the razor breaks through the snow

品番：RVNGNL25CD 
アーティスト：The Body  (ザ・ボディ)
タイトル：I Shall Die Here（アイ・シャル・ダイ・ヒア)
レーベル：RVNG INTL.
発売日予定日：2014年4月3日 (木)
フォーマット：輸入CD
流通元：melting bot / Inpartmaint Inc.
ジャンル : Metal / Doom / Electronic

【Track List】

1.To Carry The Seeds Of Death Within Me
2.Alone All The Way
3.The Night Knows No Dawn
4.Hail To Thee, Everlasting Pain
5.Our Souls Were Clean
6.Darkness Surrounds Us

昨年＜Tri Angle＞からのリリースでPitchforkの【BEST NEW MUSIC】を獲得した暗黒の帝王
The Haxan Cloakが糸を引く、死の芸術！インダストリアルの文脈にも浸食する進化と実験を繰り返すエクストリームなメタル・シーンと闇を吸収し続ける音響シーンが奇跡の衝突！！

  昨年は<Thrill Jockey>から4thをリリースし、そのエクスペリメンタルでありながらきちんとエンターテインするハイパーな存在感をUSドゥーム・メタル・シーンに確かに刻んできたドラムとベースによるキャリア15年目のデュオ。今作はUSイチの尖ったレーベル＜RVNG Intl.＞よりリリースです。新作の目玉は、Pitchforkを筆頭に各媒体で昨年のベストに選ばれた<Tri Angle>の呪術師The Haxan Cloakの参加。それによりロックとしてだけではなく音響作品としても非常に優れた作品になっており、The BattlesやThe Psychic Paramount、そしてBurning Star Coreをも凌駕するダークでエネルギッシュなサウンドはSwansやGodspeedの聖域をも脅かす歴史的名盤に仕上がっています。ボロボロの宇宙船が爆発しながら加速していくかの様なインダストリアル・スペクタクル・ツアーは最高にスリリング！　

RVNG INTL.
http://igetrvng.com

________________________________________

Distributed by melting bot / Inpartmaint inc.
http://meltingbot.net


The Body - I Shall Die Here - Hail To Thee, Everlasting Pain [RVNG Intl.]

The Body - To Carry The Seeds of Death Within Me

Official Video: https://youtu.be/bTXDLifjTUY

Purchase from RVNG: http://smarturl.it/body-isdh-rvng
Purchase from Bandcamp: http://smarturl.it/body-isdh-bcamp
Purchase from iTunes: http://smarturl.it/body-isdh-itunes

Taken from I Shall Die Here

© and Ⓟ 2015 RVNG Intl

The Body - To Carry The Seeds Of Death Within Me

Them Are Us Too "Us Now"

johnny_ripper - bleu

Slight - Tasting

original • https://soundcloud.com/yearofgladmusic/lifetrap

year of glad - lifetrap (johnny_ripper remix)

Slight - Origin Of Birds

Year Of Glad - Lifetrap (johnny_ripper Remix)

Saxsyndrum - Maps (feat. Ohara Hale) (YYYs Cover)

based on https://soundcloud.com/spirodon/griffintown-guitar + https://soundcloud.com/freecityradio/montreal-night-protest-ambience

c'est pas fini (stefan's song)

ORDER Interludes of Insanity here - wharfcatrecords.com/store/pre-order…des-of-insanity
ORDER on Bandcamp here - wharfcatrecords.bandcamp.com/album/pre-…f-insanity
ORDER on Apple Music - https://itunes.apple.com/us/album/interludes-of-insanity/id1199342901

Snakehole has returned, and on the Miami/Philadelphia noise rock duo’s new LP, Interludes of Insanity, KC Toimil and Autumn Casey up the clarity, volume, crunch, and sophistication in a major way. Recorded by the prolific and precise Ben Greenberg (Uniform, Mission Hubble) in Hudson, New York’s cavernous Waterfront Studios, Interludes of Insanity showcases the duo’s headway into layering and experimentation. The LP makes no qualms; it’s the main act, and it wedges itself firmly into the tradition of cohesive, almost narrative, albums.

Autumn and KC reiterate that the LP is a continuation of their self-titled 12”, and though there are similarities, Interludes of Insanity feels more realized, demonstrating a band fully in control of its sound and ethos. Fans of the 12” will find more snarling, filth-drenched grime rock, but, as that record hinted at, Snakehole here wields beauty just as easily as darkness. The piano sections that would peek their heads out of the woodwork sporadically on the 12” have become more full, more central. But there’s unease in the beauty, too — a little bit of reality. The album stands as a testament to self-actualization, and it’s as clear as it is engaging. But that’s what happens when your music isn’t confined to permutations on one song, isn’t it?

