar but also warm and so incredibly close. 'Vallecula' is lower slung still, the atmosphere rough and moments before the morning light: the uncertain hour, the uncomfortable and unpredictable, a paranoid heartbeat. 'Winter' is the rolling patter of rain through clashing snare taps and dragging hi hats, solid thumps in haunted isolation. 'Petrichor' strides like a boss through his realm, again enwrapped in dank surroundings. 'Aleph' is the coolest act, a tremor of synth and an icy kick of determination. It's a race through the streets in sturdy boots, swirling in its certain melody. And at last there is the final cornerstone - 'NGC5128' (a galaxy in the constellation of Centaurus). A reflective end, this galactic rumble is late-of-bar heavy, and has a fitting space synth jagging in and out.

As a whole Vaudeville is a presentation of space, industry and enveloping urban darkness in a single, turbulent journey. It is the culmination of an organic and emotional approach to production. It is Inigo Kennedy at his finest. 

www.tokenrecords.com
www.facebook.com/inigo.kennedy.music
www.facebook.com/tokenrecords

Vaudeville

Inigo Kennedy - Plaintive

Another exclusive courtesy of mixmag.net

For his next EP, Kolsch will release via Kompakt's dance-focused series Speicher and the record once again showcases the unique and impressive sound that the producer is pushing.

From the two-tracker we have the premiere of second cut 'Cassiopeia' and the piano-laden banger is reminiscent of 'Der Alte' and will be the perfect fit for any end of set euphoria. Check it.

http://www.mixmag.net/music/exclusive-music/kolsch

Buy here: http://www.beatport.com/release/speicher-79/1318746

More exclusive music

Premiere: Kölsch 'Cassiopeia'


Garnier – BA371 EP
HYPE039

1. ENCHANTé
2. pǝsnɟuoɔ

Order 12":  http://goo.gl/kJ4LNX
Digital release date: 15th September 2014 (Beatport 2 week exclusive)

Late in 2013, French DJ and producer extraordinaire, Laurent Garnier, decided on a plan to get his music reaching out to the very corners of the underground music scene. Rather than self-releasing, or opting for the tried and tested labels, Garnier decided to plump for a selection of independent record labels from different countries that he greatly respected and supported, each one with their own strong identity and fan base, and to go under the moniker ‘Garnier’ for these projects. Opening his account on Chicago’s Still Music in February 2014, with the ‘AF0490’ single, the electronic stalwart has since gone on to issue singles on Modeselektor’s 50 Weapons (‘AF4302’ EP), Musique Large (‘A13’) and the MCDE label (‘KL2036’ EP).

A huge supporter of Hypercolour over the years, and perhaps an embracing of the British label’s dedication to the ‘UK sound’ (considering the Frenchman’s early deployment to Manchester’s legendary Hacienda club in the late 80s as resident DJ), it’s of little surprise then that the fifth Garnier project lands on Hypercolour this August.

Two stellar tracks then from Garnier; ‘ENCHANTé’ is an epic 122BPM chugger, its soaring and pitch bending strings, rasping keys and filtered vocals providing plenty of melancholic melody and classic electronic vibes, whilst a swinging drum pattern keeps things nice and tight. A big tune from Garnier here, sitting very snuggly with his legendary track, ‘The Man with the Red Face’, we’re expecting this one to ring out across dancefloors far and wide over the coming months….

On the flip, ‘pǝsnɟuoɔ’ goes straight for the jugular; a pumping techno workout with scattering and inter-galactic bleep-work, thunderous effects, and with a heady nod to the sounds of Detroit’s minimalists Robert Hood and Jeff Mills. Battering 909 snares are offset with the warm and harmonic choir pads, a killer slice of techno from one of the scene’s most switched on and in tune godfathers!

https://soundcloud.com/hypercolour_glasstable


https://twitter.com/laurentgarnier
https://www.facebook.com/laurentgarnierofficial


GARNIER - ENCHANTé (preview)

This song is from the next EP ive been working on called "So Bad"... Its an XL release, which im VERY proud of. Buy that song on Itunes. http://po.st/kaykayitunes.

Lyrics:
Can't deny or lie
Boy you blew my mind
But I'm tired of my heart being broken 
And my love being taken for granted
I gave you all I had 
So crazy
How you wasted my time
How you reached that borderline

(chorus)
Leave Me Alone, go away, Leave Me Alone (x4)

(Leave Me Alone, go away, Leave Me Alone) 
There was a time I used to say "boy I want you"
(Leave Me Alone, go away, Leave Me Alone)
And there was a time I used to say "boy I need you"
Sorry baby no time for this

(Chorus)

LEAVE ME ALONE

LEAVE ME ALONE (feat. Shay Lia)

BUY THAT SONG

My remix of 'Flicker' by Porter Robinson. Chill funk vibes and slap bass. Download it!

