Fortnightly radio show on art and environmentalism, with poetry and field recordings. On Eastside Radio 89.7FM. Produced and presented by Ira Ferris.

This program takes place on the Gadigal land of the Eora nation, traditional and ongoing custodians of this land.

Facebook: www.facebook.com/sympoiesisradioshow
Instagram: www.instagram.com/sympoiesis_radio_show

The word 'sympoiesis' is taken from environmental philosopher Donna Haraway who defines it as 'making with'. She writes: “Sympoiesis is a simple word; it means “making-with.” Nothing makes itself; nothing is really autopoietic or self-organizing. [...] Sympoiesis is a word proper to complex, dynamic, responsive, situated, historical systems. It is a word for worlding-with, in company.” (p58 in Staying with the Trouble)

SYMPOIESIS : RADIO SHOW hopes to inspire this interconnectivity and re-kindle our lost relationship with the natural world.

Sympoiesis (radio show) - Eastside Radio 89.7FM

Deshice De Mi

Mi Eje

Conversation with visual artist and curator BEATA GEYER about the CHAIR exhibition, showing at Articulate Project Space until 28 July 2024. This group exhibition includes 25 artists who look at the CHAIR not only as an object but also as an image and a text.

https://www.articulateprojectspace.org/project/24-07-DU

Originally aired on Eastside Radio 89.7FM on 22 July 2024.
Interviewer: Ira Ferris 

This program airs from the Gadigal Land of the Eora nation.

EP66: Beata Geyer, curator of CHAIR exhibition (Articulate Project Space)

SONIDO GALLO NEGRO - EUROPEAN TOUR 2015

15.03.2015 – ES – Lleida – Mud. Festival Músiques Disperses
20.03.2015 – FR – Lyon – ElectroChoc Festival
21.03.2015 – BE – Dixmuda – AB-Clubcircuit – AB @ 4AD

Sonido Gallo Negro (Black Rooster Sound) is a stunning 9-piece, instrumental combo from east Mexico City (Aragon) that channels both the mystique and mysticism of 1960’s Peruvian cumbia. The band integrates styles like Amazonian cumbia, huayno, sonidero cumbia, boogaloo and chicha with electric guitars, Farfisa organ, Theremin, flute and of course fluid Latin percussion. Spaghetti western soundtracks, psychedelia and surf music also echo in their compositions.

The name of the song 'Chamula (métete)' comes from San Juan Chamula, a little town in Chiapas (a Mexican state in the South of the country). Most of the people there are Chamulas and Tzetzales (Mexican first nation) and their lives are full of traditional sounds and a unique way of seeing the Universe. The song documents a cruel battle between the Chamulas and Tzetzales and the state Goverment in 1869. 



Sonido Gallo Negro - Chamula (métete)

Conversation with performance artist Alan Schacher who works across the terrain of dance and installation, with an interest in architectural experiences and the performativity of public space. His performances “attempt to eke out the essence of site, materials and objects in relation to and with the performer’s body, the situation, and memory of place.”

From Friday 27th to Sunday 29th of December, Alan will take a performative drawing residency at Drawspace gallery in Enmore. The project is titled CHASING SHADOWS and in this residency, Alan will capture the outlines of shadows and reflections as they fall onto and into the DRAW space. 

More about Alan's work: https://alanschacher.net 

Originally aired on Eastside Radio 89.7FM on 23 December 2024.

Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come.

Facebook: www.facebook.com/sympoiesisradioshow
Instagram: www.instagram.com/sympoiesis_radio_show

PRESENTER/INTERVIEWER: Ira Ferris (www.instagram.com/artemisprojects)

EP69: Alan Schacher (Drawspace, Chasing Shadows)

Conversation with artist Carolyn Craig about their most recent solo exhibition – ALGEIC INTENT – on at Firsdraft gallery (Sydney) until 15 March 2025. ALGAEIC INTENT investigates the ways in which Algae thrive in the wreckage of capitalism. The work intermingles breathe, sound, image and desire through diffractive echo, to leak affect and challenge conventional narratives around social responsibility that isolate bodies as discrete entities that sustain the meritocracy myths of capitalism.

