lets march onward :D great snare and atmo!!!

Total ear candy the whole through and with some marvelous sounding electronic sequences that powers-up the tune with a jolt of electrifying energy !!

Related tracks: Thought I Was Dreaming

The 10th EP of "past is the verse"

-Spotify
https://open.spotify.com/album/3EErteygcU7XueiZD65oAE

-Apple Music
https://music.apple.com/us/album/1608704345

-Amazon Music
https://music.amazon.co.jp/albums/B09S9YF7T7

-bandcamp
https://pastverse.bandcamp.com/track/coil

Coil

Download

We live happy days. Our brains are constantly being shaken by new sounds, and sound images accelerate the blood circulation. Knowing music, and facing it with fear. Everything every day is a golden experience. By the way, does this song qualify as EDM? (This question is the very fear of music.)

№307 Golden Days (307)

Dedicated to my  Friend Carl of The Beautiful Dark here on soundcloud. We were discussing old tracks and he said he has a man drawer full of old demos. I found this one the other day..   I did manage to tweak it in garageband.

 life is good

Lyrics
copyright Bill Liggett 19..long time ago.. back when I was in a good mood..

come monday morning I’m on vacation
and if I don’t return your call
I left my phone in the kitchen
leave a message with you bitchin and complain
all day long

but rest assured now.. I’m feeling guilty
and it is with a heavy heart
that I recline with my ray bans
freeing up my hands to raise my glass
heres to you

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

I must remember to send a postcard
oh how I wish that you were here
but now its time for my nap
and I forgot to give a crap about obligations
and pressing affairs

I know the rent is due on tuesday
I can hear the landlord sayin
Where is that rat
she’ll have to wait and hold her horses
cause Im on vacation
on vacation..thats where I’m at

On Vacation

c0me 0n 1n

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

A dark song in a jazz style, revolution and all that stuff

Against The Wall

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

One theme , 4 different versions. With the huge help from my mate Wonder Georg !

The 4 Colors Pen w/ Georg Boehme

Hey, I’ve done a mix of Clive’s @winkandwoo great tune  https://soundcloud.com/winkandwoo/the-great-awakening

Enjoy! 
Dx

The Great Awakening **Wink & Woo & Ricø. REMIX

Q-Don't Stand by Me

What kind of experiment was it? I forcibly inserted another element in the middle of the DJ sound. I mainly use collage as my production method, so the atmosphere of this song is what I imagined. But it destroyed the uplifting dance mood that gets you on the rhythm. Some of the necessary elements of the music are missing, but it will be a relief for your ears.


No.320 A slightly experimental DJ mix

Another little composition* - alto sax in one go !
*... regarding bass and piano: cool VSTs used with some nice built in midi patterns ...

Be ...

🍥 Spiraling into Cosmic Bliss 2 is a second version of a psycore compilation curated by Hypno.Weaver.

It is designed to take listeners on a transformative journey through the outer edges of consciousness. This compilation weaves together a collection of powerful, hypnotic tracks from a range of underground artists, each one echoing the chaotic beauty of the cosmos.

Let yourself let go, surrender to the pulse of the universe, and immerse yourself in this dark yet blissful cosmic odyssey. 🍥

BPMS:

01 Nementïa Astrøphe - Fjölkynngi (161)
02 aGhORi TanTrik - Sneeky BassTurds (170)
03 ķàłpā  - Midnight Totem (176)
04 MoNYÓK - Anomaly (180)
05 Multypolar - El Pantano de los Morlocs (195)
06 Hypno.Weaver - Blood Clot (199)
07 KaosWeaver - Whispering Spores (200)
08 Akusmatech - Dimensionality Reduction (214)
09 AnkouDead - Numb (190-220)
10 Moss Boss - As Above So Below (220)
11 Goomaru - Gates of Asylum (220)
12 Sastoke - Obolo para Caronte.wav (272)

Akusmatech - Dimensionality Reduction

THE SIGNS (Instrumental)

Shanti Kupala

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

c0me 0n 1n

arse-myth

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