https://soundcloud.com/user-519533956/submit-your-track-here-link-in-description

Having been part of the family for quite some time now, Lauren Bush aka re:ni joins the Timedance roster with an incredibly potent quartet of Techno infused bass-bin weaponry.

« BeautySick » sees re:ni plunging into a world of intoxicating serpentine grooves. Spectral vocal slabs chime like echoes of a distant hallucinatory trance, while industrial drumworks find a mesmerizing counterpoint in eerie dubwise atmospheres.

These four compositions not only showcase re:ni's evolution but also explore themes of confidence and feminine power, as well as the transient moments where darkness converges with light. They stand as a testament to the sonic prowess of one or favorite dancefloor sorceress.

Picture Hajime Sorayama’s ‘Sexy Robot’ in front of an unreasonably large stack of speakers at a dimly lit sound-system dance; this is the soundtrack.

Stream / buy : https://bfan.link/bursttrap

BURSTTRAP

Follow @martini_glass

[EYX016] 'Last Laugh' - Preview Clips:

Following their outstanding appearance on Kindergarten Records VA Fluo III, Brooklyn-based DJ and producer Martini debuts on Early Reflex with their first EP titled ‘Last Laugh’.

Touching sonic landscapes adjacent to Leftfield Techno, Dubstep and Electro, Martini explores in their 4-tracker the power to impact on both body and mind through their immersive sound achieved by a precise manipulation of timbre and rhythm from the American producer.

Title track ‘Last Laugh’ opens the journey into Martini’s world with syncopated beats and its punch kick surrounded by warped effects and a texture of arpeggiated synthesisers.
Mood and BPMs shift into electro-mode in’If I Don’t Laugh I’ll Cry’ a heavy distorted synth signals to the listeners that an explosive beat is about to drop.
The dance keeps going on and on with ‘Chaste’ which follows next, a wormhole of incessant kick-drums, pitch-shifting effects and punchy-basses.
The atmospherical state of‘Serendipity’ close the sonic journey into Martini’s world, where mind-twisting pads and undistinguishable vocals pre-announce the landing on an extraterrestrial dub-heavy “sonosphere”.

Martini said:
“This EP represents my deep interest in expressing convoluted emotions and narratives through the precise manipulation of timbre and rhythm. I’m fascinated by the power sound has over your mind and body despite the level of abstraction it can exhibit, which I try to exploit by carefully crafting each sound.”

‘Last Laugh’ is available across all platforms on Friday 16th of February 2024.

© & ℗ 2024 Early Reflex. All rights reserved.

All tracks produced and mixed by Martini § Mastering by Andrea Prato § Artwork by Marnie Pagter.

EYX016 Last Laugh

Last Laugh

OUT NOW!

Martini - Chaste

Pre-order: https://bfan.link/other-means

@batuuk kickstarts 2024 with 'Other Means' via A Long Strange Dream, delivering another twisted mind-bender, equally rooted in both psychedelic and UK techno continuums.

Packed with bass weight and laced with metallic echoes of dub, this reckless club cut moves forward at a dangerously spiralling pace.

More exclusive music

Premiere: Batu 'Other Means'

READ > inverted-audio.com/premiere-pura-pura-hadale-zone

Succeeding Nikki Nair's remix from Hassan Abou Alam's track 'Ice' in October 2023, Paris-based imprint @Nehzarecords kick off the year with a collaborative debut EP from Montpellier-based producers @Gipsytrax and @pura_pura.

Nocto Vea

Hadale Zone

Pura Pura - Hadale Zone [Nehza]

Crafted as a snapshot of the LOCH INN series hosted at De School, 'V/A LOCH INN at De School' encapsulates the diverse talent that contributed to the collective exchange during the bi-monthly LOCH INN events at Het Muzieklokaal. The events were initiated as a platform for local artists to showcase their work, fostering an exchange of knowledge and inspiration between the artists and audience.

With 'Continue' Amsterdam’s rising star @teqmun-tijmen-b serves up a stripped down, cleverly chopped and arranged bass music track that’s highly electrifying.

In pursuit of the balance between his passion for green life sciences and electronic sound design, Teqmun pushes his sound to be constantly shifting between crisp organic textures and snappy driving drums. The electrifying frenzy of colourful synths and energetic percussive elements that are composed keep his music undeniably compelling.

BUY
https://lochinn.bandcamp.com/album/v-a-loch-inn-at-de-school

LOCH INN
SC: @lochinn
https://www.instagram.com/l_o_c_h__/

Teqmun
SC: @teqmun-tijmen-b
https://www.instagram.com/teqmun_/

Buy!

PREMIERE: Teqmun - Continue [LOCH INN]

@kin_teal
@humanpitch

Accidental melodies and textural forms comprise Kin Teal’s Ecosystem, the Budapest-based producer’s second EP of iridescent club-not-club zones and debut for Human Pitch. Bridging 130-140 leftfield bass with liquid downtempo chuggers, Kin Teal uncovers hidden melodies in the resonant frequencies of percussion. “By amplifying certain frequencies in drum breaks, our brains latch onto that as a melody. These melodies are often askew, not perfectly tuned, and I wanted to embrace that.”

Doubling down on the record’s title and theme, Kin Teal played with the idea of a record in which each sound and track reacts to one another. Tubular melodies coil around syncopated drums as though by reflex and vocal blips flit through the gaps. There’s a clockwork but also a fluidity to Kin Teal’s oblique rhythms, which trace the producer’s growth, bending blueprints with a vibrant curiosity. 
credits

Ecosystem 

pi pi pi premiere: Kin Teal - Elastiwater (Human Pitch)

@hassan-abou-alam

BC: https://piezopz.bandcamp.com/album/fast-fists-fest-ansia007

Bridging the gap between footwork and left-field UK sounds,'Fast Fists Fest' presents a thorough selection of mind-bending club weapons spanning the 150-160 bpm bracket, bringing together a global crew of trailblazing sound adventurers.