Carolyn’s practice operates through conceptual ideas of how power is embedded within material exchanges – between bodies, objects and at a quantum level. They see material practices as a relational act connected to political spaces and the broader arts ecology, and have founded artist run space SCHMICK Contemporary in Haymarket with this ethos in mind. Carolyn is a lecturer at the National Art School, and a member of research group Intermedial Composition Network at the University of New South Wales.

More about Carolyn's work: http://www.carolyncraig.com

Originally aired on Eastside Radio 89.7FM on 17 February 2025.

Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come.

Facebook: www.facebook.com/sympoiesisradioshow
Instagram: www.instagram.com/sympoiesis_radio_show

PRESENTER/INTERVIEWER: Ira Ferris (www.instagram.com/artemisprojects)

EP70: Carolyn Craig (Algaeic Intent, Firstdraft)

Conversation with choreographer and dancer EMMA HARRISON about HIGH OCTANE, her latest choreographic work premiering at Campbeltown Arts Centre on 27 March 2025. 

HIGH OCTANE is a super-charged dance work that reflects on the forces that drive us. This electrifying performance challenges us to rethink our relationship with success, power, and the relentless pursuit of more. In a world fuelled by competition, HIGH OCTANE takes us on a high-speed ride through ambition, self-identity, and the price of making it to the top.

More about Emma's work: https://emmaharrison.info

Originally aired on Eastside Radio 89.7FM on 17 March 2025.

Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come.

Facebook: www.facebook.com/sympoiesisradioshow
Instagram: www.instagram.com/sympoiesis_radio_show

PRESENTER/INTERVIEWER: Ira Ferris (www.instagram.com/artemisprojects)

EP71: Emma Harrison (High Octane - Campbelltown Arts Centre)

Conversation with artist THOMAS THORBY-LISTER about his solo exhibition SITE ACTIONS showing at Woollahra Gallery at Redleaf from 9th of April. to 11 May 2025

SITE ACTIONS is an exhibition of site-responsive paintings that engage with the natural environment that surrounds Woollahra Gallery. The landscape acts as an active participant in the creative process, with elements such as rain, wind, sun and water leaving marks on the sheets of linen, which are eventually rendered in subtle monochromatic tones to reflect the natural hues of the environment. 

Allowing the natural forces to shape and imprint their textures onto the fabric, Thomas Thorby-Lister relinquishes a part of his agency to give a greater voice to nature and engage in the collaborative process of ‘making with’ more-than-human. 

More about Emma's work: https://www.thomasthorbylister.com

Originally aired on Eastside Radio 89.7FM on 31 March 2025.

Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come.

Facebook: www.facebook.com/sympoiesisradioshow
Instagram: www.instagram.com/sympoiesis_radio_show

PRESENTER/INTERVIEWER: Ira Ferris (www.instagram.com/artemisprojects)

EP72: Thomas Thorby-Lister (Woollahra Gallery - Site Actions)

Conversation with dancer and choreographer JASMIN SHEPPARD about PREPARING GROUND – a new dance work that invites us to join First Peoples’ care of Land as an urgent act for our shared future.

PREPARING GROUND is a First Nations-led dance work co-directed by pioneering indigenous artist Marilyn Miller, alongside Jasmin Sheppard and Katina Olsen. It dances of the future Future—a world where care for Country and community continues generationally. It reminds us that our survival depends on an enduring relationship with the land, and that the path forward is one we must walk together.

More about this work: https://www.blakdance.org.au/articles/preparing-ground

Also featured on the show, a music from SOUND THE ALARM, a 16-piece ensemble led by double bassist Clayton Thomas, in response to the genocide in Palestine. 

The track was recorded during their live performance at Johnston Street Jazz (June 2024). The music is a composed improvisation, described by Clayton as “a sonic allegory and a simple way to collect human energy in the right place for the right reasons.”

All the proceeds from the album go towards humanitarian aid in Gaza: https://claytonthomas.bandcamp.com


Originally aired on Eastside Radio 89.7FM on 12 May 2025.

The track featured at the very beginning is by Samuel Pankhurst who is a sound designer on PREPARING GROUND. 

Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come.

