Electro_dec2014

This remix is taken fom the compilation 'Series 2" by Phil Kieran
OUT on Beatport 24th MARCH then all other stores 2 weeks after.

Le Carousel feat. Phil Kieran - Forget Me Not (Chloe remix)/ PK recordings (extract)

Arnaud Rebotini - 777

Point Break

Robotalia

A ‘pan-pot’ is a simple, functional dial that governs the left and right axis of the stereo field, useful but unremarkable; mobilee’s Pan-Pot is an entirely different proposition, a duo whose mastery of audio principles allows them to turn conventions on their heads, casting functionality aside as they plumb the deep, uncharted depths of pitch-black techno.

Since their inception in 2005, Pan-Pot have become a dominant presence in modern techno, an ascent mirrored in the rise of their home label mobilee records to the top tier of electronic music. Tagging themselves as “the dark side of the force,” Pan-Pot have melted minds, warped perceptions and reinvigorated the dancefloor with their heady, unorthodox sound; within their work, subtle pitch manipulations square off with wall-of-sound distortion, the dark stomp of 4/4 is tamed by intricate sound design, and minimalistic frameworks duel with throbbing bass lines, epic builds, and murky, off-kilter melodies.

Tassilo Ippenberger and Thomas Benedix met at Berlin’s SAE, and their studies in the production and manipulation of sound aided them in identifying Pan-Pot’s overarching sound aesthetic. The duo booked Anja Schneider for an ill-fated party in 2005, but the unfortunate circumstances helped forge a fortuitous connection with Schneider and her then-fledgling mobilee imprint. Within weeks, mobilee’s second ever release was Pan-Pot’s official debut, „Copy and Paste“. The steady stream of original tracks and remixes that followed on mobilee and Einmaleins, charted the duo’s unwavering commitment to precise, undulating and kinetic grooves.

The defining moment of Pan-Pot’s career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long-player offered a 360-degree view of techno at its most twisted, balancing somber atmospherics with a lightness of touch, and spawning the overground hit “Charly”. More recently “Confronted” and “Captain My Captain” have demonstrated their classic, strong and timely production style, presenting them as the most consistent purveyors of techno around.

Pan-Pot are ceaselessly working and endlessly inventive. When not in the studio writing original material or remixing tracks by a myriad of artists, they can be found on the road, touring. Their DJ sets reveal a keen understanding of the dancefloor’s needs, and they are unconstrained by boundaries, traversing techno, house and everything in between.

Pan-Pot may have taken their name from an unexceptional element of studio equipment, but as with their music, they have rewritten notions of form and function through their own idiosyncratic language; once you’ve experienced Pan-Pot’s colossal, haunting soundscapes you will never forget them. Their vision, passion, and love of music continues to drive Pan-Pot — and the extended mobilee team —in all that they continue to do, and all that will come.

Pan-Pot - Charly (Original) - mobilee030

Saline is the third installment in a series of records from Ultramajic boss Jimmy Edgar. While the first part, Hot Inside, represented the element of fire, and its follow-up release, Mercurio, symbolized water, Saline is aligned with earth. It's no accident that the name refers specifically to the earthly compound salt, as desalination is an integral metaphysical process that helps to hone the third eye.

The EP rises from the ashes of Hot Inside and Mercurio with "Burn," a blazing acid-tinged banger that boats dry drums and a strangled wail. The reference to fire in the title suggests the evolution of Edgar's series of singles, while the name of the track "Decalcify" invokes a process closely related to desalination, as both play a role in making the body more attuned to supernatural experiences. Ultramajic's Chicago house influence enticed legendary footwork producer DJ Rashad, who's voice can be heard in the sampled squawk on metallic tune "Walk Show." The final track "Who's Watchin," features Jimmy's own vocal, coy bleep-bloop instrumentation and hissing hi-hats. Taken as a whole, Saline and the other releases in Jimmy's series of dance singles are designed to instigate the processes they allude to and aid in the path of spiritual development.

ULTRAMAJIC LVX012 // RELEASE DATE OCTOBER 13TH

JIMMY EDGAR "SALINE" E.P.

1) JIMMY EDGAR "BURN"
2) JIMMY EDGAR "DECALCIFY"
3) JIMMY EDGAR "WALK SHOW" FEATURING  DJ RASHAD
4) JIMMY EDGAR "WHO'S WATCHIN"

ARTWORK BY PILAR ZETA & JIMMY EDGAR

Saline

JIMMY EDGAR "BURN" [RADIO EDIT]

This track is taken from the package remix "Lie to me" by Fairmont, including other remixes by Abstraxion, Mattheis, MFR, John Digweed & Nick  Muir. Out now on My Favorite Robot Records.

http://www.beatport.com/release/lie-to-me-remixes/1412260

Fairmont - Boa (Chloe Remix)

Green Velvet & Carl Craig - Party

Goom Gum - It's A Lot (Extended)

BARBOUR BARBOUR JACK IT

RECORDED LIVE AT LEFTORIUM PARTY, BRUSSELS. 4AM-6AM.
THANKS TO GEOFFROY, PIERRRE, VIM AND KIKI.

Ivan Smagghe @Leftorium 7th October 2011

Polar – Merge (Chloe remix)- Marketing Music

This remix appears on an ep by Tomas More released on kill the dj records.

Tomas More- Invisible (Chloé straight mix)- (SAMPLE)

Rubdown

James Holden - 10101 (1st touch)

Doom

2121

Arnaud Rebotini is a singer, songwriter, producer and remixer, he has become one of the most emblematic figures in electronic music today, adept at straddling genres, both avant-garde and timeless, and bringing them together. 
For example, his Zend Avesta project (Organique, Universal 2000) married electronic music with a chamber orchestra. 
With his analogue synthesisers, he became a central figure on the scene of new international techno, marking renewed enthusiasm for the use of electronic instruments rather than just computers. His live shows have always been unanimously celebrated (Music Components, Citizen 2008, Someone Give Me Religion, K7 - 2010) and his remixes for pour Depeche Mode, David Guetta, Rammstein, The Rapture, Bloc Party, Acid Washed and Tristesse Contemporaine are as indicative of his sets at the biggest clubs and festivals (playing live or mixing) as his collaboration with the highbrow Groupe de Recherches Musicales, especially with Christian Zanési for their Frontières project.

Arnaud Rebotini - 777

Arnaud Rebotini

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