Stereogum
two minutes of rapid-fire guitar sludge and drum
battery, topped off with willfully abrasive vocals that hit like a rallying cry in the midst of a
warzone — so, basically it’s the sound of political discourse circa now, only much more
viscerally satisfying”
Premiere of “Bum Song” – “
Noisey - "aggressive and genre-leaping rock music"
CLRVYNT - "two ferocious women dead-set on stirring up chaos"
Post-Trash - "a crushing and unwieldy sprawl of blistering feedback, dense riffs, and immersive vocal melodies"

BUY LP/CD

Snakehole - Good Conversation (from the Interludes of Insanity LP)

Providence + (2006)

8mm 024 -  Pumice - Providence - 2008 7"EP

Vinyl: http://bit.ly/halfwaifvinyl
Spotify: http://smarturl.it/SeveredLogicSpotify
Bandcamp: https://halfwaif.bandcamp.com/album/form-a
iTunes: http://smarturl.it/HalfWaifiTunes
___

'Severed Logic' is the first single taken from Half Waif's form/a EP, which launches February 24, 2017. 

form/a is a collection of tracks that expand on Nandi Rose Plunkett's exploration of home. “There's an inherent restlessness in the way that I write and think about sound," she explained. "I'm the daughter of a refugee, and somewhere in me is this innate story of searching for a home. As a result, I have many – a collection of places that I latch onto, that inspire me, that fuse themselves to me. I'm sentimental, nostalgic – yet constantly seeking what’s next, excavating the sound of my past and coloring it to make the sound of my future. I'm a child of divorce, fiercely loved but forced into independence at a young age; I rocket into relationships with the desire to find roots, commonality, to create stillness in the midst of public noise. In this way, my songs are like the notes of a large scavenger hunt, clues pinned to trees I have known, or tucked under rocks on my path, urging the listener to keep looking a little deeper, because maybe they will find something special in the end.”

form/a will be released on a limited-edition 12”. Art for the cover was shot by Aidan Carlo and hand-stitched by Chilean artist, María Aparicio Puentes. 
___

“beautifully ornamented melodies—intricately woven, as if using harmonies to climb into the sky.” -Pitchfork

“a combination of glitchy percussion and rueful piano that never sits completely still.” -Village Voice

“Half Waif combines urgent synths with Celtic melodies and lines like "’come down, turn me around, I don't even know what I'm here for.’" -NPR
___

Half Waif on FB: http://bit.ly/2fhWigW 
Cascine on FB: http://bit.ly/2fa3o9i

form/a

form/a EP

Half Waif - Severed Logic

Vinyl: http://bit.ly/halfwaifvinyl
Bandcamp: halfwaif.bandcamp.com/album/form-a
iTunes: smarturl.it/HalfWaifiTunes
___

'Frost Burn' is the second single taken from Half Waif's form/a EP, which launches February 24, 2017.

form/a is a collection of tracks that expand on Nandi Rose Plunkett's exploration of home. “There's an inherent restlessness in the way that I write and think about sound," she explained. "I'm the daughter of a refugee, and somewhere in me is this innate story of searching for a home. As a result, I have many – a collection of places that I latch onto, that inspire me, that fuse themselves to me. I'm sentimental, nostalgic – yet constantly seeking what’s next, excavating the sound of my past and coloring it to make the sound of my future. I'm a child of divorce, fiercely loved but forced into independence at a young age; I rocket into relationships with the desire to find roots, commonality, to create stillness in the midst of public noise. In this way, my songs are like the notes of a large scavenger hunt, clues pinned to trees I have known, or tucked under rocks on my path, urging the listener to keep looking a little deeper, because maybe they will find something special in the end.”

form/a will be released on a limited-edition 12”. Art for the cover was shot by Aidan Carlo and hand-stitched by Chilean artist, María Aparicio Puentes. 
___

Half Waif on FB: bit.ly/2fhWigW 
Cascine on FB: bit.ly/2fa3o9i

Half Waif - Frost Burn

From the album Selfless by Joni Void

Joni Void
Selfless
180gLP/CD/DL
CST125

cstrecords.com/cst125

Selfless

Joni Void • "Disassociation (Kyla's Song)"

Strange Ranger 'Daymoon' out 10/6/17 on Tiny Engines

Daymoon

Strange Ranger - Sophie

Strange Ranger - House Show

Daybreak tends to creep up on you. Emerging from starry darkness, the sun wobbles at first but proceeds on its scheduled arc. You can’t help but wonder if it ever looks back in disbelief, or regret.  This feeling of self-reflection—of looking back to see how far you’ve come—is precisely the sentiment of Thawing Dawn, the first solo record from A. Savage, released on Dull Tools.