HI RES Artwork: https://www.sendspace.com/file/do07oc

Facebook: https://www.facebook.com/zanskimusic

Buy the original: https://itunes.apple.com/us/album/worlds/id886319402

:)

Download

Porter Robinson - Flicker (Zanski Remix)

'Two Bodies' first single off our debut album Down to Earth 
Download now: http://smarturl.it/DownToEarthiTunes
http://flightfacilities.com/

iTunes: http://smarturl.it/DownToEarthiTunes
Amazon: http://smarturl.it/DownToEarthAmazon

:::Lyrics:::

I didn't understand it at the time. I fail to achieve any degree of understanding in the ensuing years, which are three in number. I presume Herb means that inherently you cannot be commercial and artistic. You cannot be commercial and quality. You cannot be commercial concurrent with have a preoccupation with the level of storytelling that you want to achieve. And this I have to reject. I don't think calling something commercial tags it with a kind of an odious suggestion that it stinks, that it's something raunchy to be ashamed of. I don't think if you say commercial means to be publicly acceptable, what's wrong with that?
As long as you are not ashamed of anything you write if you're a writer, as long as you're not ashamed of anything you perform if you're an actor, and I'm not ashamed of anything.
This is the area I know. But I think innate in what Herb says is the suggestion made by many people that you can't have public acceptance and still be artistic. And, as I said, I have to reject that.

Just two bodies
Just two bodies

I've been so ready to dim my mind

Come over or not, I've 
Been so ready to dim my mind
Your body a drug, for mine
Two bodies moving in
Time and space to try and heal me
I know what I want, so come over and

CHORUS:

Hold me, I won't ask for anything more
I'm hurting, use now when I'm vulnerable
It helps me fake some love for a little while
I know what I want, so take advantage of me 

You're closed, you're a book. No lines
Can't read you if I try
And if that's the way you want it
That's fine I'll just close my eyes and
Try to ignore you, a free ride for you to

Just two bodies
Just two bodies

(CHORUS x3)

Two Bodies feat. Emma Louise (Extended Version)

OURANOS - TEA TIME (EP)
https://soundcloud.com/mirajetouch/sets/ouranos-tea-time-remix-ep

Sir Ouranos is back and rolling with us again ! 

After putting out his single « Give it up » a few months ago, we decided to bring his vibes back onto Miraje.
This time the french producer decided to melt Pop and House influences to create the very unique "Tea Time".

Enjoying the Tea with Ouranos are @rouxspana and @pakem, who immediately accepted to share this peaceful moment with him.
We must admit, they made a really good team. The newcomer Roux Spana impressed us with the soothing atmosphere he created and Pakem literally transformed "Tea Time" into a club dance.

→ Special thanks to Uto(She Said Disco) &amp; Violaine for their precious help since the beginning &lt;3

 

• OURANOS ( <a href="https://www.facebook.com/pages/Ouranos/111121615735819?fref=ts" rel="nofollow" target="_blank">Facebook</a> | <a href="https://soundcloud.com/iamouranos" rel="nofollow" target="_blank">Soundcloud</a> )&#13;
&#13;
• FEEL THE TOUCH ☞ MIRAJE ( <a href="https://www.facebook.com/mirajerec" rel="nofollow" target="_blank">Facebook</a> | <a href="https://twitter.com/mirajetouch" rel="nofollow" target="_blank">Twitter</a> )&#13;
&#13;
© ℗ | Miraje | 2013 - 2014

Ouranos - Tea Time


Release date (3LP, cd & digital format): 3rd of November

TRACKLIST
1. Ø [Phase] - Insectoid
2. Lucy - Sana Sana Sana Cura Cura Cura
3. Ctrls - x.y
4. Rødhåd - Haumea
5. Planetary Assault Systems - The 808 Track (Parts 1 and 2)
6. James Ruskin - No Trace
7. Surgeon - Fixed Action Pattern
8. Inigo Kennedy - Arcing
9. Karenn - Pace Yourself

INFO
It was early 2007 when Inigo Kennedy inaugurated Token. Since that Identify Yourself 12” the Belgian label has gone from strength to strength, integrating both Kennedy and Ashley Burchett, aka Ø [Phase], into becoming integral cogs in the Token machine. In between releases by Grovskopa, Oscar Mulero and Go Hiyama, both Ø [Phase] and Inigo Kennedy dominated Token’s output, but it wasn’t until Burchett’s watershed Binary Opposition that Token received the shower of praise it deserved. Following this, label founder Kr!z issued three remix 12”s of that release which, including Token regulars, took in a profound cast of producers to reprocess “Binary Opposition” by the way of Sigha, Peter Van Hoesen, Planetary Assault Systems and Ben Klock. It was here Token stamped their authority on contemporary techno.

