"Orange Blossom"  by  "PortuقalSons" "صوت البرتقال " /
A Meeting point between Palestinian & Portuguese traditional music.
One meeting,
One pulse..
 
A traditional Palestenian song "حيد عن الجيشي"
A Traditional portuguese song " Senhora do Almortão"
Vocals :  Terez Sliman - Palestine
Vocals :   Carla de Carvalho - Portugal 
Piano & Bass : Rui Ferreira - Portugal 
Percussion : Rami Nakhlee - Golan heights majdal shams
Guitar : Yzn ibrahem - Golan heights majdal shams

غناء : تريز سليمان - فلسطين  
غناء : كارلا دي كارفالو - البرتغال
بيانو . جيتار باص : روي فيريرا - البرتغال 
ايقاعات : رامي نخلة - الجولان مجدل شمس 
جيتار : يزن ابراهيم - الجولان مجدل شمس

"Orange Blossom"  by  "PortuقalSons" "صوت البرتقال "

Concert à la villa des Arts
Session acoutic de LooN' du 10 juin
Younès Ahidar à la guitare
Tarik El Othemani aux percus
Jihane Bougrine au chant

Ghir Enta (cover)

تحت الياسمينة فى الليل
نسمة والورد محاذينى
الاغصان عليا تميل
تمسحلى فى دمعة عينى

جنينة مزيّنها النّوار
فاحت من ريحة الازهار
تفكّرتك شعلت النّار
عملت لهليبة في كنيني

Mark kelly : www.facebook.com/markkellyofficial/?ref=br_rs
Soraya : www.facebook.com/sorayaksontiniofficiel

Mark Kelly & Soraya - Under The Jasmine tree | تحت الياسمينة في الليل

03 Taksim Trumpet

Fadila Dziria Cover.

Credits: GnawAmazigh: http://www.youtube.com/watch?v=kFdO6jqvYj4

Lily - Ah Ya Belaredj

Al-Qantara - Simon Shaheen

Wound Up/Unwind - Wound Up for String Quartet and Cajón
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Wound Up for String Quartet and Cajón

Oh Yeah Habibi: ten years and up-to-date

If you look up the word ‘arabicana’ you find a music genre and its inventors; NO blues. Even after ten years the band that combines Oriëntal roots music and American folk blues is still unique in the world. On the new album Oh Yeah Habibi, NO blues bridges the gap between east and west and changes the Nile and the Mississippi in one meandering musical delta.

Even though the band has been together for ten years, the new album Oh Yeah Habibi sounds direct and fresh like a debut album. U’d player Haytham Safia: “We went back to the core of guitar, u’d, double bass and percussion.” Different from the previous albums, NO blues chooses to use current events as topics for their songs. Songs like Exodus and World Keeps Turning refer to people that seek refuge and Two Trains and Gods Move refer to religious themes.”It struck us that our music seemed to have a different energy after the terrorist attack on Charlie Hebdo”, says bassist Anne-Maarten van Heuvelen. “NO blues has always been a political statement in music, we had to follow that up with our lyrics. Guitarist Ad van Meurs: ”We’ve never been a political band, but we don’t look the other way.”

Oh Yeah Habibi is more on topic than previous NO blues albums and the critically acclaimed arabicana from this Dutch based top team that has been working together for ten years, still has great impact. In twelve new studio tracks the band reaches a next level in their musical embrace between east and west.

02 Imta

Salma Musaffa - SalmaNova - If - سلمى مصفى - ياريت

Toufic Farroukh  توفيق فروخ - Like desire

Jean Marie Riachi & Yara - Shefto Mn Biid شِفتو من بعيد

حتى لا أموت موتاً بعد موتي; اذكروني بكل ابتسامة شاغف دفئها قلوبكم من كل نغمة موسيقية صدرت من هذا المكان.

“ستقتلون كاتباً..
لكنكم لن تقتلوا الكتابه..
وتذبحون, ربما, مغنياً
لكنكم لن تذبحوا الربابه...”

Al-Qantara - Simon Shaheen

Arsène Lupin V

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