The songs on Thawing Dawn form a guided tour through the romantic environs of A. Savage’s mirrored mind. While some were written recently, other tunes were penned over the past decade. For one reason or another, these compositions didn’t land with any of Savage’s other groups, and instead are presented now as a distinct collection. Reflecting back, Savage says, “Once I realized I had a small body of work that didn’t fit anywhere else, I started to examine the commonalities: What’s the common denominator of all this and how I can expand on it?”

Savage is best known as the frontman for Parquet Court, a duty split with fellow Texan Austin Brown. Their last record, Human Performance, delved into the emotional wreckage of a broken heart, to critical acclaim.  But with Thawing Dawn, it’s clear that Savage has matured. While assembling the record, he fell in love. Now, for the first time, we hear songs about being on the inside of love. Rather than lamenting the end of a relationship, we hear a voice trying, in the moment, to make sense of love’s mysteries. “Part of this maturity,” he says, “is reflecting on something when it’s happening, not just when it’s gone.” 

Thawing Dawn gives us honesty: We see the artist at home in bed, more singer-songwriter portrait than esoteric statement. Throughout his discography Savage has long abbreviated his first name as a kind of writerly gesture. He says, of the move, “I am an uncivilized member of modern civilization--I’m just a savage.” Like Duchamp’s R. Mutt signature on a urinal, the shortening embodies a mischievous directness, enabling this savage to introduce his slanted honesty into the universe.

“I always like it when records are good representations of communities,” Savage says, and this one succeeds in this regard. These ten songs were recorded between December 2016 and June 2017 by a cast of friends in Jarvis Taveniere’s Thump Studios in Brooklyn. Members of Woods, Ultimate Painting, PC Worship, EZTV, and Psychic TV all lend their talents.  Savage’s voice, once shouted into mosh pits, now glides confidently above its backing band. Thawing Dawn marks the arrival point for Savage as a sensitive and skilled vocalist.  A strain of rural inquiry tinges the soundscape, an ongoing trope in Savage’s writing most powerfully felt on Parkay Quart’s ballad “Uncast Shadow of a Southern Myth.” On this record it is stronger, with a healthy helping of pedal steel guitar, a chorus of female back-up vocals, four familiar chords, and maybe the truth, all layered throughout these songs. Their titles also steer us this way, but don’t fully convey the hidden intricacies. “Buffalo Calf Road Woman” opens the record in a burst of C&W energy.  The staccato pop piano of “Eyeballs” lays crisply beneath a refrain of heartbreak. “Wild Wild Horses” finds him confessing inside a Talk Talk bubble of guitar static and organ. The build-up of “What Do I Do” yields a guitar freak out that Parquet Courts fans will recognize. You could two-step to the swing of “Phantom Limbo.” “Ladies from Houston” is a Leonard Cohen-like ramble through a party scene. Finally, the title track is a suite of three interwoven songs that closes the record in a beautifully cinematic style. 

Throughout, A. Savage delivers one-off lines of razor-sharp observation that will stick in your brain, only to surface when you’re least prepared to handle their insights. When you put your copy of Thawing Dawn on your turntable and drop the needle, you’ll learn what A. Savage has to say about romance in our modern world. Keep your ears open--it’s worth hearing.

- Jack Murphy

Wild, Wild, Wild Horses

Odonis Odonis continued to push their sound further into the depths of post-apocalyptic experimentation. Following 2016's foreboding Post Plague, No Pop is the band's starker, more dance-floor-friendly fourth LP.

No Pop is being released by Telephone Explosion in Canada on October 20th, 2017.

Pre-order an LP here: https://goo.gl/VqjDbC

TELEPHONEEXPLOSION.COM

No Pop

Odonis Odonis - Check My Profile

Consisting of re-worked older material from the Quo and Pebbles albums, along with covers and live tape-scuzz jams all done for various radio sessions, Worldwide Gullet is just that: worldwide jams and perfect songs straight from the oesophagus of NZ’s Stefan Neville. The range of material on this record is just staggering, from barely audible under a ton of no-fi scuzz, to fantastically affecting and perfectly realised songs, which disappear once again when the audible click of the fuzz pedal kicks in, and the one-man-Dead-C rocking blasts through yr skull. Includes unreleased covers and “traditional extended live Pumice variations for endless cassette and intercom”, all worked into a record with the kind of supreme loner-feel that has to have been beamed directly from Neville’s basement/brain, to your own brain/basement. Edition of 107 on Nyali Recordings.

the razor breaks through the snow

art greasy