Since then Token has grown exponentially, bringing into their fold artists like Xhin, Mark Broom and Rødhåd, while Ctrls, formally one half of Northern Structures, has seen his solo career flourish on Token with the release of five records to date, and he joins Inigo Kennedy and Ø [Phase] as a label stalwart. Additionally this year, Orphx and Ancient Methods debuted their relentless Eschaton collaboration on Token, and Christian Wünsch’s Spherical Coordinates dalliance with Oscar Mulero has gained even more momentum with a second release called Kinematics Equations. Now, seven years after that debut Kennedy record, Token present Aphelion, a nine-track CD and triple vinyl grandstand of new and exclusive material from label regulars and like-minded artists whom Token founder Kr!z specifically commissioned for this milestone release.

The penultimate record before Aphelion was a second Token 12” by Rødhåd, another artist adding to the cultivation of the label’s sound and roster, and for this compilation the Berliner supplies his cosmically inspired “Haumea”. Joining the Dystopian founder on Aphelion are three of the UK’s most influential techno artists: Surgeon, James Ruskin and Luke Slater under his Planetary Assault Systems alias who provide Token with solo material for the first time after previously appearing on the imprint in remix form. Entirely new names to grace the label via Aphelion include Stroboscopic Artefacts founder Lucy, and Blawan and Pariah's Karenn project, while label faithfuls Inigo Kennedy,  Ø [Phase] and Ctrls naturally commit three Token defining productions.

Casting one’s eye over Token’s back catalogue and it’s clear to see the label is a staunch advocate of absolute techno, remaining steadfast in issuing quality material that remains true to classic strands of the genre regardless of its popularity flux. In that respect, Aphelion - a word used to describe the point in orbit when a planet or comet is farthest from the sun - provides a simple analogy that the magnetic force of Token, unfazed by the shadows cast by popular opinion, will proudly shine light on their artists and given styles. 

“We started in an era where our genre was very unpopular,” Kr!z explains. “And in the end that seemed a big advantage for us, because when everyone was giving up, we started our mission.” Regularly hosting label nights in prominent clubs around the world, Token has become a label supported by a wide-ranging body of artists like Âme and Ben Klock to Efdemin, Truss and Ancient Methods. With the label now branching out into album and compilation territory, Token’s duty to techno may not yet be accomplished, but it’s been a job well done.

www.tokenrecords.com
www.facebook.com/tokenrecords

Aphelion

Karenn - Pace Yourself

Going for impact and stand-out sound design, VRIL offers 'Thronwagen' - a mesmerising arrangement of synth layers, classic Techno stabs and overlapping themes. Already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the German producer's many other talents. 

VRIL - Thronwagen - IMF04

Minimum Syndicat - Insurgency (MS08)

DJ Metatron - Oh Ah

02-Omar-S-Flying Gorgars

Gui Boratto - This Is Not The End (Ame Mix)

One of the biggest tunes to end the Southern Hemisphere 2009/10 summer and carrying on all through 2010 in Europe and the US with additions to compilations Hotel Costes and Kitsune Maison among others. 

Bang Gang is a partner of Future Classic's licensing service Stylus - http://www.whereismystylus.com


Flight Facilities - Crave You Feat. Giselle

Mathew Jonson - Marionette

FREE DOWNLOAD!

'Frankie Meets Pauline' is this Summer's classic party anthem, a throwback to Felix's Chicago House roots, the cheeky vocal samples in this track raise as many rye smiles as they do pumping fist, so get dancin'! 

Felix commented, "Frankie Meets Pauline is a mashup production I did dedicated 2 thee scene I grew up in, in Chicago listening to Thee likes of Frankie Knuckles, Farley Jackmaster Funk and Ron Hardy...This sound 2 me caught thee essence of Chicago in the 80's, resonating and pounding, sweat-drippin walls, bass beatin' clubs like the Warehouse and The Music Box.  

Pepite #Random

Arnaud Sene