Facebook: www.facebook.com/sympoiesisradioshow
Instagram: www.instagram.com/sympoiesis_radio_show

PRESENTER/INTERVIEWER: Ira Ferris (www.instagram.com/artemisprojects)

EP73: Jasmin Sheppard (Preparing Ground)

Colonna sonora dell'omonimo lavoro di video-danza della coreogra Laura Boato ispirato al pensiero di Michelangelo.
"Marmo" è stato prodotto da Nancy Allison e montato da Laura Cappellesso.

Marmo

Untangle the Roots

New Eyes (Daisuke Tanabe Remix)

What does a gut feeling sound like?

Eleanor Zurowski, this year’s columnist, is producing sonic responses in response to each issue of Framework in 2019. Each piece will be an accumulation of field recordings, samples, lecture snippets, spoken word and contemporary music. For this issue, Eleanor is exploring the fugitive eruptions of, and leaks from, the body. Breathing in, crying out, rumbling, whistling, swallowing spit, belching, erupting into tears; extra-linguistic moments when our bodies speak for – or to – us. 

Read Framework: https://www.arc.unsw.edu.au/art-design/framework

Tracklist:
ASMR Ear Tease Mouth Sounds and Light Breathing - Stephanie7Whispers
Trumps Border Wall Speech But Just The Breathing - Destiny Leaks
Prologue - a.rawlings
ב I│0 א (Our Whispers Are an Ocean) -  Leah Caroline and Jeremy S-Horseman
Can I Hold the Mic (interlude) - Solange
Plate of Order 秩序之灾 - Pan Daijing
Pain - Hannah Silva
Like Right Now - Stine Janvin
Cyclicality - Odeya Nini
Dear Myself (VOCAL EXPERIMENTAL) - Abiyya Ladangku
Refrigerator Defrosting - Anne Tardos and Jackson Mac Low
Sublingual - Dave Jackson
Bald Mountain Zaum Poems - Dada Group
iinnnn mm m my y yy ww wwaa y yyy - LOFT
The Pitch Sisters (stereo edit) - Ain Bailey
Improvisation 1 - Viv Corringham
If a Voice Like, Then What? - Gregory Whitehead

Image: Hannah Black (2016), ‘Dark Pool Party’, Dominica/Arcadia Missa, p. 43.

What does a gut feeling sound like? - Eleanor Zurowski - Framework #25

Conversation with Swedish artist Fanny Hellgren whose works explore the properties and agencies of materials - be it paper, concrete, cloth, or water - and the way they transform when exposed to the elements such as sun or time. 

In this podcast recorded in Belgrade, Serbia where Fanny was on an artist residency, we delve deeper into Fanny’s interest in materiality and in-between spaces, the process and methodology of making works, her preferred ways of exhibiting them, and what role patience plays in both making and viewing art.

Fanny's website: http://www.fannyhellgren.se/

Jingle designed by @trevorbrownmusic

Conversation with artist Fanny Hellgren (May 2019, Belgrade)

Recorded in the garage of Artemis Residency, Zagreb
sounds featured are:-
air conditioning
garage door slam
garage door lock
drain pipe
garage door springs
percussive hits on garage door

Artemis Garage

Houses II

The house that was growing, 
while you were cooking,
had too much concrete,
too many doors  and 
too many crevices
to become a home.

It had too many walls,
against which anger and sadness were banging,
without being flushed through the drain.

The silence of long afternoons,
needles knitting by themselves,
chamber pots motionless under the beds. 

There were no blankets woollen enough
to cover the winter evenings
and mornings that followed.

The switched on lights were signals falling through.
Slides of words were bouncing off big heavy carpets
like dust
on the floor.

Words: Manca Klun
Sounds: Alessandro De Oliveira Bastos

Houses II

PODCAST-CONVERSATIONS with artists and art theorists, from visual to performing arts, discussing conceptual frameworks and philosophical outlooks. Also some SOUND-COLLAGES, assembled together on variety of themes, such as: sleep, silence, intuition, collaboration, failure, and more. 

Available via iTunes: https://podcasts.apple.com/us/podcast/artemis-projects/id1462300886

PRODUCER & HOST: Ira Ferris (https://www.artemisprojects.com.au/projects-ira-ferris)

EP66: Beata Geyer, curator of CHAIR exhibition (Articulate Project Space)

Artemis Projects

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