6 artists, 4 continents: ANSIA007 shines a light on a diverse and international pool of producers whilst remaining coherent and in tune with the label's signature, unconventional approach to techno.

Fast Fists Fest

pi pi pi premiere: Hassan Abou Alam - Ma3rafsh (Ansia)

Amsterdam-based DJ, producer and biologist Teqmun is next up on Nerve Collect with Worms Still Have To Eat The Dirt, a six-track EP of blistering fusion sounds that come with remixes from Ma Sha and TSVI.

Tijmen Blokzijl's work is an involving eco-system of electronic collisions - IDM, breakbeat techno and bass are in constant mutation as he layers in deft melodies, cooks up punchy rhythms and screws about with synths. He has done so on the likes of Sann Odea, Traumgarten, Flippen Disks and on self-released EPs that have all constantly pushed at the fringes of sound design. Now he brings all that together again across four electrifying tracks for Gamma Intel and Identified Patient's Nerve Collect.

This EP finds Teqmun departing from the cute and colourful elements of previous releases and becoming inspired by the harsher phenomena in nature, such as a high speed escape of hopping desert rodents called Jerboa, deadly sea slugs and fluffy Echinopsis cactus. I am often inspired by nature and its images and quickly get real sounds or feelings of atmosphere in my head when I see images of natural processes. In this case, it’s grimmer natural processes that inspired me which is why these tracks are much wilder than previous releases, therefore they fit in perfectly with Nerve Collect.

'Hand Full of Fluff' kicks off with a playful rhythm and churning bass that is brought to life with prickly percussion. Shards of melody and scattered hits are fired like ray guns across the track. The EP title track is an impossibly kinetic rhythm with fizzing textures and thudding kick patterns that sound like techno made purely by malfunctioning AI. That same sense of futurism pervades ‘A Jerboa's Escape' which has tightly coiled and broken-up drum patterns looping below eerie, unsettling pads that glow brightly in the percussive chaos. 'Corn Has Ears' is another physical club rhythm made from millions of tiny fragments that all coalesce around a harrowing bassline and 'Slug No Escargot' brings dystopian raps to static-laced bass and harder drum patterns. Last of all is the bouncy and buoyant 'Optimistic' with its post-trap vocals and thrilling club rhythms.

First to remix is New York innovator Ma Sha. She flips 'Slug No Escargot' into a percussive workout with writhing bass and cyborg vocal shards that soundtrack an intergalactic meltdown. Next comes London-based Italian TSVI. His take on 'Optimistic Fly' is big, elastic techno with decaying synth leads and zippy pads pulling you in several directions at once.

Teqmun's Worms Still Have To Eat The Dirt EP manages to sound completely out of this world while also connecting on a deeply emotional level.

All tracks mixed and arranged by Teqmun
Artwork by Nina van der Berg
Mastering by Maspaventi Studio

NC005 // Teqmun - Worms Still Have To Eat The Dirt

@martini_glass
@pinopena

BC: https://w133records.bandcamp.com/album/aqua-pura

We are more than delighted to welcome Martini to W133. After appearances on Kindergarten Records and Early Reflex, the NYC-based producer delivers three uniquely well-crafted originals for the Berlin imprint.

Kicking off the EP on A1 is "Liquorice." The track starts with captivating ambient sounds and playfully develops into a breaky tribal adventure, paving the way for the EP title-giving track that is "Aqua Pura." You can feel the power of crystal-clear water bursting through your speakers, and tension building while the track develops. Mechanical noises and sci-fi sounds decorate the bass-heavy yet also playful baseline

pi pi pi premiere: Martini - Liquorice (W133)

Despite the efforts of organizers around the world, and the overwhelming disapproval of the international community, Israel continues in their campaign to see the displacement, murder, occupation, and apartheid of Palestinians to its brutal end with the help of the USA and UK.

As artists operating in the West, we call unequivocally for an end to this violence, for justice in the Palestinian struggle, and for the US and UK’s divestment of political and financial capital from the genocidal Israeli state.

We gather this music to offer our solidarity, make our position clear, and encourage others to continue advocating and organizing for the Palestinian liberation struggle.

All proceeds for this compilation will go to Medical Aid for Palestinians (www.map.org.uk).

Mastered by Curve Pusher
Artwork by je_fous_le_camp

@despinadespina
@drvmmy
@masha-ny
@martini_glass
@stolenvelour
@tomsobolikmusic
@traintoeltanin
@ziyiz

Various Artists - Fluo IV - For Palestine KINDER017 (Previews)

our friend Andrea Benedetti returns after 3 years from its Sprawl "Time Tunnel" release appearance on the label and its cassette mixtape, for the first episode of our new mix series called MISCELAZIONE. it was almost inevitable to give him the task of opening it, and we are super pleased that he has answered this call. here we can find him in rare druid's clothes, with more cerebral and extended sounds than usual, with a vinyl selection that walks perfectly with our current times. 
sit back, relax and enjoy your dance.

[MISCELAZIONE] Andrea Benedetti : Rigenerazione

Independent Underground Record Label based in Italy. Established by Kreggo @g-twentythree in winter 2014. Home of secret rave ++ 

contact:  info@art-aud.com
demos:  demos@art-aud.com

www.linktr.ee/artaudrec

[MISCELAZIONE] Andrea Benedetti : Rigenerazione

art-aud

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